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Enza Gandolfo

Biographic Data

ID6380744
NAMEEnza Gandolfo
GIVEN NAMESEnza
FAMILY NAMEGandolfo
SIGNATUREGANDOLFO E
AFFILIATIONSVictoria University
ORCID0000-0001-9215-2500
VERIFIEDYes
TOTAL WORKS6
TOTAL CITATIONS9
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2002
LATEST PUBLICATION YEAR2018
H-INDEX1
  • Prickly Pear

    Enza Gandolfo•ARTICLE•Departures in Critical…•2018

    This is an extract from Prickly Pear: A Memoir (a work in progress). It is a creative work, a contemporary memoir, that aims to create an intimate experience of the world inhabited by the migrant family. It places the experience of being a migrant in a dialogue with the experience of being a first-generation Australian and draws out the complexities and the fluid and shifting nature of identity—especially for migrants and their children

  • Narrating complex identities

    Open Access•Marty Grace, Enza Gandolfo•ARTICLE•Women s Studies International Forum•2014•References: 5

  • Looked at and looked over or

    D X Harris, Anne Harris et al.•ARTICLE•Gender Place & Culture•2013•Cited by: 8•References: 10

    Through collaborative narrative writing, in this article, we redeploy the sense of refugeity present in our singular narratives to co-construct a shared space for creative scholarship that becomes a feminist space to belong. Drawing on feminist scholarship and performance theory, narrative collaborations awkwardly embrace our mutual and sometimes contradictory senses of self and identity performance. The co-constructed nature of this article refl…

  • Constructing imaginary narratives

    Open Access•Enza Gandolfo•ARTICLE•Qualitative Research Journal•2012•Cited by: 1•References: 4

    Purpose Deleuze and Guattari have argued that in art, including literature, the senses get hold of the world in a non‐conceptual or “sensational” way, adding “new varieties” that can lead to new ways of knowing and seeing. The purpose of this paper is to explore the nature of multi‐disciplinary, practice‐led research in creative writing as a form of knowledge making in qualitative research. Design/methodology/approach The author uses her own writ…

  • Other Spaces

    Open Access•Jo-Anne Duggan, Enza Gandolfo•ARTICLE•Modern Italy•2011•References: 5

    Other Spaces is a collaborative creative arts exhibition project that explores visual and material expressions of cultural identity with a particular focus on museum collections. This project aims to provide a rich examination – visual, emotional and intellectual – of the multiple cultural narratives that contribute to the social fabric of Australia through a unique marriage of contemporary photomedia and creative writing practice. This project e…

  • JAS review of books

    L Veracini, David Crawford et al.•ARTICLE•Journal of Australian Studies•2002

    Brigid Hains, The Ice and the Inland: Mawson, Flynn and the Myth of the Frontier, Melbourne University Press, 2002, pp 218, pb S49.95. ISBN 0522850367. John Connor, The Australian Frontier Wars, 1788–1838, University of New South Wales Press, 2002, pp 176, pb $29.95. ISBN 0868407569 John Carroll, Terror: A meditation on the meaning of September 11, Scribe Publications, pp 106, pb $16.95. ISBN 0908011849. Helen Caldicott, The New Nuclear Danger: G…

  • Looked at and looked over or

    D X Harris, Anne Harris et al.•ARTICLE•Gender Place & Culture•2013•Cited by: 8•References: 10

    Through collaborative narrative writing, in this article, we redeploy the sense of refugeity present in our singular narratives to co-construct a shared space for creative scholarship that becomes a feminist space to belong. Drawing on feminist scholarship and performance theory, narrative collaborations awkwardly embrace our mutual and sometimes contradictory senses of self and identity performance. The co-constructed nature of this article refl…

  • Constructing imaginary narratives

    Open Access•Enza Gandolfo•ARTICLE•Qualitative Research Journal•2012•Cited by: 1•References: 4

    Purpose Deleuze and Guattari have argued that in art, including literature, the senses get hold of the world in a non‐conceptual or “sensational” way, adding “new varieties” that can lead to new ways of knowing and seeing. The purpose of this paper is to explore the nature of multi‐disciplinary, practice‐led research in creative writing as a form of knowledge making in qualitative research. Design/methodology/approach The author uses her own writ…

  • JAS review of books

    L Veracini, David Crawford et al.•ARTICLE•Journal of Australian Studies•2002

    Brigid Hains, The Ice and the Inland: Mawson, Flynn and the Myth of the Frontier, Melbourne University Press, 2002, pp 218, pb S49.95. ISBN 0522850367. John Connor, The Australian Frontier Wars, 1788–1838, University of New South Wales Press, 2002, pp 176, pb $29.95. ISBN 0868407569 John Carroll, Terror: A meditation on the meaning of September 11, Scribe Publications, pp 106, pb $16.95. ISBN 0908011849. Helen Caldicott, The New Nuclear Danger: G…

  • Other Spaces

    Open Access•Jo-Anne Duggan, Enza Gandolfo•ARTICLE•Modern Italy•2011•References: 5

    Other Spaces is a collaborative creative arts exhibition project that explores visual and material expressions of cultural identity with a particular focus on museum collections. This project aims to provide a rich examination – visual, emotional and intellectual – of the multiple cultural narratives that contribute to the social fabric of Australia through a unique marriage of contemporary photomedia and creative writing practice. This project e…

  • Constructing imaginary narratives

    Open Access•Enza Gandolfo•ARTICLE•Qualitative Research Journal•2012•Cited by: 1•References: 4

    Purpose Deleuze and Guattari have argued that in art, including literature, the senses get hold of the world in a non‐conceptual or “sensational” way, adding “new varieties” that can lead to new ways of knowing and seeing. The purpose of this paper is to explore the nature of multi‐disciplinary, practice‐led research in creative writing as a form of knowledge making in qualitative research. Design/methodology/approach The author uses her own writ…

  • Looked at and looked over or

    D X Harris, Anne Harris et al.•ARTICLE•Gender Place & Culture•2013•Cited by: 8•References: 10

    Through collaborative narrative writing, in this article, we redeploy the sense of refugeity present in our singular narratives to co-construct a shared space for creative scholarship that becomes a feminist space to belong. Drawing on feminist scholarship and performance theory, narrative collaborations awkwardly embrace our mutual and sometimes contradictory senses of self and identity performance. The co-constructed nature of this article refl…

  • Narrating complex identities

    Open Access•Marty Grace, Enza Gandolfo•ARTICLE•Women s Studies International Forum•2014•References: 5

  • Prickly Pear

    Enza Gandolfo•ARTICLE•Departures in Critical…•2018

    This is an extract from Prickly Pear: A Memoir (a work in progress). It is a creative work, a contemporary memoir, that aims to create an intimate experience of the world inhabited by the migrant family. It places the experience of being a migrant in a dialogue with the experience of being a first-generation Australian and draws out the complexities and the fluid and shifting nature of identity—especially for migrants and their children

Sociology (6 works) · Aesthetics (5 works) · Art (5 works) · History (4 works) · Literature (4 works) · Narrative (4 works) · Computer Science (3 works) · Epistemology (3 works) · Gender Studies (3 works) · History (3 works)

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