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Stéphanie Hammer

Biographic Data

ID6400813
NAMEStéphanie Hammer
GIVEN NAMESStéphanie
FAMILY NAMEHammer
SIGNATUREHAMMER S
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS0
AUTHOR COUNT5
EDITOR COUNT0
FIRST PUBLICATION YEAR1993
LATEST PUBLICATION YEAR2003
H-INDEX0
  • Schiller's Wound. The Theater of Trauma from Crisis to Commodity

    Christine M Goulding, Stéphanie Hammer•ARTICLE•German Studies Review•2003

    One of the founders of German national literature, Friedrich A. Schiller (1759-1805) was that country's most important neoclassical playwright. In Wound, Stephanie Hammer shows that Schiller was also one of the first self-conscious explorers of psychological trauma in the theatre.In a revisionist reading of Schiller, Hammer re-envisions him as a psychologically tormented artist and argues for his pivotal role in the developing relationship betwee…

  • Selected Letters from Readers

    Open Access•Bill Angione, Stéphanie Hammer et al.•ARTICLE•Postmodern Culture•1996

    Postmodern Culture - Volume 6, Number 2, January 1996

  • "Just Like Eddie" or as far as a boy can go

    Open Access•Stéphanie Hammer, Stephanie Barbé Hammer•ARTICLE•Postmodern Culture•1995

    “Just like Eddie”1 or as far as a boy can go: Vedder, Barthes, and Handke Dismember Mama Stephanie Barbé Hammer 1. can’t find a better man2 A feminist hitchhiker/hijacker on/of the rock and roll culture bandwagon, I grab the wheel and direct a critical detour from the wild and wooly trail mapped out by Greil Marcus in Lipstick Traces. I track his assumption that rock culture — the stars of whom have replaced both heroes and cinema icons — provide…

  • Schiller, Time and Again

    Stéphanie Hammer, Stephanie Barbé Hammer•ARTICLE•The German Quarterly•1994

  • On the Bull's Horn with Peter Handke

    Open Access•Stéphanie Hammer, Stephanie Barbé Hammer•ARTICLE•Postmodern Culture•1993

    Postmodern Culture - Volume 4, Number 1, September 1993

No prominent works on this page.

  • On the Bull's Horn with Peter Handke

    Open Access•Stéphanie Hammer, Stephanie Barbé Hammer•ARTICLE•Postmodern Culture•1993

    Postmodern Culture - Volume 4, Number 1, September 1993

  • Schiller, Time and Again

    Stéphanie Hammer, Stephanie Barbé Hammer•ARTICLE•The German Quarterly•1994

  • "Just Like Eddie" or as far as a boy can go

    Open Access•Stéphanie Hammer, Stephanie Barbé Hammer•ARTICLE•Postmodern Culture•1995

    “Just like Eddie”1 or as far as a boy can go: Vedder, Barthes, and Handke Dismember Mama Stephanie Barbé Hammer 1. can’t find a better man2 A feminist hitchhiker/hijacker on/of the rock and roll culture bandwagon, I grab the wheel and direct a critical detour from the wild and wooly trail mapped out by Greil Marcus in Lipstick Traces. I track his assumption that rock culture — the stars of whom have replaced both heroes and cinema icons — provide…

  • Selected Letters from Readers

    Open Access•Bill Angione, Stéphanie Hammer et al.•ARTICLE•Postmodern Culture•1996

    Postmodern Culture - Volume 6, Number 2, January 1996

  • Schiller's Wound. The Theater of Trauma from Crisis to Commodity

    Christine M Goulding, Stéphanie Hammer•ARTICLE•German Studies Review•2003

    One of the founders of German national literature, Friedrich A. Schiller (1759-1805) was that country's most important neoclassical playwright. In Wound, Stephanie Hammer shows that Schiller was also one of the first self-conscious explorers of psychological trauma in the theatre.In a revisionist reading of Schiller, Hammer re-envisions him as a psychologically tormented artist and argues for his pivotal role in the developing relationship betwee…

Art (3 works) · History (3 works) · Philosophy (3 works) · Philosophy (3 works) · Art history (2 works) · History (2 works) · Literature (2 works) · Admiration (1 works) · American and British Literature Analysis (1 works) · American Sports and Literature (1 works)

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