Zhu Zhirong
Biographic Data
| ID | 6361069 |
|---|---|
| NAME | Zhu Zhirong |
| GIVEN NAMES | Zhu |
| FAMILY NAME | Zhirong |
| SIGNATURE | ZHIRONG Z |
| AFFILIATIONS | Purdue University West Lafayette |
| ORCID | 0000-0002-5171-4199 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Interpretation and Construction
François Jullien advocates revealing the unique value of ancient Chinese thought based on intelligibility (intelligibilité) between Chinese and Western cultures. First, by exploring ancient Chinese poetry, literati painting, and calligraphy, he views the "blandness" of traditional Chinese art as a virtue, being both an aesthetic criterion and sage wisdom. Second, he highlights the effect of manifesting shi (propensity) through forms and unifying …
Western Theory and Historical Studies of Chinese Literary Criticism
This paper examines the formation of modern historical studies of classical Chinese literary criticism in terms of its interaction with and transformation of western theory. The discipline emerged during the eastward movement of Western ideas in the early twentieth century, promoting the “scientific study” of classical Chinese learning, and instituting curriculum and textbooks in Chinese universities. The reception of Western concepts of “literat…
No prominent works on this page.
Western Theory and Historical Studies of Chinese Literary Criticism
This paper examines the formation of modern historical studies of classical Chinese literary criticism in terms of its interaction with and transformation of western theory. The discipline emerged during the eastward movement of Western ideas in the early twentieth century, promoting the “scientific study” of classical Chinese learning, and instituting curriculum and textbooks in Chinese universities. The reception of Western concepts of “literat…
Interpretation and Construction
François Jullien advocates revealing the unique value of ancient Chinese thought based on intelligibility (intelligibilité) between Chinese and Western cultures. First, by exploring ancient Chinese poetry, literati painting, and calligraphy, he views the "blandness" of traditional Chinese art as a virtue, being both an aesthetic criterion and sage wisdom. Second, he highlights the effect of manifesting shi (propensity) through forms and unifying …
Art (2 works) · China (2 works) · Chinese history and philosophy (2 works) · Epistemology (2 works) · History (2 works) · Literature (2 works) · Philosophy (2 works) · Aesthetics (1 work) · Archaeology (1 work) · Art history (1 work)