Mai Corlin
Biographic Data
| ID | 6353228 |
|---|---|
| NAME | Mai Corlin |
| GIVEN NAMES | Mai |
| FAMILY NAME | Corlin |
| SIGNATURE | CORLIN M |
| AFFILIATIONS | University of Copenhagen |
| ORCID | 0000-0003-0050-9336 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Archives for the future
This article is concerned with the Lennon Walls of the 2019 Hong Kong protest movement as central spaces for the formation of an ‘archival imagination’ (Hochberg, 2021). Through producing a collection of protest icons connected directly to the movement’s history, the author argues that the visual expression developed from displaying a multiplicity of voices on to displaying ‘visual iconographies’ for ‘collective identification’ (Yates McKee, 2017…
Frontløberne som motiv
The 2019 protests in Hong Kong unfolded with a visual forcefulness that shaped a movement that was at once popular and radical, peaceful and belligerent, orderly and sabotaging. One of the movement’s central instruments was to occupy the territory of Hong Kong with visual protest material. Protest walls spread with lightning speed from early July and from August and September, the contents of the city’s protest walls were updated every single day…
The Bishan Commune and the Practice of Socially Engaged Art in Rural China
No prominent works on this page.
The Bishan Commune and the Practice of Socially Engaged Art in Rural China
Frontløberne som motiv
The 2019 protests in Hong Kong unfolded with a visual forcefulness that shaped a movement that was at once popular and radical, peaceful and belligerent, orderly and sabotaging. One of the movement’s central instruments was to occupy the territory of Hong Kong with visual protest material. Protest walls spread with lightning speed from early July and from August and September, the contents of the city’s protest walls were updated every single day…
Archives for the future
This article is concerned with the Lennon Walls of the 2019 Hong Kong protest movement as central spaces for the formation of an ‘archival imagination’ (Hochberg, 2021). Through producing a collection of protest icons connected directly to the movement’s history, the author argues that the visual expression developed from displaying a multiplicity of voices on to displaying ‘visual iconographies’ for ‘collective identification’ (Yates McKee, 2017…
Archaeology (1 work) · Art (1 work) · China (1 work) · China's Socioeconomic Reforms and Governance (1 work) · Cultural Industries and Urban Development (1 work) · Geography (1 work) · History (1 work) · Hong Kong and Taiwan Politics (1 work) · Political science (1 work) · Psychoanalysis (1 work)