DANIEL MARCH
Biographic Data
| ID | 6335977 |
|---|---|
| NAME | DANIEL MARCH |
| GIVEN NAMES | DANIEL |
| FAMILY NAME | MARCH |
| SIGNATURE | MARCH D |
| AFFILIATIONS | University of York |
| ORCID | 0000-0003-2660-5756 |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
Processes, Paradoxes and Illusions
Hans Abrahamsen’s recent music has been the subject of much critical and public acclaim, with his output of the last decade finding a new directness of expression even as it incorporates and develops elements of his musical language that have remained consistent over many years. This article examines the use of compositional processes within a number of these large-scale works – Schnee (2008), Wald (2009), the Double Concerto (2011) and Let me te…
Speed and Slowness in the Music of Gerald Barry
How music engenders a sense of speed remains notoriously elusive, with theories of musical time sometimes putting forward the idea of an ongoing motion which underlies perceived processes of change. Drawing upon the suggestion that a number of such processes can be understood without reference to this sense of movement, the current discussion proposes that the concept of ‘quickness’, as formulated by Italo Calvino, forms a useful interpretative l…
No prominent works on this page.
Speed and Slowness in the Music of Gerald Barry
How music engenders a sense of speed remains notoriously elusive, with theories of musical time sometimes putting forward the idea of an ongoing motion which underlies perceived processes of change. Drawing upon the suggestion that a number of such processes can be understood without reference to this sense of movement, the current discussion proposes that the concept of ‘quickness’, as formulated by Italo Calvino, forms a useful interpretative l…
Processes, Paradoxes and Illusions
Hans Abrahamsen’s recent music has been the subject of much critical and public acclaim, with his output of the last decade finding a new directness of expression even as it incorporates and develops elements of his musical language that have remained consistent over many years. This article examines the use of compositional processes within a number of these large-scale works – Schnee (2008), Wald (2009), the Double Concerto (2011) and Let me te…
Aesthetics (2 works) · Art (2 works) · Art history (2 works) · Diverse Musicological Studies (2 works) · Musicology and Musical Analysis (2 works) · Artificial Intelligence (1 work) · Cartography (1 work) · Cognitive psychology (1 work) · Computer Science (1 work) · Concerto (1 work)