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Karen Orr Vered

Biographic Data

ID6364234
NAMEKaren Orr Vered
GIVEN NAMESKaren Orr
FAMILY NAMEVered
SIGNATUREVERED K O
AFFILIATIONSFlinders University
ORCID0000-0002-3857-059X
VERIFIEDYes
TOTAL WORKS6
TOTAL CITATIONS18
AUTHOR COUNT6
EDITOR COUNT0
FIRST PUBLICATION YEAR1997
LATEST PUBLICATION YEAR2016
H-INDEX3
  • Barbie and the straight-to-DVD movie: Pink post-feminist pedagogy

    Karen Orr Vered, Christèle Maizonniaux•ARTICLE•Feminist Media Studies•2016•Cited by: 6•References: 7

    As Barbie’s popularity began to decline across the first decade of the twenty-first century, the iconic doll underwent a makeover and became a maven of the straight-to-DVD sector. Across the movies produced since 2001, the narratives reflect an awareness of feminist criticism and seek to remediate Barbie’s particular femininity and the associated gender performance that has fallen into disfavor. Interestingly, these efforts are often facilitated …

  • Postfeminist inflections in television studies

    Karen Orr Vered, Sal Humphreys•ARTICLE•Continuum•2014•Cited by: 6

    This item is under embargo for a period of 18 months from the date of publication, in accordance with the publisher's policy

  • Reflecting on Gender and Digital Networked Media

    Open Access•Sal Humphreys, Karen Orr Vered•ARTICLE•Television & New Media•2013•Cited by: 6•References: 2

    This article explores gendered practices in new media formations. We consider the ways that emergent practices in new media bring to the fore and make more explicit some previously submerged practices. In identity construction, in spatial practices, and in the productive labor of users of new media, we see examples of how the fluidity of gender can be highlighted, the cultural specificity of some often taken for granted and naturalized practices …

  • The Politics of Third Way TV: Supernanny and the Commercialization of Public Service TV

    Karen Orr Vered, John McConchie•ARTICLE•Camera Obscura Feminism Culture…•2011

  • The Emperor's New Clothes: The Logie Awards, Australian National Identity, TV and Popular Culture

    John McConchie, Karen Orr Vered•ARTICLE•Continuum•2003

  • Plotting New Media Frontiers: Myst and Narrative Pleasure

    Open Access•Karen Orr Vered•ARTICLE•Visual Anthropology Review•1997•References: 1

  • Barbie and the straight-to-DVD movie: Pink post-feminist pedagogy

    Karen Orr Vered, Christèle Maizonniaux•ARTICLE•Feminist Media Studies•2016•Cited by: 6•References: 7

    As Barbie’s popularity began to decline across the first decade of the twenty-first century, the iconic doll underwent a makeover and became a maven of the straight-to-DVD sector. Across the movies produced since 2001, the narratives reflect an awareness of feminist criticism and seek to remediate Barbie’s particular femininity and the associated gender performance that has fallen into disfavor. Interestingly, these efforts are often facilitated …

  • Postfeminist inflections in television studies

    Karen Orr Vered, Sal Humphreys•ARTICLE•Continuum•2014•Cited by: 6

    This item is under embargo for a period of 18 months from the date of publication, in accordance with the publisher's policy

  • Reflecting on Gender and Digital Networked Media

    Open Access•Sal Humphreys, Karen Orr Vered•ARTICLE•Television & New Media•2013•Cited by: 6•References: 2

    This article explores gendered practices in new media formations. We consider the ways that emergent practices in new media bring to the fore and make more explicit some previously submerged practices. In identity construction, in spatial practices, and in the productive labor of users of new media, we see examples of how the fluidity of gender can be highlighted, the cultural specificity of some often taken for granted and naturalized practices …

  • Plotting New Media Frontiers: Myst and Narrative Pleasure

    Open Access•Karen Orr Vered•ARTICLE•Visual Anthropology Review•1997•References: 1

  • The Emperor's New Clothes: The Logie Awards, Australian National Identity, TV and Popular Culture

    John McConchie, Karen Orr Vered•ARTICLE•Continuum•2003

  • The Politics of Third Way TV: Supernanny and the Commercialization of Public Service TV

    Karen Orr Vered, John McConchie•ARTICLE•Camera Obscura Feminism Culture…•2011

  • Reflecting on Gender and Digital Networked Media

    Open Access•Sal Humphreys, Karen Orr Vered•ARTICLE•Television & New Media•2013•Cited by: 6•References: 2

    This article explores gendered practices in new media formations. We consider the ways that emergent practices in new media bring to the fore and make more explicit some previously submerged practices. In identity construction, in spatial practices, and in the productive labor of users of new media, we see examples of how the fluidity of gender can be highlighted, the cultural specificity of some often taken for granted and naturalized practices …

  • Postfeminist inflections in television studies

    Karen Orr Vered, Sal Humphreys•ARTICLE•Continuum•2014•Cited by: 6

    This item is under embargo for a period of 18 months from the date of publication, in accordance with the publisher's policy

  • Barbie and the straight-to-DVD movie: Pink post-feminist pedagogy

    Karen Orr Vered, Christèle Maizonniaux•ARTICLE•Feminist Media Studies•2016•Cited by: 6•References: 7

    As Barbie’s popularity began to decline across the first decade of the twenty-first century, the iconic doll underwent a makeover and became a maven of the straight-to-DVD sector. Across the movies produced since 2001, the narratives reflect an awareness of feminist criticism and seek to remediate Barbie’s particular femininity and the associated gender performance that has fallen into disfavor. Interestingly, these efforts are often facilitated …

Media studies (6 works) · Sociology (6 works) · Art (4 works) · Gender, Feminism, and Media (4 works) · Law (4 works) · Law (4 works) · Political science (4 works) · Aesthetics (3 works) · History (3 works) · History (3 works)

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