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Jan Cohen-Cruz

Biographic Data

ID6359461
NAMEJan Cohen-Cruz
GIVEN NAMESJan
FAMILY NAMECohen-Cruz
SIGNATURECOHEN-CRUZ J
AFFILIATIONSNew York Proton Center
VERIFIEDNo
TOTAL WORKS8
TOTAL CITATIONS0
WORKS AS AUTHOR7
WORKS AS EDITOR1
FIRST PUBLICATION YEAR1990
LATEST PUBLICATION YEAR2026
H-INDEX0
  • Performing Emancipatory Rites of Passage

    Kevin Bott, Jan Cohen-Cruz•BOOK•Performing Emancipatory Rites of…•2026

  • Afterword

    Jan Cohen-Cruz, Kevin Bott•CHAPTER•Performing Emancipatory Rites of…•2026

    The coauthors reflect on the impulse to create emancipatory rites of passage and on their relationship to traditional rites. They draw out the similarities of applied performance to emancipatory rites, reflect on the value of ritual and applied performance for marginalized people, and reiterate the goal of emancipatory rites to make space for everyone to become their whole selves

  • Radical Street Performance

    Jan Cohen-Cruz•EDITOR•BOOK•Radical Street Performance•2013

    Part 1 Agitating and propagandizing. Part 2 Bearing witness. Part 3 Eliminating the frame. Part 4 Acting out Utopia. Part 5 Contemporizing the traditional

  • Points and practices

    James Thompson, Jan Cohen-Cruz et al.•ARTICLE•Research in Drama Education The…•2009

    In 1986 my university tutor mentioned in passing a political theatre person who had written a book that was worth reading. I went to our library and flipped through endless card indexes until I cam

  • The Network of Ensemble Theaters Festival (Netfest) (review)

    Jan Cohen-Cruz•ARTICLE•Theatre Journal•2006

  • Playing Boal

    Jan Cohen-Cruz, Mady Schutzman•BOOK•Playing Boal•2002

  • Boal at NYU

    Jan Cohen-Cruz•ARTICLE•TDR/The Drama Review•1990

    In January 1989, at New York University/Tisch School of the Arts, Augusto Boal ran a 12-day intensive workshop. 52 workshop members-mostly from the undergraduate drama and graduate performance studies departments cosponsoring the event-met in a large studio for five hours each day. A lot of work was also done out of class. As an adjunct instructor at the undergraduate drama department, I had experimented with Boal's techniques in my classes. resp…

  • Theatre of the Oppressed Workshops with Women

    Augusto Boal, Jan Cohen-Cruz et al.•ARTICLE•TDR/The Drama Review•1990

    Ed. Note: As codirectors of the LOCAL (Laboratory of Critical Arts and Learning), Mady Schutzman and Jan Cohen-Cruz sponsored Augusto Boal's 199o workshops in New York City. The LOCAL is a nonprofit organization dedicated to the process of creating politically conscious art and providing a theoretical and practical forum for multicultural and interdisciplinary expressions. Boal's techniques have been incorporated into the LOCAL's studio training …

No prominent works on this page.

  • Boal at NYU

    Jan Cohen-Cruz•ARTICLE•TDR/The Drama Review•1990

    In January 1989, at New York University/Tisch School of the Arts, Augusto Boal ran a 12-day intensive workshop. 52 workshop members-mostly from the undergraduate drama and graduate performance studies departments cosponsoring the event-met in a large studio for five hours each day. A lot of work was also done out of class. As an adjunct instructor at the undergraduate drama department, I had experimented with Boal's techniques in my classes. resp…

  • Theatre of the Oppressed Workshops with Women

    Augusto Boal, Jan Cohen-Cruz et al.•ARTICLE•TDR/The Drama Review•1990

    Ed. Note: As codirectors of the LOCAL (Laboratory of Critical Arts and Learning), Mady Schutzman and Jan Cohen-Cruz sponsored Augusto Boal's 199o workshops in New York City. The LOCAL is a nonprofit organization dedicated to the process of creating politically conscious art and providing a theoretical and practical forum for multicultural and interdisciplinary expressions. Boal's techniques have been incorporated into the LOCAL's studio training …

  • Playing Boal

    Jan Cohen-Cruz, Mady Schutzman•BOOK•Playing Boal•2002

  • The Network of Ensemble Theaters Festival (Netfest) (review)

    Jan Cohen-Cruz•ARTICLE•Theatre Journal•2006

  • Points and practices

    James Thompson, Jan Cohen-Cruz et al.•ARTICLE•Research in Drama Education The…•2009

    In 1986 my university tutor mentioned in passing a political theatre person who had written a book that was worth reading. I went to our library and flipped through endless card indexes until I cam

  • Radical Street Performance

    Jan Cohen-Cruz•EDITOR•BOOK•Radical Street Performance•2013

    Part 1 Agitating and propagandizing. Part 2 Bearing witness. Part 3 Eliminating the frame. Part 4 Acting out Utopia. Part 5 Contemporizing the traditional

  • Performing Emancipatory Rites of Passage

    Kevin Bott, Jan Cohen-Cruz•BOOK•Performing Emancipatory Rites of…•2026

  • Afterword

    Jan Cohen-Cruz, Kevin Bott•CHAPTER•Performing Emancipatory Rites of…•2026

    The coauthors reflect on the impulse to create emancipatory rites of passage and on their relationship to traditional rites. They draw out the similarities of applied performance to emancipatory rites, reflect on the value of ritual and applied performance for marginalized people, and reiterate the goal of emancipatory rites to make space for everyone to become their whole selves

Theatre and Performance Studies (6 works) · Art (4 works) · Visual arts (4 works) · Psychology (3 works) · Computer Science (2 works) · Diversity and Impact of Dance (2 works) · Library science (2 works) · Medicine (2 works) · Posthumanist Ethics and Activism (2 works) · Sociology (2 works)

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