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Paolo Parmeggiani

Biographic Data

ID640089
NAMEPaolo Parmeggiani
GIVEN NAMESPaolo
FAMILY NAMEParmeggiani
SIGNATUREPARMEGGIANI P
AFFILIATIONSUniversity of Udine
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS7
AUTHOR COUNT3
EDITOR COUNT0
FIRST PUBLICATION YEAR1999
LATEST PUBLICATION YEAR2016
H-INDEX1
  • From grand tour to virtual tour

    Paolo Parmeggiani•ARTICLE•Visual Studies•2016

    In 1903, Underwood & Underwood published Italy through the Stereoscope: Journeys in and about Italian cities, a multimodal set that provided an immersive travel experience by combining the use of a visual device (the stereoscope and stereoviews), localisation tools (the maps), and a written commentary on each view. The paper argues that this ‘medium’, which was introduced as a realistic and immersive visual reproduction of the world, was an innov…

  • Going digital

    Paolo Parmeggiani•ARTICLE•Visual Studies•2009•Cited by: 7•References: 12

    The aim of this paper is to describe how to accomplish visual sociological research by using new technologies. \nThe background of this analysis is an empirical research I've recently done to explore the identity of a small community, using a visual sociological approach. I studied a small Italian village which has changed radically in the last fifty years in landscape, human activity, and in the values that people ascribe to these transformation…

  • Using video in self-representation

    Paolo Parmeggiani•ARTICLE•Visual Anthropology•1999

    The present empirical study analyses 251 documentaries produced in the Province of Udine, Italy, by various ethnic and linguistic minorities, in the period dating 1970–1995. Most of these videos were not broadcast but shown on local occasions or were seen with private VCR among these minorities: Friulan, Slovenian, Rom‐Sinti, German. The focus of the study is the ideology and self‐representation of these social identities through video. I intend …

  • Going digital

    Paolo Parmeggiani•ARTICLE•Visual Studies•2009•Cited by: 7•References: 12

    The aim of this paper is to describe how to accomplish visual sociological research by using new technologies. \nThe background of this analysis is an empirical research I've recently done to explore the identity of a small community, using a visual sociological approach. I studied a small Italian village which has changed radically in the last fifty years in landscape, human activity, and in the values that people ascribe to these transformation…

  • Using video in self-representation

    Paolo Parmeggiani•ARTICLE•Visual Anthropology•1999

    The present empirical study analyses 251 documentaries produced in the Province of Udine, Italy, by various ethnic and linguistic minorities, in the period dating 1970–1995. Most of these videos were not broadcast but shown on local occasions or were seen with private VCR among these minorities: Friulan, Slovenian, Rom‐Sinti, German. The focus of the study is the ideology and self‐representation of these social identities through video. I intend …

  • Going digital

    Paolo Parmeggiani•ARTICLE•Visual Studies•2009•Cited by: 7•References: 12

    The aim of this paper is to describe how to accomplish visual sociological research by using new technologies. \nThe background of this analysis is an empirical research I've recently done to explore the identity of a small community, using a visual sociological approach. I studied a small Italian village which has changed radically in the last fifty years in landscape, human activity, and in the values that people ascribe to these transformation…

  • From grand tour to virtual tour

    Paolo Parmeggiani•ARTICLE•Visual Studies•2016

    In 1903, Underwood & Underwood published Italy through the Stereoscope: Journeys in and about Italian cities, a multimodal set that provided an immersive travel experience by combining the use of a visual device (the stereoscope and stereoviews), localisation tools (the maps), and a written commentary on each view. The paper argues that this ‘medium’, which was introduced as a realistic and immersive visual reproduction of the world, was an innov…

Aesthetics (2 works) · Art (2 works) · Ideology (2 works) · Law (2 works) · Political science (2 works) · Politics (2 works) · Sociology (2 works) · Anthropology (1 work) · Cinema and Media Studies (1 work) · Computer graphics (images (1 work)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae