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Shannan Lee Hayes

Biographic Data

ID6364208
NAMEShannan Lee Hayes
GIVEN NAMESShannan Lee
FAMILY NAMEHayes
SIGNATUREHAYES S L
AFFILIATIONSDuke University
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS0
AUTHOR COUNT3
EDITOR COUNT0
FIRST PUBLICATION YEAR2019
LATEST PUBLICATION YEAR2024
H-INDEX0
  • Pleasure Aesthetics: On the Art of Mika Rottenberg

    Shannan Lee Hayes, Shannan Hayes•ARTICLE•Camera Obscura Feminism Culture…•2024

    This essay develops a theory of Mika Rottenberg's video art by attending to both the content her work represents (neoliberalism's logic of gendered labor) and the formal characteristics by which her art affects (sensibly drawing the viewer in while resisting assimilation into conceptual critique). Rottenberg's art flirts with a logic of cognitive mapping by suggesting the structures of global production and gendered labor that characterize our ne…

  • Wanting More

    Shannan Lee Hayes•ARTICLE•differences•2020•References: 30

    This essay interrogates the forms of feminist political desire and subject formation being reproduced under the heading of contemporary feminist art. The author considers two recent exhibitions, similarly organized around the theme of intersectionality, that took place over two consecutive summers in New York City: Simone Leigh's The Waiting Room at the New Museum (2016), and the group exhibit We Wanted a Revolution at the Brooklyn Museum (2017).…

  • Counterpublic and counterprivate: Zoe Leonard, David Wojnarowicz, and the political aesthetics of intimacy

    Shannan Lee Hayes, Max Symuleski•ARTICLE•Women & Performance a journal of…•2019•References: 15

    In this paper we explore the space that dyadic intimacy plays within the counterpublic world-building of political activism. We reflect on a particular encounter between the artists and ACT UP activists Zoe Leonard and David Wojnarowicz by offering two readings of what we call the “counterprivate” relation between the two. In the first part of our argument, we contend that the counterprivate couple form (found in our case study of Leonard and Woj…

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  • Counterpublic and counterprivate: Zoe Leonard, David Wojnarowicz, and the political aesthetics of intimacy

    Shannan Lee Hayes, Max Symuleski•ARTICLE•Women & Performance a journal of…•2019•References: 15

    In this paper we explore the space that dyadic intimacy plays within the counterpublic world-building of political activism. We reflect on a particular encounter between the artists and ACT UP activists Zoe Leonard and David Wojnarowicz by offering two readings of what we call the “counterprivate” relation between the two. In the first part of our argument, we contend that the counterprivate couple form (found in our case study of Leonard and Woj…

  • Wanting More

    Shannan Lee Hayes•ARTICLE•differences•2020•References: 30

    This essay interrogates the forms of feminist political desire and subject formation being reproduced under the heading of contemporary feminist art. The author considers two recent exhibitions, similarly organized around the theme of intersectionality, that took place over two consecutive summers in New York City: Simone Leigh's The Waiting Room at the New Museum (2016), and the group exhibit We Wanted a Revolution at the Brooklyn Museum (2017).…

  • Pleasure Aesthetics: On the Art of Mika Rottenberg

    Shannan Lee Hayes, Shannan Hayes•ARTICLE•Camera Obscura Feminism Culture…•2024

    This essay develops a theory of Mika Rottenberg's video art by attending to both the content her work represents (neoliberalism's logic of gendered labor) and the formal characteristics by which her art affects (sensibly drawing the viewer in while resisting assimilation into conceptual critique). Rottenberg's art flirts with a logic of cognitive mapping by suggesting the structures of global production and gendered labor that characterize our ne…

Aesthetics (3 works) · Art (3 works) · Art, Politics, and Modernism (2 works) · Gender Studies (2 works) · Law (2 works) · Political science (2 works) · Politics (2 works) · Sociology (2 works) · Art history (1 works) · Beauty (1 works)

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