Mike Budd
Biographic Data
| ID | 6340824 |
|---|---|
| NAME | Mike Budd |
| GIVEN NAMES | Mike |
| FAMILY NAME | Budd |
| SIGNATURE | BUDD M |
| AFFILIATIONS | Florida Atlantic University |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1983 |
| LATEST PUBLICATION YEAR | 1992 |
| H-INDEX | 1 |
Cultural Studies and the Politics of Encoding Research
The affirmative character of U.S. cultural studies
This article argues that, as imported to the United States from England by scholars like Lawrence Grossberg and John Fiske, cultural studies often loses much of its critical edge. Its misleading affirmation of the power and independence of media audiences derives from several problems. First, it overestimates the freedom of audiences in reception. Second, it minimizes the commodification of audiences as analyzed by a political‐economic approach. …
M*A*S*H Mystified
n the evening of February 28, 1983, some 125 million Americans watched the final episode of M*A*S*H, a two-and-a-half hour movie entitled Goodbye, Farewell, and Amen, This was the largest single audience for any television show ever broadcast, amounting to a Nielsen rating of 60.3. Seventy-seven percent of all TV sets in use in the United States were tuned in to it. Perhaps more significantly, advertisers paid up to a record $450,000 for a thirty…
The National Board of Review and the Early Art Cinema in New York
Through Screen and other influential publications, contemporary film scholarship has been strongly influenced by a model of ideology, derived from Althusser, which emphasizes the in the relative autonomy of ideological practices from the infrastructure or economic base of the film industry. Both in its psychoanalytic and non-psychoanalytic variants, this has meant that many film scholars, while often using Marxist concepts and categories, have ne…
“Fantasy Island”
Mike Budd, Steve Craig, Clay Steinman; “Fantasy Island”: Marketplace of Desire, Journal of Communication, Volume 33, Issue 1, 1 March 1983, Pages 67–77, ht
The National Board of Review and the Early Art Cinema in New York
Through Screen and other influential publications, contemporary film scholarship has been strongly influenced by a model of ideology, derived from Althusser, which emphasizes the in the relative autonomy of ideological practices from the infrastructure or economic base of the film industry. Both in its psychoanalytic and non-psychoanalytic variants, this has meant that many film scholars, while often using Marxist concepts and categories, have ne…
“Fantasy Island”
Mike Budd, Steve Craig, Clay Steinman; “Fantasy Island”: Marketplace of Desire, Journal of Communication, Volume 33, Issue 1, 1 March 1983, Pages 67–77, ht
The National Board of Review and the Early Art Cinema in New York
Through Screen and other influential publications, contemporary film scholarship has been strongly influenced by a model of ideology, derived from Althusser, which emphasizes the in the relative autonomy of ideological practices from the infrastructure or economic base of the film industry. Both in its psychoanalytic and non-psychoanalytic variants, this has meant that many film scholars, while often using Marxist concepts and categories, have ne…
M*A*S*H Mystified
n the evening of February 28, 1983, some 125 million Americans watched the final episode of M*A*S*H, a two-and-a-half hour movie entitled Goodbye, Farewell, and Amen, This was the largest single audience for any television show ever broadcast, amounting to a Nielsen rating of 60.3. Seventy-seven percent of all TV sets in use in the United States were tuned in to it. Perhaps more significantly, advertisers paid up to a record $450,000 for a thirty…
The affirmative character of U.S. cultural studies
This article argues that, as imported to the United States from England by scholars like Lawrence Grossberg and John Fiske, cultural studies often loses much of its critical edge. Its misleading affirmation of the power and independence of media audiences derives from several problems. First, it overestimates the freedom of audiences in reception. Second, it minimizes the commodification of audiences as analyzed by a political‐economic approach. …
Cultural Studies and the Politics of Encoding Research
Media Studies and Communication (4 works) · Art (3 works) · Sociology (3 works) · Cinema and Media Studies (2 works) · Economics (2 works) · Law (2 works) · Media studies (2 works) · Political science (2 works) · Politics (2 works) · Social and Cultural Dynamics (2 works)