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Fiona Mc Laughlin

Biographic Data

ID637071
NAMEFiona Mc Laughlin
GIVEN NAMESFiona
FAMILY NAMEMc Laughlin
SIGNATUREMC LAUGHLIN F
AFFILIATIONSUniversity of Florida
ORCID0000-0003-0313-5499
VERIFIEDYes
TOTAL WORKS10
TOTAL CITATIONS19
AUTHOR COUNT10
EDITOR COUNT0
FIRST PUBLICATION YEAR1995
LATEST PUBLICATION YEAR2025
H-INDEX3
  • A Saharan archive and its afterlives

    Open Access•Fiona Mc Laughlin•ARTICLE•Archival Science•2025•Cited by: 1•References: 2

  • From Murambi

    Boubacar Boris Diop, Fiona Mc Laughlin•BOOK•Mānoa/Mānoa•2022•Cited by: 2

    In April of 1994, nearly a million Rwandans were killed in what would prove to be one of the swiftest, most terrifying killing sprees of the 20th century. In Murambi, The Book of Bones, Boubacar Boris Diop comes face to face with the chilling horror and overwhelming sadness of the tragedy. Here, the power of Diop's acclaimed novel is available to English-speaking readers through Fiona Mc Laughlin's crisp translation and a compelling afterword by …

  • Linguistic warscapes of northern Mali

    Fiona Mc Laughlin•ARTICLE•Linguistic Landscape An…•2015

    In this paper I show that public writing (and its effacement) during a recent period of crisis in northern Mali constituted a powerful tool by which various factions attempted to inscribe political hegemony on the linguistic warscapes of three cities: Gao, Kidal, and Timbuktu. The warscapes of these Saharan cities are linguistically complex: they are written in multiple languages, primarily French, Arabic and Tamasheq, and involve three different…

  • Senegalese digital repertoires in superdiversity

    Open Access•Fiona Mc Laughlin•ARTICLE•Discourse Context & Media•2014•Cited by: 4•References: 10

  • Mediation and the Performance of Religious Authority in Senegal

    Fiona Mc Laughlin, Babacar Mboup•ARTICLE•Islamic Africa•2010•References: 2

  • On the origins of urban Wolof

    Open Access•Fiona Mc Laughlin•ARTICLE•Language in Society•2008•Cited by: 4•References: 18

    Based on evidence from a French-Wolof phrase book published in Senegal in 1864, this article makes the case that urban Wolof, a variety of the language characterized by significant lexical borrowing from French, is a much older variety than scholars have generally claimed. Historical evidence suggests that urban Wolof emerged in the 18th and 19th centuries in the coastal island city of Saint-Louis du Sénégal, France's earliest African settlement …

  • Voiceless implosives in Seereer-Siin

    Open Access•Fiona Mc Laughlin•ARTICLE•Journal of the International…•2005•Cited by: 1

    This paper provides articulatory and acoustic data on voiceless implosive stops in Seereer-Siin, an Atlantic language of the Niger-Congo family spoken in Senegal. Seereer is characterized by pairs of voiced and voiceless implosive stops in three places of articulation. These pairs are phonemically contrastive in lexical items. Oral air pressure measurements from Seereer stops uphold Clements & Osu's (2002) proposal that implosives and other non-e…

  • Consonant mutation and reduplication in Seereer-Siin

    Open Access•Fiona Mc Laughlin•ARTICLE•Phonology•2000

    Among the many types of non-concatentative morphemes are auto- segments or floating features which, in order to be realised phonologically, must attach to a root node in the stem. Akinlabi (1996) terms this process FEATURAL AFFIXATION. Featural affixes are of particular interest for models of reduplication, which make varying predictions as to whether or not they will be copied. In segmental models such as that of Marantz (1982), where nothing ot…

  • In the Name of God i wIll Sing Again, Mawdo Malik the Good

    Fiona Mc Laughlin•ARTICLE•Journal of Religion in Africa•2000•Cited by: 7

    Marabouts in Senegalese popular music In recent years a new genre of popular song devoted to the praise of marabouts or Sufi leaders has emerged on the Senegalese musical horizon. Almost every Senegalese popular singer, including international stars like Youssou Ndour and Baaba Maal, has a repertoire that includes laudatory songs to leaders within the various Sufi tariqas that claim followings in Senegal. The emergence of this new genre of song i…

  • Haalpulaar identity as a response to Wolofization∗

    Fiona Mc Laughlin•ARTICLE•African Languages and Cultures•1995

  • In the Name of God i wIll Sing Again, Mawdo Malik the Good

    Fiona Mc Laughlin•ARTICLE•Journal of Religion in Africa•2000•Cited by: 7

    Marabouts in Senegalese popular music In recent years a new genre of popular song devoted to the praise of marabouts or Sufi leaders has emerged on the Senegalese musical horizon. Almost every Senegalese popular singer, including international stars like Youssou Ndour and Baaba Maal, has a repertoire that includes laudatory songs to leaders within the various Sufi tariqas that claim followings in Senegal. The emergence of this new genre of song i…

  • Senegalese digital repertoires in superdiversity

    Open Access•Fiona Mc Laughlin•ARTICLE•Discourse Context & Media•2014•Cited by: 4•References: 10

  • On the origins of urban Wolof

    Open Access•Fiona Mc Laughlin•ARTICLE•Language in Society•2008•Cited by: 4•References: 18

    Based on evidence from a French-Wolof phrase book published in Senegal in 1864, this article makes the case that urban Wolof, a variety of the language characterized by significant lexical borrowing from French, is a much older variety than scholars have generally claimed. Historical evidence suggests that urban Wolof emerged in the 18th and 19th centuries in the coastal island city of Saint-Louis du Sénégal, France's earliest African settlement …

  • From Murambi

    Boubacar Boris Diop, Fiona Mc Laughlin•BOOK•Mānoa/Mānoa•2022•Cited by: 2

    In April of 1994, nearly a million Rwandans were killed in what would prove to be one of the swiftest, most terrifying killing sprees of the 20th century. In Murambi, The Book of Bones, Boubacar Boris Diop comes face to face with the chilling horror and overwhelming sadness of the tragedy. Here, the power of Diop's acclaimed novel is available to English-speaking readers through Fiona Mc Laughlin's crisp translation and a compelling afterword by …

  • A Saharan archive and its afterlives

    Open Access•Fiona Mc Laughlin•ARTICLE•Archival Science•2025•Cited by: 1•References: 2

  • Voiceless implosives in Seereer-Siin

    Open Access•Fiona Mc Laughlin•ARTICLE•Journal of the International…•2005•Cited by: 1

    This paper provides articulatory and acoustic data on voiceless implosive stops in Seereer-Siin, an Atlantic language of the Niger-Congo family spoken in Senegal. Seereer is characterized by pairs of voiced and voiceless implosive stops in three places of articulation. These pairs are phonemically contrastive in lexical items. Oral air pressure measurements from Seereer stops uphold Clements & Osu's (2002) proposal that implosives and other non-e…

  • Haalpulaar identity as a response to Wolofization∗

    Fiona Mc Laughlin•ARTICLE•African Languages and Cultures•1995

  • Consonant mutation and reduplication in Seereer-Siin

    Open Access•Fiona Mc Laughlin•ARTICLE•Phonology•2000

    Among the many types of non-concatentative morphemes are auto- segments or floating features which, in order to be realised phonologically, must attach to a root node in the stem. Akinlabi (1996) terms this process FEATURAL AFFIXATION. Featural affixes are of particular interest for models of reduplication, which make varying predictions as to whether or not they will be copied. In segmental models such as that of Marantz (1982), where nothing ot…

  • In the Name of God i wIll Sing Again, Mawdo Malik the Good

    Fiona Mc Laughlin•ARTICLE•Journal of Religion in Africa•2000•Cited by: 7

    Marabouts in Senegalese popular music In recent years a new genre of popular song devoted to the praise of marabouts or Sufi leaders has emerged on the Senegalese musical horizon. Almost every Senegalese popular singer, including international stars like Youssou Ndour and Baaba Maal, has a repertoire that includes laudatory songs to leaders within the various Sufi tariqas that claim followings in Senegal. The emergence of this new genre of song i…

  • Voiceless implosives in Seereer-Siin

    Open Access•Fiona Mc Laughlin•ARTICLE•Journal of the International…•2005•Cited by: 1

    This paper provides articulatory and acoustic data on voiceless implosive stops in Seereer-Siin, an Atlantic language of the Niger-Congo family spoken in Senegal. Seereer is characterized by pairs of voiced and voiceless implosive stops in three places of articulation. These pairs are phonemically contrastive in lexical items. Oral air pressure measurements from Seereer stops uphold Clements & Osu's (2002) proposal that implosives and other non-e…

  • On the origins of urban Wolof

    Open Access•Fiona Mc Laughlin•ARTICLE•Language in Society•2008•Cited by: 4•References: 18

    Based on evidence from a French-Wolof phrase book published in Senegal in 1864, this article makes the case that urban Wolof, a variety of the language characterized by significant lexical borrowing from French, is a much older variety than scholars have generally claimed. Historical evidence suggests that urban Wolof emerged in the 18th and 19th centuries in the coastal island city of Saint-Louis du Sénégal, France's earliest African settlement …

  • Mediation and the Performance of Religious Authority in Senegal

    Fiona Mc Laughlin, Babacar Mboup•ARTICLE•Islamic Africa•2010•References: 2

  • Senegalese digital repertoires in superdiversity

    Open Access•Fiona Mc Laughlin•ARTICLE•Discourse Context & Media•2014•Cited by: 4•References: 10

  • Linguistic warscapes of northern Mali

    Fiona Mc Laughlin•ARTICLE•Linguistic Landscape An…•2015

    In this paper I show that public writing (and its effacement) during a recent period of crisis in northern Mali constituted a powerful tool by which various factions attempted to inscribe political hegemony on the linguistic warscapes of three cities: Gao, Kidal, and Timbuktu. The warscapes of these Saharan cities are linguistically complex: they are written in multiple languages, primarily French, Arabic and Tamasheq, and involve three different…

  • From Murambi

    Boubacar Boris Diop, Fiona Mc Laughlin•BOOK•Mānoa/Mānoa•2022•Cited by: 2

    In April of 1994, nearly a million Rwandans were killed in what would prove to be one of the swiftest, most terrifying killing sprees of the 20th century. In Murambi, The Book of Bones, Boubacar Boris Diop comes face to face with the chilling horror and overwhelming sadness of the tragedy. Here, the power of Diop's acclaimed novel is available to English-speaking readers through Fiona Mc Laughlin's crisp translation and a compelling afterword by …

  • A Saharan archive and its afterlives

    Open Access•Fiona Mc Laughlin•ARTICLE•Archival Science•2025•Cited by: 1•References: 2

History (5 works) · Linguistics (5 works) · Sociology (5 works) · Political science (4 works) · Psychology (4 works) · African Studies and Geopolitics (3 works) · Archaeology (3 works) · Art (3 works) · Gender Studies (3 works) · Law (3 works)

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