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D Ciofini

Biographic Data

ID634157
NAMED Ciofini
GIVEN NAMESD
FAMILY NAMECiofini
SIGNATURECIOFINI D
AFFILIATIONSNello Carrara Institute of Applied Physics
ORCID0000-0002-7217-8663
VERIFIEDYes
TOTAL WORKS5
TOTAL CITATIONS5
AUTHOR COUNT5
EDITOR COUNT0
FIRST PUBLICATION YEAR2017
LATEST PUBLICATION YEAR2023
H-INDEX1
  • In-depth structural and compositional assessment of aged terpenoid varnish layers by nonlinear optical microscopy

    Open Access•Marina Martínez-Weinbaum, Laura Maestro‐Guijarro et al.•ARTICLE•Journal of Cultural Heritage•2023•Cited by: 2

    Varnishes are employed in painted artworks for protection from atmospheric pollution and oxidation and for improving the esthetic appearance by providing an even and brilliant surface finish. Also, in some cases, colored varnishes are applied intentionally to modify the chromatic appearance of paintings. Varnishes undergo complex and differentiated structural and chemical changes over time depending on their composition and conservation condition…

  • Quantitative spectroscopic characterization of laser-induced effects on oil paint films using 213, 266, or 2940 nm

    Open Access•D Ciofini, Marina Martínez-Weinbaum et al.•ARTICLE•Journal of Cultural Heritage•2023•Cited by: 1•References: 1

    Removal of aged varnish layers from easel paintings is a challenging task requiring methodologies capable of preventing any alteration of the underlying painted surface. Laser-ablation approaches using the fourth and fifth harmonics of a Q-Switched Nd:YAG (266 and 213 nm, 15 ns) and Free-Running Er:YAG laser (2940 nm, 160 μs pulses) can allow for very thin removal rates but their discrimination of the underlying paint film and self-termination po…

  • Laser cleaning of artificially soiled cotton fabric: Assessment of surface chemical effects

    Open Access•C Chillé, Guia Rossignoli et al.•ARTICLE•Journal of Cultural Heritage•2023•References: 29

    The effectiveness of the cleaning methods to remove soiling and stains from fabric artefacts is often limited by their complex microscopic and macroscopic structures, including fibre bundles, warp, weft, narrow folds, sewing deformations, and others. These structures may sometimes make the complete fabric cleaning very challenging, and they can easily be damaged. To approach such a problem, the potential of pulsed laser treatments of artificially…

  • Laser ablation treatment of soiled featherworks: The first validation study

    Open Access•D Ciofini, Guia Rossignoli et al.•ARTICLE•Journal of Cultural Heritage•2022•Cited by: 1•References: 30

  • Conservation of ethnographic artefacts: Selective laser ablation of deposits from doum palm fibers

    Open Access•D Ciofini, Ahmed Bedeir et al.•ARTICLE•Journal of Cultural Heritage•2017•Cited by: 1•References: 1

  • In-depth structural and compositional assessment of aged terpenoid varnish layers by nonlinear optical microscopy

    Open Access•Marina Martínez-Weinbaum, Laura Maestro‐Guijarro et al.•ARTICLE•Journal of Cultural Heritage•2023•Cited by: 2

    Varnishes are employed in painted artworks for protection from atmospheric pollution and oxidation and for improving the esthetic appearance by providing an even and brilliant surface finish. Also, in some cases, colored varnishes are applied intentionally to modify the chromatic appearance of paintings. Varnishes undergo complex and differentiated structural and chemical changes over time depending on their composition and conservation condition…

  • Quantitative spectroscopic characterization of laser-induced effects on oil paint films using 213, 266, or 2940 nm

    Open Access•D Ciofini, Marina Martínez-Weinbaum et al.•ARTICLE•Journal of Cultural Heritage•2023•Cited by: 1•References: 1

    Removal of aged varnish layers from easel paintings is a challenging task requiring methodologies capable of preventing any alteration of the underlying painted surface. Laser-ablation approaches using the fourth and fifth harmonics of a Q-Switched Nd:YAG (266 and 213 nm, 15 ns) and Free-Running Er:YAG laser (2940 nm, 160 μs pulses) can allow for very thin removal rates but their discrimination of the underlying paint film and self-termination po…

  • Laser ablation treatment of soiled featherworks: The first validation study

    Open Access•D Ciofini, Guia Rossignoli et al.•ARTICLE•Journal of Cultural Heritage•2022•Cited by: 1•References: 30

  • Conservation of ethnographic artefacts: Selective laser ablation of deposits from doum palm fibers

    Open Access•D Ciofini, Ahmed Bedeir et al.•ARTICLE•Journal of Cultural Heritage•2017•Cited by: 1•References: 1

  • Conservation of ethnographic artefacts: Selective laser ablation of deposits from doum palm fibers

    Open Access•D Ciofini, Ahmed Bedeir et al.•ARTICLE•Journal of Cultural Heritage•2017•Cited by: 1•References: 1

  • Laser ablation treatment of soiled featherworks: The first validation study

    Open Access•D Ciofini, Guia Rossignoli et al.•ARTICLE•Journal of Cultural Heritage•2022•Cited by: 1•References: 30

  • In-depth structural and compositional assessment of aged terpenoid varnish layers by nonlinear optical microscopy

    Open Access•Marina Martínez-Weinbaum, Laura Maestro‐Guijarro et al.•ARTICLE•Journal of Cultural Heritage•2023•Cited by: 2

    Varnishes are employed in painted artworks for protection from atmospheric pollution and oxidation and for improving the esthetic appearance by providing an even and brilliant surface finish. Also, in some cases, colored varnishes are applied intentionally to modify the chromatic appearance of paintings. Varnishes undergo complex and differentiated structural and chemical changes over time depending on their composition and conservation condition…

  • Quantitative spectroscopic characterization of laser-induced effects on oil paint films using 213, 266, or 2940 nm

    Open Access•D Ciofini, Marina Martínez-Weinbaum et al.•ARTICLE•Journal of Cultural Heritage•2023•Cited by: 1•References: 1

    Removal of aged varnish layers from easel paintings is a challenging task requiring methodologies capable of preventing any alteration of the underlying painted surface. Laser-ablation approaches using the fourth and fifth harmonics of a Q-Switched Nd:YAG (266 and 213 nm, 15 ns) and Free-Running Er:YAG laser (2940 nm, 160 μs pulses) can allow for very thin removal rates but their discrimination of the underlying paint film and self-termination po…

  • Laser cleaning of artificially soiled cotton fabric: Assessment of surface chemical effects

    Open Access•C Chillé, Guia Rossignoli et al.•ARTICLE•Journal of Cultural Heritage•2023•References: 29

    The effectiveness of the cleaning methods to remove soiling and stains from fabric artefacts is often limited by their complex microscopic and macroscopic structures, including fibre bundles, warp, weft, narrow folds, sewing deformations, and others. These structures may sometimes make the complete fabric cleaning very challenging, and they can easily be damaged. To approach such a problem, the potential of pulsed laser treatments of artificially…

Composite material (5 works) · Cultural Heritage Materials Analysis (5 works) · Laser (5 works) · Materials Science (5 works) · Optics (5 works) · Chemistry (3 works) · Raman spectroscopy (3 works) · Building materials and conservation (2 works) · Coating (2 works) · Irradiation (2 works)

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