Rachel E Love
Biographic Data
| ID | 636759 |
|---|---|
| NAME | Rachel E Love |
| GIVEN NAMES | Rachel E |
| FAMILY NAME | Love |
| SIGNATURE | LOVE R E |
| AFFILIATIONS | New York University |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Pier Paolo Pasolini’s Canzoniere italiano and the People Without History
This article examines Pier Paolo Pasolini’s anthology of popular poetry, Canzoniere italiano (1955). Deeply connected to its author’s well-known passion for dialects and regional, lower-class cultures first evidenced in his Friulian poetry, Canzoniere represents a key moment in Pasolini's thought. The collection exemplifies his theorization of language and power, the role of the popular in national culture before the ravages of neocapitalistic gr…
Talking Italian blues: Roberto Leydi, Giovanna Marini and American Influence in the Italian folk revival, 1954-66
This article examines how Roberto Leydi and Giovanna Marini, two important figures of the Italian 'folk revival', negotiated diverse American cultural influences and adapted them to the political context of Italy in the 1950s and 1960s. I argue that American musical traditions offered them valuable models even as many Italian intellectuals and artists grew more critical of US society and foreign policy. To explore this phenomenon in greater depth…
A Fragmented Transformation: Giovanni Pirelli’s War Writings, 1940–1944
In this paper, I examine the unpublished First World War diaries of Giovanni Pirelli – heir to the helm of the Pirelli tyre company – for their account of how the war and fall of Fascism may have catalysed his dissociation from his family, his class, and his ideological foundation. In the post-war period, Pirelli traced the source of his rejection of his inheritance to his experiences during the Russian retreat, but in the moment, the expression …
Anti-Fascism, Anticolonialism and Anti-Self: The Life of Giovanni Pirelli and the Work of the Centro Frantz Fanon
This essay illuminates the transformation of Giovanni Pirelli from convinced fascist to partisan and anticolonial activist. It explores the significance and fruits of Pirelli's friendship with Frantz Fanon, specifically the Centro Documentazione Frantz Fanon that Pirelli founded in Milan in 1962. Raised as the heir to an industrial dynasty, Pirelli's letters and diaries as a fascist officer on the Eastern European front reveal his growing doubts …
No prominent works on this page.
Anti-Fascism, Anticolonialism and Anti-Self: The Life of Giovanni Pirelli and the Work of the Centro Frantz Fanon
This essay illuminates the transformation of Giovanni Pirelli from convinced fascist to partisan and anticolonial activist. It explores the significance and fruits of Pirelli's friendship with Frantz Fanon, specifically the Centro Documentazione Frantz Fanon that Pirelli founded in Milan in 1962. Raised as the heir to an industrial dynasty, Pirelli's letters and diaries as a fascist officer on the Eastern European front reveal his growing doubts …
A Fragmented Transformation: Giovanni Pirelli’s War Writings, 1940–1944
In this paper, I examine the unpublished First World War diaries of Giovanni Pirelli – heir to the helm of the Pirelli tyre company – for their account of how the war and fall of Fascism may have catalysed his dissociation from his family, his class, and his ideological foundation. In the post-war period, Pirelli traced the source of his rejection of his inheritance to his experiences during the Russian retreat, but in the moment, the expression …
Talking Italian blues: Roberto Leydi, Giovanna Marini and American Influence in the Italian folk revival, 1954-66
This article examines how Roberto Leydi and Giovanna Marini, two important figures of the Italian 'folk revival', negotiated diverse American cultural influences and adapted them to the political context of Italy in the 1950s and 1960s. I argue that American musical traditions offered them valuable models even as many Italian intellectuals and artists grew more critical of US society and foreign policy. To explore this phenomenon in greater depth…
Pier Paolo Pasolini’s Canzoniere italiano and the People Without History
This article examines Pier Paolo Pasolini’s anthology of popular poetry, Canzoniere italiano (1955). Deeply connected to its author’s well-known passion for dialects and regional, lower-class cultures first evidenced in his Friulian poetry, Canzoniere represents a key moment in Pasolini's thought. The collection exemplifies his theorization of language and power, the role of the popular in national culture before the ravages of neocapitalistic gr…
Art (4 works) · History (4 works) · Italian Fascism and Post-war Society (4 works) · Sociology (4 works) · Law (3 works) · Literature (3 works) · Political science (3 works) · Politics (3 works) · Aesthetics (2 works) · Archaeology (2 works)