Margo Machida
Biographic Data
| ID | 6381679 |
|---|---|
| NAME | Margo Machida |
| GIVEN NAMES | Margo |
| FAMILY NAME | Machida |
| SIGNATURE | MACHIDA M |
| AFFILIATIONS | University of Connecticut |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 8 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2003 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
ʻAe Kai Rising
ʻAe Kai: A Culture Lab on Convergence, a three-day pop-up exhibition and performance venue organized by the Smithsonian Asian Pacific American Center in Honolulu, Hawaiʻi (July 7–9, 2017), was a daring social and intercultural experiment. Bringing attention to Hawaiʻi as a locus of trans-oceanic circulation, contact, and contestation, the project convened more than fifty visual artists, filmmakers, poets, scholars, performers, musicians, artisans…
Pacific Itineraries
This essay focuses on the Asia Pacific region and selected works by contemporary us -based Asian American artists that engage shared themes of trans-Pacific journeys, circulation, conflict, and convergence between Asian diasporic, Indigenous, and other groups. The Pacific, with more islands than the world’s other oceans combined, is above all an island realm. Accordingly islands and associated oceanic imaginaries exert a powerful hold on works by…
Island Worlds, Oceanic Diasporas, and Global Flows
Trans-Pacific Sitings
This article examines two recent installations, Genteel (2010) and Sweating Bone China (2009), by New England-based, Hawai‘i-born sculptor Lynne Yamamoto. Both projects, inflected by her background as the descendant of Japanese migrant plantation workers, interweave multiple themes of global circulation across geopolitical, cultural and temporal boundaries. The artist, via the visual interplay among evocative assemblages of sculptural elements dr…
Miné Okubo
Book Review| January 01 2011 Miné Okubo: Following Her Own Road Miné Okubo: Following Her Own Road. By Greg Robinson and Elena Tajima. Creef Seattle: University of Washington Press, 2008. xxx + 207 pp. Photos, illustrations, notes, and bibliography. $26.95 (paper). Margo Machida Margo Machida University of Connecticut Search for other works by this author on: This Site Google Journal of American Ethnic History (2011) 30 (2): 74–76. https://doi.or…
Unsettled Visions
Feminist Activist Art, a Roundtable Forum, August 24?31, 2005
Mary Flanagan is a game designer, artist, and media theorist based in New York City who leads the Tiltfactor research group at Hunter College. Flanagan's artwork has been shown internationally at venues including the Whitney Museum of American Art, ACM SIGGRAPH (Association for Computing Machinery's Special Interest Group on Graphics and Interactive Techniques), Ars Electronica, the Moving Image Centre in Auckland, ARCO Madrid, and the Guggenheim…
Fresh Talk/Daring Gazes
Fresh Talk/Daring Gazes chronicles the blossoming of Asian American art and anticipates the growing democratization of American art and culture. Pairing work by twenty-four contemporary Asian American visual artists with responses provocatively drawn from cultural critics, other artists, activists, and intellectuals, this book explores themes of geographical movement, the sexuality of Asian bodies, colonization, miscegenation, hybrid forms of imm…
No prominent works on this page.
Fresh Talk/Daring Gazes
Fresh Talk/Daring Gazes chronicles the blossoming of Asian American art and anticipates the growing democratization of American art and culture. Pairing work by twenty-four contemporary Asian American visual artists with responses provocatively drawn from cultural critics, other artists, activists, and intellectuals, this book explores themes of geographical movement, the sexuality of Asian bodies, colonization, miscegenation, hybrid forms of imm…
Feminist Activist Art, a Roundtable Forum, August 24?31, 2005
Mary Flanagan is a game designer, artist, and media theorist based in New York City who leads the Tiltfactor research group at Hunter College. Flanagan's artwork has been shown internationally at venues including the Whitney Museum of American Art, ACM SIGGRAPH (Association for Computing Machinery's Special Interest Group on Graphics and Interactive Techniques), Ars Electronica, the Moving Image Centre in Auckland, ARCO Madrid, and the Guggenheim…
Unsettled Visions
Miné Okubo
Book Review| January 01 2011 Miné Okubo: Following Her Own Road Miné Okubo: Following Her Own Road. By Greg Robinson and Elena Tajima. Creef Seattle: University of Washington Press, 2008. xxx + 207 pp. Photos, illustrations, notes, and bibliography. $26.95 (paper). Margo Machida Margo Machida University of Connecticut Search for other works by this author on: This Site Google Journal of American Ethnic History (2011) 30 (2): 74–76. https://doi.or…
Trans-Pacific Sitings
This article examines two recent installations, Genteel (2010) and Sweating Bone China (2009), by New England-based, Hawai‘i-born sculptor Lynne Yamamoto. Both projects, inflected by her background as the descendant of Japanese migrant plantation workers, interweave multiple themes of global circulation across geopolitical, cultural and temporal boundaries. The artist, via the visual interplay among evocative assemblages of sculptural elements dr…
Pacific Itineraries
This essay focuses on the Asia Pacific region and selected works by contemporary us -based Asian American artists that engage shared themes of trans-Pacific journeys, circulation, conflict, and convergence between Asian diasporic, Indigenous, and other groups. The Pacific, with more islands than the world’s other oceans combined, is above all an island realm. Accordingly islands and associated oceanic imaginaries exert a powerful hold on works by…
Island Worlds, Oceanic Diasporas, and Global Flows
ʻAe Kai Rising
ʻAe Kai: A Culture Lab on Convergence, a three-day pop-up exhibition and performance venue organized by the Smithsonian Asian Pacific American Center in Honolulu, Hawaiʻi (July 7–9, 2017), was a daring social and intercultural experiment. Bringing attention to Hawaiʻi as a locus of trans-oceanic circulation, contact, and contestation, the project convened more than fifty visual artists, filmmakers, poets, scholars, performers, musicians, artisans…
Sociology (5 works) · Art (4 works) · Asian American and Pacific Histories (4 works) · History (3 works) · Visual arts (3 works) · Anthropology (2 works) · Archaeology (2 works) · Asian American art (2 works) · China (2 works) · Cultural Industries and Urban Development (2 works)