Alice Dal Fovo
Biographic Data
| ID | 634418 |
|---|---|
| NAME | Alice Dal Fovo |
| GIVEN NAMES | Alice Dal |
| FAMILY NAME | Fovo |
| SIGNATURE | FOVO A D |
| AFFILIATIONS | National Institute of Optics |
| ORCID | 0000-0001-7960-2546 |
| VERIFIED | Yes |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 8 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
Study of menthol sublimation kinetics to deliver essential oil for the disinfection of stone monuments
The biodeterioration of stone substrates represents a major issue in cultural heritage conservation, as microbial colonization – driven by environmental factors and stone bioreceptivity – can induce irreversible surface and structural damage over time. Chemical biocides remain widely used, but their environmental and toxicological drawbacks have prompted the search for sustainable and eco-compatible alternatives. Within this context, Essential Oi…
Dino-Lite Micro-Photogrammetry
Portable digital microscopy (PDM) has become standard equipment in archaeological and restoration campaigns. In recent years, several studies have proposed combining PDM and micro-photogrammetry for preliminary documentation and in situ three-dimensional (3D) digitization, testing its applicability on a variety of materials and artifacts, including stone, bone, mural paintings, and small jewelry. However, limited data is available on its use with…
Multi-analytical assessment of dry plate negative cleaning using non-invasive optical methods
Cleaning has long been recognised as one of the most delicate operations in conservation, given its irreversible and potentially invasive nature. Despite its relevance to the conservation of photographic documents, the cleaning of mould-contaminated gelatine glass-plate negatives remains poorly documented. This study aims to assess the outcomes of cleaning treatments applied to mould-contaminated dry plate negatives using non-invasive and non-con…
Ageing-induced changes in varnish-coated oil paints
Spectral Mapping Techniques for the Stratigraphic and Compositional Characterisation of a 16th-Century Painting
Identifying a painting’s pigment palette is crucial for comprehending the author’s technique, as well as for evaluating the degradation of the materials. This paper investigates the stratigraphy and pigments distribution of a 16th-century painting from the Uffizi Galleries collection. Firstly, we obtained compositional information through the cross-sectional analysis of samples using scanning electron microscopy. Secondly, we performed elemental …
Botticelli-style tempera portrait on tile
In this work, a tempera painting of uncertain attribution from the Uffizi Galleries was studied. The painting, which portraits a man with apparently Botticellian features, was probably created by one of the most skilled forgers of the early 20th century, Umberto Giunti. He used a flat tile as a support, covered with preparatory layers emulating a wall painting. To shed light on the authorship of the painting, it was crucial to investigate its com…
Insights into the stratigraphy and palette of a painting by Pietro Lorenzetti through non-invasive methods
Non-invasive mapping methods for pigments analysis of Roman mural paintings
Non-invasive mapping methods for pigments analysis of Roman mural paintings
Botticelli-style tempera portrait on tile
In this work, a tempera painting of uncertain attribution from the Uffizi Galleries was studied. The painting, which portraits a man with apparently Botticellian features, was probably created by one of the most skilled forgers of the early 20th century, Umberto Giunti. He used a flat tile as a support, covered with preparatory layers emulating a wall painting. To shed light on the authorship of the painting, it was crucial to investigate its com…
Insights into the stratigraphy and palette of a painting by Pietro Lorenzetti through non-invasive methods
Spectral Mapping Techniques for the Stratigraphic and Compositional Characterisation of a 16th-Century Painting
Identifying a painting’s pigment palette is crucial for comprehending the author’s technique, as well as for evaluating the degradation of the materials. This paper investigates the stratigraphy and pigments distribution of a 16th-century painting from the Uffizi Galleries collection. Firstly, we obtained compositional information through the cross-sectional analysis of samples using scanning electron microscopy. Secondly, we performed elemental …
Ageing-induced changes in varnish-coated oil paints
Study of menthol sublimation kinetics to deliver essential oil for the disinfection of stone monuments
The biodeterioration of stone substrates represents a major issue in cultural heritage conservation, as microbial colonization – driven by environmental factors and stone bioreceptivity – can induce irreversible surface and structural damage over time. Chemical biocides remain widely used, but their environmental and toxicological drawbacks have prompted the search for sustainable and eco-compatible alternatives. Within this context, Essential Oi…
Dino-Lite Micro-Photogrammetry
Portable digital microscopy (PDM) has become standard equipment in archaeological and restoration campaigns. In recent years, several studies have proposed combining PDM and micro-photogrammetry for preliminary documentation and in situ three-dimensional (3D) digitization, testing its applicability on a variety of materials and artifacts, including stone, bone, mural paintings, and small jewelry. However, limited data is available on its use with…
Multi-analytical assessment of dry plate negative cleaning using non-invasive optical methods
Cleaning has long been recognised as one of the most delicate operations in conservation, given its irreversible and potentially invasive nature. Despite its relevance to the conservation of photographic documents, the cleaning of mould-contaminated gelatine glass-plate negatives remains poorly documented. This study aims to assess the outcomes of cleaning treatments applied to mould-contaminated dry plate negatives using non-invasive and non-con…
Building materials and conservation (5 works) · Art (4 works) · Conservation Techniques and Studies (4 works) · Cultural Heritage Materials Analysis (4 works) · Painting (4 works) · Geology (3 works) · Visual arts (3 works) · Archaeology (2 works) · Artificial Intelligence (2 works) · Computer Science (2 works)