Julie D Campbell
Biographic Data
| ID | 6336365 |
|---|---|
| NAME | Julie D Campbell |
| GIVEN NAMES | Julie D |
| FAMILY NAME | Campbell |
| SIGNATURE | CAMPBELL J D |
| AFFILIATIONS | Eastern Illinois University |
| VERIFIED | No |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 9 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1997 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Anne de Graville and Women’s Literary Networks in Early Modern France
Women, Entertainment, and Precursors of the French Salon, 1532-1615
This study of ludic literary society in sixteenth-century France addresses Italianate practices of philosophical and literary sociability as they took root there. It asserts that entertainment activities of women-led circles illustrate the richly complex precursors of the seventeenth-century salons. Notions from the philosophy of play, such as those developed by Johan Huizinga, Eugen Fink, and Roger Caillois, who argue that play is critically int…
The Perraults
In this work, Rabinovitch offers a detailed portrait of the social mobility of the famous Perrault family. Taking his cues from studies of family academies, literary circles and network theory, he deftly makes use of notarial documents, manuscripts and printed works to construct a history of the careers of the four Perrault brothers, Pierre, Claude, Nicolas and Charles, that illustrates the ways in which their careers overlapped and connected. He…
The Poems and Letters of Tullia d’Aragona and Others
The Poems and Letters of Tullia d’Aragona and Others. Julia L. Hairston, ed. The Other Voice in Early Modern Europe: The Toronto Series 28. Toronto: Iter Inc. and Centre for Reformation and Renaissance Studies, 2014. xii + 352 pp. $39.95. - Volume 68 Issue 1
Marie de Beaulieu and Isabella Andreini
In La Première atteinte contre ceux qui accusent les comedies (1603), the fille d'honneur Marie de Beaulieu praises and defends the commedia dell'arte troupe the Gelosi, directed by the celebrated actress and poet Isabella Andreini and her husband, Francesco. In her Rime, parte seconda (1605), Andreini includes seven poems in praise of Beaulieu, including one about her novel, L'Histoire de la Chiaramonte (1603). This study explores Beaulieu and A…
In Dialogue with the Other Voice in Sixteenth-Century Italy
Campbell, Julie D. and Maria Galli Stampino (eds.). In Dialogue with the Other Voice in Sixteenth-Century Italy: Literary and Social Contexts for Women’s Writing. An article from journal Renaissance and Reformation / Renaissance et Réforme (The Material Culture of Debt), on Érudit
The Ideas of Man and Woman in Renaissance France
Lyndan Warner. The Ideas of Man and Woman in Renaissance France: Print, Rhetoric, and Law. Women and Gender in the Early Modern World. Farnham: Ashgate Publishing Limited, 2011. xiv + 264 pp. index. illus. bibl. $119.95. ISBN: 978–1–4094–1246–5. - Volume 64 Issue 4
Masque scenery and the tradition of immobilization in The First Part of The Countess of Montgomery's Urania
This study addresses two of the pivotal magical interventions in The First Part of The Countess of Montgomery's Urania , specifically those in which Wroth makes use of the masque tradition of immobilization: the Three Towers of the House of Love and the Marble Theatre on an island in the Gulf of Venice. In these enchantments, which include architecturally fantastic structures, music, and the symbolically posed, stilled characters, Wroth creates m…
Love's Victory and La Mirtilla in the canon of renaissance tragicomedy
Lady Mary Wroth's play, Love's Victory, and Shakespeare's A Midsummer Night's Dream are plays about love in all its phases, and both contain key passages and framing concepts that echo each other. That Wroth had ample opportunity to be influenced by Shakespeare's works is a point upon which most scholars agree, although it is difficult to trace specific examples of influence; however, we may examine duplication of themes and language that suggest…
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Love's Victory and La Mirtilla in the canon of renaissance tragicomedy
Lady Mary Wroth's play, Love's Victory, and Shakespeare's A Midsummer Night's Dream are plays about love in all its phases, and both contain key passages and framing concepts that echo each other. That Wroth had ample opportunity to be influenced by Shakespeare's works is a point upon which most scholars agree, although it is difficult to trace specific examples of influence; however, we may examine duplication of themes and language that suggest…
Masque scenery and the tradition of immobilization in The First Part of The Countess of Montgomery's Urania
This study addresses two of the pivotal magical interventions in The First Part of The Countess of Montgomery's Urania , specifically those in which Wroth makes use of the masque tradition of immobilization: the Three Towers of the House of Love and the Marble Theatre on an island in the Gulf of Venice. In these enchantments, which include architecturally fantastic structures, music, and the symbolically posed, stilled characters, Wroth creates m…
The Ideas of Man and Woman in Renaissance France
Lyndan Warner. The Ideas of Man and Woman in Renaissance France: Print, Rhetoric, and Law. Women and Gender in the Early Modern World. Farnham: Ashgate Publishing Limited, 2011. xiv + 264 pp. index. illus. bibl. $119.95. ISBN: 978–1–4094–1246–5. - Volume 64 Issue 4
In Dialogue with the Other Voice in Sixteenth-Century Italy
Campbell, Julie D. and Maria Galli Stampino (eds.). In Dialogue with the Other Voice in Sixteenth-Century Italy: Literary and Social Contexts for Women’s Writing. An article from journal Renaissance and Reformation / Renaissance et Réforme (The Material Culture of Debt), on Érudit
Marie de Beaulieu and Isabella Andreini
In La Première atteinte contre ceux qui accusent les comedies (1603), the fille d'honneur Marie de Beaulieu praises and defends the commedia dell'arte troupe the Gelosi, directed by the celebrated actress and poet Isabella Andreini and her husband, Francesco. In her Rime, parte seconda (1605), Andreini includes seven poems in praise of Beaulieu, including one about her novel, L'Histoire de la Chiaramonte (1603). This study explores Beaulieu and A…
The Poems and Letters of Tullia d’Aragona and Others
The Poems and Letters of Tullia d’Aragona and Others. Julia L. Hairston, ed. The Other Voice in Early Modern Europe: The Toronto Series 28. Toronto: Iter Inc. and Centre for Reformation and Renaissance Studies, 2014. xii + 352 pp. $39.95. - Volume 68 Issue 1
The Perraults
In this work, Rabinovitch offers a detailed portrait of the social mobility of the famous Perrault family. Taking his cues from studies of family academies, literary circles and network theory, he deftly makes use of notarial documents, manuscripts and printed works to construct a history of the careers of the four Perrault brothers, Pierre, Claude, Nicolas and Charles, that illustrates the ways in which their careers overlapped and connected. He…
Women, Entertainment, and Precursors of the French Salon, 1532-1615
This study of ludic literary society in sixteenth-century France addresses Italianate practices of philosophical and literary sociability as they took root there. It asserts that entertainment activities of women-led circles illustrate the richly complex precursors of the seventeenth-century salons. Notions from the philosophy of play, such as those developed by Johan Huizinga, Eugen Fink, and Roger Caillois, who argue that play is critically int…
Anne de Graville and Women’s Literary Networks in Early Modern France
Art (8 works) · Art history (6 works) · Literature (6 works) · Renaissance Literature and Culture (5 works) · History (4 works) · Philosophy (4 works) · Sociology (4 works) · Historical Art and Culture Studies (3 works) · History (3 works) · Philosophy (3 works)