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Helen Rutherford

Biographic Data

ID6357285
NAMEHelen Rutherford
GIVEN NAMESHelen
FAMILY NAMERutherford
SIGNATURERUTHERFORD H
AFFILIATIONSNorthumbria University
ORCID0000-0003-1976-4505
VERIFIEDYes
TOTAL WORKS4
TOTAL CITATIONS0
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2021
LATEST PUBLICATION YEAR2023
H-INDEX0
  • Joseph Bouet in the Durham criminal court (c.1825–1856)

    Open Access•Helen Rutherford, Clare Sandford-Couch•ARTICLE•Law and Humanities•2023

    Between c.1825–1856, a French-born artist, Joseph Bouet, made approximately sixty pencil sketches in the criminal courtroom at Durham, of legal actors including judges, lawyers, and defendants. Our research is the first detailed analysis of these images by legal scholars. It is presented in two parts, which can be read as separate and independent pieces, but each gain from being read in conjunction with the other.In Part 1 of this series of two a…

  • Joseph Bouet in the Durham criminal court (c.1825–1856)

    Open Access•Helen Rutherford, Clare Sandford-Couch•ARTICLE•Law and Humanities•2023

    Between c.1825–1856, a French-born artist, Joseph Bouet, made approximately sixty pencil sketches of legal actors in the courtroom at Durham; including images of judges, lawyers, and defendants. Legal imagery from this period in North East England is rare and our research (presented in two parts) is the first detailed analysis of these sketches by legal scholars. This article introduces our preliminary analysis of Bouet’s sketches. We explore pot…

  • The Coroner and the Medical Profession in Victorian Newcastle Upon Tyne ‘… Antagonism and Offence Towards the Medical Profession Such as has Rarely Been Exhibited.’

    Open Access•Helen Rutherford•ARTICLE•Northern History•2023

    Studies of the coroner in nineteenth century England suggest that inquests became increasingly medicalised. Much of this research was conducted in London. My research reveals that in Newcastle upon Tyne medicine did not dominate: the solicitor coroner used his skills and knowledge to maintain the legal focus of the inquest. This study reveals a fascinating dynamic between the legally qualified coroner and the local medical profession. In presenti…

  • Courting Power

    Open Access•Johannah Latchem, Helen Rutherford•ARTICLE•Law and Humanities•2021

    Courting Power, a courtroom-based art installation by Johannah Latchem presented in the Guildhall, Newcastle upon Tyne in 2018 explored how the acoustics and architecture of the unique courtroom at the Guildhall silenced or facilitated the voices of those involved in its judicial processes. Artistic and scientific approaches were employed in the investigation of the court’s abundant acoustic history and these were linked to a micro-study of the t…

No prominent works on this page.

  • Courting Power

    Open Access•Johannah Latchem, Helen Rutherford•ARTICLE•Law and Humanities•2021

    Courting Power, a courtroom-based art installation by Johannah Latchem presented in the Guildhall, Newcastle upon Tyne in 2018 explored how the acoustics and architecture of the unique courtroom at the Guildhall silenced or facilitated the voices of those involved in its judicial processes. Artistic and scientific approaches were employed in the investigation of the court’s abundant acoustic history and these were linked to a micro-study of the t…

  • Joseph Bouet in the Durham criminal court (c.1825–1856)

    Open Access•Helen Rutherford, Clare Sandford-Couch•ARTICLE•Law and Humanities•2023

    Between c.1825–1856, a French-born artist, Joseph Bouet, made approximately sixty pencil sketches in the criminal courtroom at Durham, of legal actors including judges, lawyers, and defendants. Our research is the first detailed analysis of these images by legal scholars. It is presented in two parts, which can be read as separate and independent pieces, but each gain from being read in conjunction with the other.In Part 1 of this series of two a…

  • Joseph Bouet in the Durham criminal court (c.1825–1856)

    Open Access•Helen Rutherford, Clare Sandford-Couch•ARTICLE•Law and Humanities•2023

    Between c.1825–1856, a French-born artist, Joseph Bouet, made approximately sixty pencil sketches of legal actors in the courtroom at Durham; including images of judges, lawyers, and defendants. Legal imagery from this period in North East England is rare and our research (presented in two parts) is the first detailed analysis of these sketches by legal scholars. This article introduces our preliminary analysis of Bouet’s sketches. We explore pot…

  • The Coroner and the Medical Profession in Victorian Newcastle Upon Tyne ‘… Antagonism and Offence Towards the Medical Profession Such as has Rarely Been Exhibited.’

    Open Access•Helen Rutherford•ARTICLE•Northern History•2023

    Studies of the coroner in nineteenth century England suggest that inquests became increasingly medicalised. Much of this research was conducted in London. My research reveals that in Newcastle upon Tyne medicine did not dominate: the solicitor coroner used his skills and knowledge to maintain the legal focus of the inquest. This study reveals a fascinating dynamic between the legally qualified coroner and the local medical profession. In presenti…

History (4 works) · Law (4 works) · Political science (4 works) · Sociology (4 works) · Law in Society and Culture (3 works) · Art (2 works) · Historical Economic and Social Studies (2 works) · Newcastle upon tyne (2 works) · Scholarship (2 works) · Ancient history (1 work)

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