Luca Nodari
Biographic Data
| ID | 633788 |
|---|---|
| NAME | Luca Nodari |
| GIVEN NAMES | Luca |
| FAMILY NAME | Nodari |
| SIGNATURE | NODARI L |
| AFFILIATIONS | University of Padua |
| ORCID | 0000-0001-9296-463X |
| VERIFIED | Yes |
| TOTAL WORKS | 19 |
| TOTAL CITATIONS | 69 |
| AUTHOR COUNT | 19 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2004 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 4 |
An FTIR-based model for the diagenetic alteration of archaeological bones
Foreword to the Special Issue “Chemistry for Cultural Heritage at the National Research Council”
The chemistry of making color in art
An integrated diagnostic approach to Max Ernst's painting materials in his Attirement of the Bride
Shades of black: Production technology of the black slip ware from Barikot, north-western Pakistan
Conservation of contemporary art: Alteration phenomena in a XXI century artwork. From contactless in situ investigations to laboratory accelerated ageing tests
Assessment of plasma torches as innovative tool for cleaning of historical stone materials
Characterization of Pigment and Binder in Badly Conserved Illuminations of a 15th‐Century Manuscript
In this work we report a pre‐restoration spectroscopic study by a multi‐technique approach on the green pigment and the binder used in illuminations in a codex of the late 15th century. Our analysis aimed to characterize the badly deteriorated parts of the codex, mainly the green parts, by electron paramagnetic resonance ( EPR ), X ‐ray diffraction ( XRD ), X ‐ray fluorescence ( XRF ) and infrared spectroscopy ( ATR‐IR ). We will show that a comb…
Non-invasive multitechnique methodology applied to the study of two 14th century canvases by Lorenzo Veneziano
The Temple of Venus (Pompeii): A study of the pigments and painting techniques
Alteration Processes of Pottery in Lagoon-Like Environments: Alteration processes of pottery in lagoon-like environments
Post-depositional processes in pottery can give rise to chemical and mineralogical alterations, the extent of which is closely related not only to the microstructure and composition of the potsherds, but also to the chemical–physical conditions of the burial environment. The present paper describes the characterization of post-depositional alterations and identification of processes involving pottery buried in lagoon-like environments. A set of v…
The Blue Enamels in the Baroque Decorations of the Churches of Palermo, Sicily: Fe 2+ ‐coloured Glasses From Lime Kilns
Deep blue glasses coloured by octahedral Fe 2+ cations are often reported as textbook examples of blue pigmentation. However, despite the possibility of laboratory synthesis under reducing conditions, to date there are no well‐reported occurrences of their production and use in the past. A thorough historical, ethnographic, mineralogical, and chemico‐physical investigation of the ‘ smaltini di calcara ’ from several baroque churches in Palermo, S…
Firing techniques of black slipped pottery from Nepal (12th–3rd century B.C.): The role of Mössbauer spectroscopy
Incised Slipware Production at Castelfiorentino (Florence): The ‘Via Bertini’ Site (15th–17th Centuries)
This study deals with the physical–chemical and mineralogical–petrographic investigations (OM, SEM–EDS, EPMA, ICP, XRpD, Mössbauer and IR) conducted on first‐ and second‐firing wasters belonging to two types of incised slipware (sgraffito), manufactured at Castelfiorentino between the late 15th and the early 17th centuries. Raw materials, colouring agents and firing products were analysed in order to establish the production technology of the cer…
Hematite nucleation and growth in the firing of carbonate-rich clay for pottery production
Influence of firing conditions on ceramic products: Experimental study on clay rich in organic matter
Medieval and renaissance glass technology in Valdelsa (Florence). Part 2: Vitreous finds and sands
Medieval and renaissance glass technology in Valdelsa (Florence). Part 3: Vitreous finds and crucibles
Decay markers for the preventative conservation and maintenance of paintings
The Temple of Venus (Pompeii): A study of the pigments and painting techniques
Alteration Processes of Pottery in Lagoon-Like Environments: Alteration processes of pottery in lagoon-like environments
Post-depositional processes in pottery can give rise to chemical and mineralogical alterations, the extent of which is closely related not only to the microstructure and composition of the potsherds, but also to the chemical–physical conditions of the burial environment. The present paper describes the characterization of post-depositional alterations and identification of processes involving pottery buried in lagoon-like environments. A set of v…
Decay markers for the preventative conservation and maintenance of paintings
Firing techniques of black slipped pottery from Nepal (12th–3rd century B.C.): The role of Mössbauer spectroscopy
An FTIR-based model for the diagenetic alteration of archaeological bones
Shades of black: Production technology of the black slip ware from Barikot, north-western Pakistan
Incised Slipware Production at Castelfiorentino (Florence): The ‘Via Bertini’ Site (15th–17th Centuries)
This study deals with the physical–chemical and mineralogical–petrographic investigations (OM, SEM–EDS, EPMA, ICP, XRpD, Mössbauer and IR) conducted on first‐ and second‐firing wasters belonging to two types of incised slipware (sgraffito), manufactured at Castelfiorentino between the late 15th and the early 17th centuries. Raw materials, colouring agents and firing products were analysed in order to establish the production technology of the cer…
An integrated diagnostic approach to Max Ernst's painting materials in his Attirement of the Bride
Conservation of contemporary art: Alteration phenomena in a XXI century artwork. From contactless in situ investigations to laboratory accelerated ageing tests
Characterization of Pigment and Binder in Badly Conserved Illuminations of a 15th‐Century Manuscript
In this work we report a pre‐restoration spectroscopic study by a multi‐technique approach on the green pigment and the binder used in illuminations in a codex of the late 15th century. Our analysis aimed to characterize the badly deteriorated parts of the codex, mainly the green parts, by electron paramagnetic resonance ( EPR ), X ‐ray diffraction ( XRD ), X ‐ray fluorescence ( XRF ) and infrared spectroscopy ( ATR‐IR ). We will show that a comb…
The Blue Enamels in the Baroque Decorations of the Churches of Palermo, Sicily: Fe 2+ ‐coloured Glasses From Lime Kilns
Deep blue glasses coloured by octahedral Fe 2+ cations are often reported as textbook examples of blue pigmentation. However, despite the possibility of laboratory synthesis under reducing conditions, to date there are no well‐reported occurrences of their production and use in the past. A thorough historical, ethnographic, mineralogical, and chemico‐physical investigation of the ‘ smaltini di calcara ’ from several baroque churches in Palermo, S…
Decay markers for the preventative conservation and maintenance of paintings
Medieval and renaissance glass technology in Valdelsa (Florence). Part 2: Vitreous finds and sands
Medieval and renaissance glass technology in Valdelsa (Florence). Part 3: Vitreous finds and crucibles
Influence of firing conditions on ceramic products: Experimental study on clay rich in organic matter
Hematite nucleation and growth in the firing of carbonate-rich clay for pottery production
Firing techniques of black slipped pottery from Nepal (12th–3rd century B.C.): The role of Mössbauer spectroscopy
Incised Slipware Production at Castelfiorentino (Florence): The ‘Via Bertini’ Site (15th–17th Centuries)
This study deals with the physical–chemical and mineralogical–petrographic investigations (OM, SEM–EDS, EPMA, ICP, XRpD, Mössbauer and IR) conducted on first‐ and second‐firing wasters belonging to two types of incised slipware (sgraffito), manufactured at Castelfiorentino between the late 15th and the early 17th centuries. Raw materials, colouring agents and firing products were analysed in order to establish the production technology of the cer…
The Blue Enamels in the Baroque Decorations of the Churches of Palermo, Sicily: Fe 2+ ‐coloured Glasses From Lime Kilns
Deep blue glasses coloured by octahedral Fe 2+ cations are often reported as textbook examples of blue pigmentation. However, despite the possibility of laboratory synthesis under reducing conditions, to date there are no well‐reported occurrences of their production and use in the past. A thorough historical, ethnographic, mineralogical, and chemico‐physical investigation of the ‘ smaltini di calcara ’ from several baroque churches in Palermo, S…
The Temple of Venus (Pompeii): A study of the pigments and painting techniques
Alteration Processes of Pottery in Lagoon-Like Environments: Alteration processes of pottery in lagoon-like environments
Post-depositional processes in pottery can give rise to chemical and mineralogical alterations, the extent of which is closely related not only to the microstructure and composition of the potsherds, but also to the chemical–physical conditions of the burial environment. The present paper describes the characterization of post-depositional alterations and identification of processes involving pottery buried in lagoon-like environments. A set of v…
Non-invasive multitechnique methodology applied to the study of two 14th century canvases by Lorenzo Veneziano
Characterization of Pigment and Binder in Badly Conserved Illuminations of a 15th‐Century Manuscript
In this work we report a pre‐restoration spectroscopic study by a multi‐technique approach on the green pigment and the binder used in illuminations in a codex of the late 15th century. Our analysis aimed to characterize the badly deteriorated parts of the codex, mainly the green parts, by electron paramagnetic resonance ( EPR ), X ‐ray diffraction ( XRD ), X ‐ray fluorescence ( XRF ) and infrared spectroscopy ( ATR‐IR ). We will show that a comb…
Assessment of plasma torches as innovative tool for cleaning of historical stone materials
Conservation of contemporary art: Alteration phenomena in a XXI century artwork. From contactless in situ investigations to laboratory accelerated ageing tests
An integrated diagnostic approach to Max Ernst's painting materials in his Attirement of the Bride
Shades of black: Production technology of the black slip ware from Barikot, north-western Pakistan
Foreword to the Special Issue “Chemistry for Cultural Heritage at the National Research Council”
The chemistry of making color in art
An FTIR-based model for the diagenetic alteration of archaeological bones
Building materials and conservation (17 works) · Cultural Heritage Materials Analysis (17 works) · Materials Science (15 works) · Mineralogy (13 works) · Chemistry (12 works) · Conservation Techniques and Studies (12 works) · Metallurgy (10 works) · Archaeology (9 works) · Geology (8 works) · Engineering (7 works)