Robert F Gross
Biographic Data
| ID | 6359641 |
|---|---|
| NAME | Robert F Gross |
| GIVEN NAMES | Robert F |
| FAMILY NAME | Gross |
| SIGNATURE | GROSS R F |
| VERIFIED | No |
| TOTAL WORKS | 14 |
| TOTAL CITATIONS | 11 |
| AUTHOR COUNT | 14 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1983 |
| LATEST PUBLICATION YEAR | 2006 |
| H-INDEX | 2 |
The Constant Wife (review)
Permanent Brain Damage, and
Eddie Goes to Poetry City, Part One. By Richard Foreman. True Comedy Theatre Company, The Piano Shop, New York. 14 August 1999
Pearls for Pigs (review)
Reviewed by: Pearls for Pigs Robert F. Gross Pearls for Pigs. By Richard Foreman. Tribeca Performing Arts Center, New York City. 19 December 1997. Click for larger view View full resolution Maestro (David Patrick Kelly) in Richard Foreman’s Pearls for Pigs, directed by Foreman. Tribeca Performing Arts Center, New York City. Photo: T. Charles Erickson. Click for larger view View full resolution Pierrot (Peter Jacobs) in Richard Foreman’s Pearls fo…
Fuhrmann Henschel and the Ruins of Realism
Fuhrmann Henschel and the Ruins of Realism* Robert F. Gross (bio) I The title of Gerhart Hauptmann’s 1899 Fuhrmann Henschel resists translation into English. 1 The protagonist, Henschel, is described through his occupation as Fuhrmann, which denotes a carter, teamster, drayman, or wagoner. But none of these English equivalents capture the overtones of Fuhrmann, with its compound composed of a form of the German verb fahren, which means among othe…
Bodied Spaces
Reviewed by: Bodied Spaces: Phenomenology And Performance In Contemporary Drama, and: Modern Drama And The Rhetoric Of Theatre Robert F. Gross Bodied Spaces: Phenomenology And Performance In Contemporary Drama. By Stanton B. Garner, Jr. Ithaca: Cornell University Press, 1994; pp. x + 260. $37.50 cloth, $14.95 paper. Modern Drama And The Rhetoric Of Theatre. By W. B. Worthen. Berkeley: University of California Press, 1992; pp. x + 230. $38.00 clot…
I've Got the Shakes
Consuming Hart
Of all Tennessee Williams's plays, few appear more straightforward in performance than Suddenly Last Summer.' This illusion of dramaturgical forthrightness stems, in large part, from the fact that the play is easily identified as an example of Gothic melodrama. Its very setting-an exotic, tropical garden within a Victorian Gothic mansion (9), looking like a well-groomed jungle (11)-establishes the familiar Gothic dialectics of overrefinement and …
Titus Andronicus
Not in Front of the Audience
Noel Coward
Engineers of the Imagination
The Henrys Project
Languages of the Stage
Danton's Death
Not in Front of the Audience
Engineers of the Imagination
Consuming Hart
Of all Tennessee Williams's plays, few appear more straightforward in performance than Suddenly Last Summer.' This illusion of dramaturgical forthrightness stems, in large part, from the fact that the play is easily identified as an example of Gothic melodrama. Its very setting-an exotic, tropical garden within a Victorian Gothic mansion (9), looking like a well-groomed jungle (11)-establishes the familiar Gothic dialectics of overrefinement and …
Languages of the Stage
Languages of the Stage
Danton's Death
Engineers of the Imagination
The Henrys Project
Noel Coward
Not in Front of the Audience
Titus Andronicus
I've Got the Shakes
Consuming Hart
Of all Tennessee Williams's plays, few appear more straightforward in performance than Suddenly Last Summer.' This illusion of dramaturgical forthrightness stems, in large part, from the fact that the play is easily identified as an example of Gothic melodrama. Its very setting-an exotic, tropical garden within a Victorian Gothic mansion (9), looking like a well-groomed jungle (11)-establishes the familiar Gothic dialectics of overrefinement and …
Bodied Spaces
Reviewed by: Bodied Spaces: Phenomenology And Performance In Contemporary Drama, and: Modern Drama And The Rhetoric Of Theatre Robert F. Gross Bodied Spaces: Phenomenology And Performance In Contemporary Drama. By Stanton B. Garner, Jr. Ithaca: Cornell University Press, 1994; pp. x + 260. $37.50 cloth, $14.95 paper. Modern Drama And The Rhetoric Of Theatre. By W. B. Worthen. Berkeley: University of California Press, 1992; pp. x + 230. $38.00 clot…
Pearls for Pigs (review)
Reviewed by: Pearls for Pigs Robert F. Gross Pearls for Pigs. By Richard Foreman. Tribeca Performing Arts Center, New York City. 19 December 1997. Click for larger view View full resolution Maestro (David Patrick Kelly) in Richard Foreman’s Pearls for Pigs, directed by Foreman. Tribeca Performing Arts Center, New York City. Photo: T. Charles Erickson. Click for larger view View full resolution Pierrot (Peter Jacobs) in Richard Foreman’s Pearls fo…
Fuhrmann Henschel and the Ruins of Realism
Fuhrmann Henschel and the Ruins of Realism* Robert F. Gross (bio) I The title of Gerhart Hauptmann’s 1899 Fuhrmann Henschel resists translation into English. 1 The protagonist, Henschel, is described through his occupation as Fuhrmann, which denotes a carter, teamster, drayman, or wagoner. But none of these English equivalents capture the overtones of Fuhrmann, with its compound composed of a form of the German verb fahren, which means among othe…
Permanent Brain Damage, and
Eddie Goes to Poetry City, Part One. By Richard Foreman. True Comedy Theatre Company, The Piano Shop, New York. 14 August 1999
The Constant Wife (review)
Art (14 works) · Art history (6 works) · Philosophy (6 works) · Philosophy (6 works) · Literature (5 works) · Psychology (5 works) · History (4 works) · History (4 works) · Visual arts (3 works) · Computer Science (2 works)