Christophe Chambost
Biographic Data
| ID | 6360546 |
|---|---|
| NAME | Christophe Chambost |
| GIVEN NAMES | Christophe |
| FAMILY NAME | Chambost |
| SIGNATURE | CHAMBOST C |
| AFFILIATIONS | Université Bordeaux Montaigne |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2007 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Of Nieces and Uncles
In Shadow of a Doubt (Alfred Hitchcock, 1943), young Charlie’s initial faith in her Uncle Charlie gradually dissolves, and leads her to a bitter realization of life’s baseness. Seventy years later, using Hitchcock’s film as a reference, director Park Chan-wook totally transforms the relationship between his own Uncle Charlie and Charlie’s niece, India, in Stoker (Park Chan-wook, 2013). The complex connection between the two characters is first ch…
Southern Discomfort
The article analyzes the role played by both the diegetic sounds and the music in The Texas Chain Saw Massacre (Tobe Hooper, 1974). Resorting to some atonal score made of jarring notes coupled with diegetic sounds of the most bizarre sort (from the rattling of chainsaws to the cackling of encaged hens, without forgetting the screaming of the unyielding heroine), Tobe Hooper means to literally set the viewers’ teeth on edge. By counting on the sen…
Kiss Off … or the Infamous Nature of the Violent Femmes’ Thwarted Love Songs
The Violent Femmes have never found mainstream stardom, and this might be due to the tormented nature of their work coupled with the tongue-in-cheek nature of some lyrics. Defining indie rock, the critics give some essential features of the Violent Femmes’ music: iconoclastic playfulness, appropriation of the punk-rock aesthetic without the overtly confrontational stance, that aggressiveness being replaced by the use of sensitive lyrics coupled w…
La presse anglo-saxonne et la prédominance des faits
International audience
No prominent works on this page.
La presse anglo-saxonne et la prédominance des faits
International audience
Kiss Off … or the Infamous Nature of the Violent Femmes’ Thwarted Love Songs
The Violent Femmes have never found mainstream stardom, and this might be due to the tormented nature of their work coupled with the tongue-in-cheek nature of some lyrics. Defining indie rock, the critics give some essential features of the Violent Femmes’ music: iconoclastic playfulness, appropriation of the punk-rock aesthetic without the overtly confrontational stance, that aggressiveness being replaced by the use of sensitive lyrics coupled w…
Southern Discomfort
The article analyzes the role played by both the diegetic sounds and the music in The Texas Chain Saw Massacre (Tobe Hooper, 1974). Resorting to some atonal score made of jarring notes coupled with diegetic sounds of the most bizarre sort (from the rattling of chainsaws to the cackling of encaged hens, without forgetting the screaming of the unyielding heroine), Tobe Hooper means to literally set the viewers’ teeth on edge. By counting on the sen…
Of Nieces and Uncles
In Shadow of a Doubt (Alfred Hitchcock, 1943), young Charlie’s initial faith in her Uncle Charlie gradually dissolves, and leads her to a bitter realization of life’s baseness. Seventy years later, using Hitchcock’s film as a reference, director Park Chan-wook totally transforms the relationship between his own Uncle Charlie and Charlie’s niece, India, in Stoker (Park Chan-wook, 2013). The complex connection between the two characters is first ch…
Philosophy (4 works) · Art (3 works) · Art history (3 works) · Cinema and Media Studies (2 works) · Gothic Literature and Media Analysis (2 works) · Modern American Literature Studies (2 works) · Psychology (2 works) · Appropriation (1 work) · Cognitive psychology (1 work) · Crime, Deviance, and Social Control (1 work)