EIRINI DIAMANTOULI
Biographic Data
| ID | 6335974 |
|---|---|
| NAME | EIRINI DIAMANTOULI |
| GIVEN NAMES | EIRINI |
| FAMILY NAME | DIAMANTOULI |
| SIGNATURE | DIAMANTOULI E |
| AFFILIATIONS | University of Cambridge |
| ORCID | 0000-0001-8480-2139 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Through the Lens of Socialist Realism
This article explores Nikos Skalkottas's engagement with stylistic accessibility after his return to Greece from Germany in 1933. It considers the composer's self-proclaimed efforts to establish a more accessible, tonal musical style in the context of Greek sociopolitical upheaval and the political culture of anti-fascist resistance. Centring on the period between 1947 and 1949, this shift is viewed in terms of the impact of Socialist Realism in …
There shall be no musical servitude’
Ideologically motivated attempts to elucidate Shostakovich’s political views and to determine whether and how they may be coded into his compositions have come to characterize the Western reception of the composer’s works since his death in 1975. Fuelled by the political oppositions of the cold war, Shostakovich’s posthumous reputation in the West has been largely shaped by two conflicting perspectives. These have positioned him on the one hand a…
No prominent works on this page.
There shall be no musical servitude’
Ideologically motivated attempts to elucidate Shostakovich’s political views and to determine whether and how they may be coded into his compositions have come to characterize the Western reception of the composer’s works since his death in 1975. Fuelled by the political oppositions of the cold war, Shostakovich’s posthumous reputation in the West has been largely shaped by two conflicting perspectives. These have positioned him on the one hand a…
Through the Lens of Socialist Realism
This article explores Nikos Skalkottas's engagement with stylistic accessibility after his return to Greece from Germany in 1933. It considers the composer's self-proclaimed efforts to establish a more accessible, tonal musical style in the context of Greek sociopolitical upheaval and the political culture of anti-fascist resistance. Centring on the period between 1947 and 1949, this shift is viewed in terms of the impact of Socialist Realism in …
Aesthetics (2 works) · Art (2 works) · Literature (2 works) · Musicology and Musical Analysis (2 works) · Philosophy (2 works) · Communism (1 work) · Diverse Musicological Studies (1 work) · Eastern European Communism and Reforms (1 work) · Epistemology (1 work) · History (1 work)