Manuel Pinto Deniz Silva
Biographic Data
| ID | 6382430 |
|---|---|
| NAME | Manuel Pinto Deniz Silva |
| GIVEN NAMES | Manuel Pinto Deniz |
| FAMILY NAME | Silva |
| SIGNATURE | SILVA M P D |
| AFFILIATIONS | University of Aveiro |
| ORCID | 0000-0002-6007-6870 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
Fictions (post-)coloniales dans le cinéma portugais
national d'histoire de l'art
“Não ouço nada… ouço o vento lá fora”
A associação entre Manoel de Oliveira e João Paes, que teve o seu início com O Passado e o Presente em 1972 e culminou no filme-ópera Os Canibais, em 1988, constituiu um exemplo único de colaboração entre um realizador e um compositor no contexto cinematográfico português. Ao longo dos sete filmes em que trabalharam em conjunto, exploraram de forma particularmente criativa a articulação entre as imagens em movimento, o som e a música. Neste artig…
The Sounds of Silent Films”
Over the last few years, sound and music practices during the silent film period have received an increasing attention from the academic community, both in film studies and musicology. In the context of the thematic issue on “Music, sound and the moving image”, Aniki interviewed Claus Tieber and Anna K. Windish, researchers at the University of Salzburg and editors of The Sounds of Silent Films: New Perspectives on History, Theory and Practice, t…
Música, som e imagens em movimento
Introdução do dossier temático
Are Musicians “Ordinary Workers”? Labor Organization and the Question of “Artistic Value” in the First Years of the Portuguese Musicians’ Class Association
This article explores how unionized Portuguese musicians tried to address the paradoxes of their social position in a period marked by the development of the entertainment industries. While considering themselves as being part of the “great army of workers,” the members of the Portuguese Musicians’ Class Association (ACMP) remained strongly attached to the ideal of the symphony orchestra and the notion of musical art as a pure and non-market “spi…
Cinema no Estado Novo
Recensão crítica do livro Cinema no Estado Novo: a encenação do regime, de Patrícia Vieira (2011)
Are Musicians “Ordinary Workers”? Labor Organization and the Question of “Artistic Value” in the First Years of the Portuguese Musicians’ Class Association
This article explores how unionized Portuguese musicians tried to address the paradoxes of their social position in a period marked by the development of the entertainment industries. While considering themselves as being part of the “great army of workers,” the members of the Portuguese Musicians’ Class Association (ACMP) remained strongly attached to the ideal of the symphony orchestra and the notion of musical art as a pure and non-market “spi…
Cinema no Estado Novo
Recensão crítica do livro Cinema no Estado Novo: a encenação do regime, de Patrícia Vieira (2011)
Cinema no Estado Novo
Recensão crítica do livro Cinema no Estado Novo: a encenação do regime, de Patrícia Vieira (2011)
Are Musicians “Ordinary Workers”? Labor Organization and the Question of “Artistic Value” in the First Years of the Portuguese Musicians’ Class Association
This article explores how unionized Portuguese musicians tried to address the paradoxes of their social position in a period marked by the development of the entertainment industries. While considering themselves as being part of the “great army of workers,” the members of the Portuguese Musicians’ Class Association (ACMP) remained strongly attached to the ideal of the symphony orchestra and the notion of musical art as a pure and non-market “spi…
“Não ouço nada… ouço o vento lá fora”
A associação entre Manoel de Oliveira e João Paes, que teve o seu início com O Passado e o Presente em 1972 e culminou no filme-ópera Os Canibais, em 1988, constituiu um exemplo único de colaboração entre um realizador e um compositor no contexto cinematográfico português. Ao longo dos sete filmes em que trabalharam em conjunto, exploraram de forma particularmente criativa a articulação entre as imagens em movimento, o som e a música. Neste artig…
The Sounds of Silent Films”
Over the last few years, sound and music practices during the silent film period have received an increasing attention from the academic community, both in film studies and musicology. In the context of the thematic issue on “Music, sound and the moving image”, Aniki interviewed Claus Tieber and Anna K. Windish, researchers at the University of Salzburg and editors of The Sounds of Silent Films: New Perspectives on History, Theory and Practice, t…
Música, som e imagens em movimento
Introdução do dossier temático
Fictions (post-)coloniales dans le cinéma portugais
national d'histoire de l'art
Art (6 works) · Humanities (4 works) · Art history (3 works) · Movie theater (3 works) · Aesthetics (2 works) · History (2 works) · History (2 works) · History, Culture, and Society (2 works) · Period (music (2 works) · Sociology (2 works)