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Tehmina Pirzada

Biographic Data

ID6368359
NAMETehmina Pirzada
GIVEN NAMESTehmina
FAMILY NAMEPirzada
SIGNATUREPIRZADA T
AFFILIATIONSLahore School of Economics
ORCID0000-0002-1387-8205
VERIFIEDYes
TOTAL WORKS4
TOTAL CITATIONS2
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2017
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Entangled futures

    Tehmina Pirzada, Saba Pirzadeh•ARTICLE•Journal of Postcolonial Writing•2025

  • Pakistani popular music

    Saba Pirzadeh, Tehmina Pirzada•ARTICLE•South Asian Popular Culture•2018•Cited by: 1•References: 3

    Pakistani popular music has a long trajectory of protest which has denounced the oppressive tendencies of democratic governments as well as military dictatorships. Exploring the idea of popular music as a viable discourse for sociopolitical reform, this paper analyzes the music of three Pakistani bands: Junoon, Beygairat brigade and Ali Gul Pir. Building upon Habermas’s idea of public sphere and its transformative potential, this paper posits tha…

  • Narrating Muslim Girlhood in the Pakistani Cityscape of Graphic Narratives

    Tehmina Pirzada•ARTICLE•Girlhood Studies•2017•Cited by: 1•References: 3

    In this article I focus on the graphic narratives Gogi (1970–the present) by Nigar Nazar and Haroon Rashid’s Burka Avenger (2013–the present) in particular to examine the empowering portrayal of Muslim girlhood that these works offer in addition to advocating for the rights of Muslim girls. I emphasize that graphic narratives have become a powerful medium that represents the resistance of Muslim girlhood both in the context of local patriarchies …

  • Sharing the Scatter”

    Tehmina Pirzada•ARTICLE•South Asian Review•2017•References: 1

    The Scatter Here is too Great (2014), the debut novel of Bilal Tanweer, is a compilation of narratives that portrays the chaos, violence, and darkness that inundate the city of Karachi. Drawing on the Deleuzian notion of assemblage, this paper aims to explore the assemblage or the “scatter” that re-defines the city of Karachi, its residents, and their struggle to negotiate with the precariousness of their lives. The paper establishes that Tanweer…

  • Pakistani popular music

    Saba Pirzadeh, Tehmina Pirzada•ARTICLE•South Asian Popular Culture•2018•Cited by: 1•References: 3

    Pakistani popular music has a long trajectory of protest which has denounced the oppressive tendencies of democratic governments as well as military dictatorships. Exploring the idea of popular music as a viable discourse for sociopolitical reform, this paper analyzes the music of three Pakistani bands: Junoon, Beygairat brigade and Ali Gul Pir. Building upon Habermas’s idea of public sphere and its transformative potential, this paper posits tha…

  • Narrating Muslim Girlhood in the Pakistani Cityscape of Graphic Narratives

    Tehmina Pirzada•ARTICLE•Girlhood Studies•2017•Cited by: 1•References: 3

    In this article I focus on the graphic narratives Gogi (1970–the present) by Nigar Nazar and Haroon Rashid’s Burka Avenger (2013–the present) in particular to examine the empowering portrayal of Muslim girlhood that these works offer in addition to advocating for the rights of Muslim girls. I emphasize that graphic narratives have become a powerful medium that represents the resistance of Muslim girlhood both in the context of local patriarchies …

  • Narrating Muslim Girlhood in the Pakistani Cityscape of Graphic Narratives

    Tehmina Pirzada•ARTICLE•Girlhood Studies•2017•Cited by: 1•References: 3

    In this article I focus on the graphic narratives Gogi (1970–the present) by Nigar Nazar and Haroon Rashid’s Burka Avenger (2013–the present) in particular to examine the empowering portrayal of Muslim girlhood that these works offer in addition to advocating for the rights of Muslim girls. I emphasize that graphic narratives have become a powerful medium that represents the resistance of Muslim girlhood both in the context of local patriarchies …

  • Sharing the Scatter”

    Tehmina Pirzada•ARTICLE•South Asian Review•2017•References: 1

    The Scatter Here is too Great (2014), the debut novel of Bilal Tanweer, is a compilation of narratives that portrays the chaos, violence, and darkness that inundate the city of Karachi. Drawing on the Deleuzian notion of assemblage, this paper aims to explore the assemblage or the “scatter” that re-defines the city of Karachi, its residents, and their struggle to negotiate with the precariousness of their lives. The paper establishes that Tanweer…

  • Pakistani popular music

    Saba Pirzadeh, Tehmina Pirzada•ARTICLE•South Asian Popular Culture•2018•Cited by: 1•References: 3

    Pakistani popular music has a long trajectory of protest which has denounced the oppressive tendencies of democratic governments as well as military dictatorships. Exploring the idea of popular music as a viable discourse for sociopolitical reform, this paper analyzes the music of three Pakistani bands: Junoon, Beygairat brigade and Ali Gul Pir. Building upon Habermas’s idea of public sphere and its transformative potential, this paper posits tha…

  • Entangled futures

    Tehmina Pirzada, Saba Pirzadeh•ARTICLE•Journal of Postcolonial Writing•2025

Aesthetics (3 works) · Art (3 works) · Narrative (3 works) · Sociology (3 works) · Communication (2 works) · Communication (2 works) · History (2 works) · History (2 works) · Literature (2 works) · Political science (2 works)

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