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Rachel Somerstein

Biographic Data

ID640113
NAMERachel Somerstein
GIVEN NAMESRachel
FAMILY NAMESomerstein
SIGNATURESOMERSTEIN R
AFFILIATIONSSyracuse University
VERIFIEDNo
TOTAL WORKS15
TOTAL CITATIONS16
AUTHOR COUNT15
EDITOR COUNT0
FIRST PUBLICATION YEAR2013
LATEST PUBLICATION YEAR2021
H-INDEX3
  • She’s just another pretty face: ” Sexual Harassment of Female Photographers

    Rachel Somerstein•ARTICLE•Feminist Media Studies•2021•References: 18

    This article examines sexual and gendered harassment among professional female editorial photographers, whose experiences have largely been under-researched. It draws on semi-structured interviews conducted between 2017–2019 with 17 female professional editorial photographers, aged 23–82, who work in a variety of beats. Sixteen of 17 interviewees encountered sexual harassment, with gendered harassment the most common. Harassers included professor…

  • Stay back for your own safety: News photographers, interference, and the photographs they are prevented from taking

    Open Access•Rachel Somerstein•ARTICLE•Journalism•2018•Cited by: 6•References: 11

    This exploratory, mixed-methods study uses semi-structured interviews to identify the sources of interference that news photographers encounter and then, using survey research, assesses these interferences’ prevalence. It also uses interview and survey data to identify photographs that photographers are prevented from taking and ones taken despite interference. In so doing, the study illuminates how the constraints photojournalists encounter shap…

  • Theater of war edited by Meredith Davenport

    Rachel Somerstein•ARTICLE•Visual Studies•2017

  • Picturing the past: The Berlin Wall at 25

    Open Access•Rachel Somerstein•ARTICLE•International Communication Gazette•2017•Cited by: 2•References: 18

    Although the mass media is an important tool that audiences rely on to learn about the past, the relationship among journalism, history, and memory is still underdeveloped; visual collective memory, like visual studies in other subfields, has received even less attention than written and textual representations of collective memory. To address that gap, this article uses a qualitative content analysis to assess how 15 newspapers commemorated the …

  • Visualisation in the age of computerisation by Annamaria Carusi, Aud Sissel Hoel, Timothy Webmoor and Steve Woolgar

    Rachel Somerstein•ARTICLE•Visual Studies•2016

    Visualisation in the age of computerisation by Annamaria Carusi, Aud Sissel Hoel, Timothy Webmoor and Steve Woolgar." Visual Studies, 31(4), pp. 368–369

  • Film Review: The Roosevelts: An Intimate History

    Rachel Somerstein•ARTICLE•The Public Historian•2015

    Book Review| May 01 2015 Film Review: The Roosevelts: An Intimate History The Roosevelts: An Intimate History. Ken Burns, Director; Paul Barnes, Pam Tubridy Baucom, and Ken Burns, Producers; Geoffrey C. Ward, Writer; Peter Coyote, Narrator. Florentine Films. [840 minutes]. Rachel Somerstein Rachel Somerstein SUNY New Paltz Search for other works by this author on: This Site PubMed Google Scholar The Public Historian (2015) 37 (2): 159–162. https:…

  • The Architecture of Pleasure: British Amusement Parks 1900-1939 by Josephine Kane

    Rachel Somerstein•ARTICLE•Visual Studies•2015

    Josephine Kane’s intelligent, well-researched book started with a 1920 photograph that the author discovered in Margate Museum’s archives. The picture shows ‘smartly dressed’ people seated at table

  • Exhibiting patriotism: Creating and contesting interpretations of American historic sites

    Rachel Somerstein•ARTICLE•Visual Studies•2015

  • Le Mois de la Photo à Montréal

    Rachel Somerstein•ARTICLE•Afterimage•2014

  • Image, Author, Failure, Chance: A Conversation with Adam Broomberg and Oliver Chanarin

    Rachel Somerstein•ARTICLE•Afterimage•2014

    Research Article| May 01 2014 Image, Author, Failure, Chance: A Conversation with Adam Broomberg and Oliver Chanarin Rachel Somerstein Rachel Somerstein RACHEL SOMERSTEIN is a PhD candidate in Mass Communications at Syracuse University, where she studies visual culture. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (2014) 41 (6): 14–19. https://doi.org/10.1525/aft.2014.41.6.14 Views Icon Views Article conten…

  • On liminality and loss: A decade of Israeli and Palestinian film

    Rachel Somerstein•ARTICLE•Visual Studies•2014

    ACKNOWLEDGEMENTSI wish to thank Richard Breyer, Laura Osur, and Joe Lingeman for their feedback and suggestions in preparing this review

  • Newspapers commemorate 11 September: A cross-cultural investigation

    Open Access•Rachel Somerstein•ARTICLE•Journalism•2014•Cited by: 4•References: 4

    On 12 September 2001, as Hans-Peter Feldmann documented in his 2002 installation 9/12 Front Page, the front pages of newspapers from 151 countries showed similar photographs of a plane crashing into the World Trade Center. Despite this cross-cultural agreement on the most salient image at the time, in the decade since, distinct visual narratives of 9/11 have emerged in newspaper anniversary journalism. This paper examines how The New York Times (…

  • Continuous revolution: Making sense of Cultural Revolution culture

    Rachel Somerstein•ARTICLE•Visual Studies•2014•Cited by: 4

    During China’s Cultural Revolution (1966–1976), artworks and artists endured rigorous restrictions. The Party banned traditional Chinese themes and styles as well as ‘capitalist’ art. It required t

  • We Can't Remember What We Haven't Seen: Media, War, and the Future of Collective Memory

    Rachel Somerstein•ARTICLE•Afterimage•2013

    Research Article| January 01 2013 We Can't Remember What We Haven't Seen: Media, War, and the Future of Collective Memory Rachel Somerstein Rachel Somerstein RACHEL SOMERSTEIN is a writer and a PhD student in mass communications at Syracuse University's Newhouse School of Public Communications. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (2013) 40 (4): 10–14. https://doi.org/10.1525/aft.2013.40.4.10 Views …

  • War Photography

    Rachel Somerstein•ARTICLE•Afterimage•2013

  • Stay back for your own safety: News photographers, interference, and the photographs they are prevented from taking

    Open Access•Rachel Somerstein•ARTICLE•Journalism•2018•Cited by: 6•References: 11

    This exploratory, mixed-methods study uses semi-structured interviews to identify the sources of interference that news photographers encounter and then, using survey research, assesses these interferences’ prevalence. It also uses interview and survey data to identify photographs that photographers are prevented from taking and ones taken despite interference. In so doing, the study illuminates how the constraints photojournalists encounter shap…

  • Newspapers commemorate 11 September: A cross-cultural investigation

    Open Access•Rachel Somerstein•ARTICLE•Journalism•2014•Cited by: 4•References: 4

    On 12 September 2001, as Hans-Peter Feldmann documented in his 2002 installation 9/12 Front Page, the front pages of newspapers from 151 countries showed similar photographs of a plane crashing into the World Trade Center. Despite this cross-cultural agreement on the most salient image at the time, in the decade since, distinct visual narratives of 9/11 have emerged in newspaper anniversary journalism. This paper examines how The New York Times (…

  • Continuous revolution: Making sense of Cultural Revolution culture

    Rachel Somerstein•ARTICLE•Visual Studies•2014•Cited by: 4

    During China’s Cultural Revolution (1966–1976), artworks and artists endured rigorous restrictions. The Party banned traditional Chinese themes and styles as well as ‘capitalist’ art. It required t

  • Picturing the past: The Berlin Wall at 25

    Open Access•Rachel Somerstein•ARTICLE•International Communication Gazette•2017•Cited by: 2•References: 18

    Although the mass media is an important tool that audiences rely on to learn about the past, the relationship among journalism, history, and memory is still underdeveloped; visual collective memory, like visual studies in other subfields, has received even less attention than written and textual representations of collective memory. To address that gap, this article uses a qualitative content analysis to assess how 15 newspapers commemorated the …

  • We Can't Remember What We Haven't Seen: Media, War, and the Future of Collective Memory

    Rachel Somerstein•ARTICLE•Afterimage•2013

    Research Article| January 01 2013 We Can't Remember What We Haven't Seen: Media, War, and the Future of Collective Memory Rachel Somerstein Rachel Somerstein RACHEL SOMERSTEIN is a writer and a PhD student in mass communications at Syracuse University's Newhouse School of Public Communications. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (2013) 40 (4): 10–14. https://doi.org/10.1525/aft.2013.40.4.10 Views …

  • War Photography

    Rachel Somerstein•ARTICLE•Afterimage•2013

  • Le Mois de la Photo à Montréal

    Rachel Somerstein•ARTICLE•Afterimage•2014

  • Image, Author, Failure, Chance: A Conversation with Adam Broomberg and Oliver Chanarin

    Rachel Somerstein•ARTICLE•Afterimage•2014

    Research Article| May 01 2014 Image, Author, Failure, Chance: A Conversation with Adam Broomberg and Oliver Chanarin Rachel Somerstein Rachel Somerstein RACHEL SOMERSTEIN is a PhD candidate in Mass Communications at Syracuse University, where she studies visual culture. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (2014) 41 (6): 14–19. https://doi.org/10.1525/aft.2014.41.6.14 Views Icon Views Article conten…

  • On liminality and loss: A decade of Israeli and Palestinian film

    Rachel Somerstein•ARTICLE•Visual Studies•2014

    ACKNOWLEDGEMENTSI wish to thank Richard Breyer, Laura Osur, and Joe Lingeman for their feedback and suggestions in preparing this review

  • Newspapers commemorate 11 September: A cross-cultural investigation

    Open Access•Rachel Somerstein•ARTICLE•Journalism•2014•Cited by: 4•References: 4

    On 12 September 2001, as Hans-Peter Feldmann documented in his 2002 installation 9/12 Front Page, the front pages of newspapers from 151 countries showed similar photographs of a plane crashing into the World Trade Center. Despite this cross-cultural agreement on the most salient image at the time, in the decade since, distinct visual narratives of 9/11 have emerged in newspaper anniversary journalism. This paper examines how The New York Times (…

  • Continuous revolution: Making sense of Cultural Revolution culture

    Rachel Somerstein•ARTICLE•Visual Studies•2014•Cited by: 4

    During China’s Cultural Revolution (1966–1976), artworks and artists endured rigorous restrictions. The Party banned traditional Chinese themes and styles as well as ‘capitalist’ art. It required t

  • Film Review: The Roosevelts: An Intimate History

    Rachel Somerstein•ARTICLE•The Public Historian•2015

    Book Review| May 01 2015 Film Review: The Roosevelts: An Intimate History The Roosevelts: An Intimate History. Ken Burns, Director; Paul Barnes, Pam Tubridy Baucom, and Ken Burns, Producers; Geoffrey C. Ward, Writer; Peter Coyote, Narrator. Florentine Films. [840 minutes]. Rachel Somerstein Rachel Somerstein SUNY New Paltz Search for other works by this author on: This Site PubMed Google Scholar The Public Historian (2015) 37 (2): 159–162. https:…

  • The Architecture of Pleasure: British Amusement Parks 1900-1939 by Josephine Kane

    Rachel Somerstein•ARTICLE•Visual Studies•2015

    Josephine Kane’s intelligent, well-researched book started with a 1920 photograph that the author discovered in Margate Museum’s archives. The picture shows ‘smartly dressed’ people seated at table

  • Exhibiting patriotism: Creating and contesting interpretations of American historic sites

    Rachel Somerstein•ARTICLE•Visual Studies•2015

  • Visualisation in the age of computerisation by Annamaria Carusi, Aud Sissel Hoel, Timothy Webmoor and Steve Woolgar

    Rachel Somerstein•ARTICLE•Visual Studies•2016

    Visualisation in the age of computerisation by Annamaria Carusi, Aud Sissel Hoel, Timothy Webmoor and Steve Woolgar." Visual Studies, 31(4), pp. 368–369

  • Theater of war edited by Meredith Davenport

    Rachel Somerstein•ARTICLE•Visual Studies•2017

  • Picturing the past: The Berlin Wall at 25

    Open Access•Rachel Somerstein•ARTICLE•International Communication Gazette•2017•Cited by: 2•References: 18

    Although the mass media is an important tool that audiences rely on to learn about the past, the relationship among journalism, history, and memory is still underdeveloped; visual collective memory, like visual studies in other subfields, has received even less attention than written and textual representations of collective memory. To address that gap, this article uses a qualitative content analysis to assess how 15 newspapers commemorated the …

  • Stay back for your own safety: News photographers, interference, and the photographs they are prevented from taking

    Open Access•Rachel Somerstein•ARTICLE•Journalism•2018•Cited by: 6•References: 11

    This exploratory, mixed-methods study uses semi-structured interviews to identify the sources of interference that news photographers encounter and then, using survey research, assesses these interferences’ prevalence. It also uses interview and survey data to identify photographs that photographers are prevented from taking and ones taken despite interference. In so doing, the study illuminates how the constraints photojournalists encounter shap…

  • She’s just another pretty face: ” Sexual Harassment of Female Photographers

    Rachel Somerstein•ARTICLE•Feminist Media Studies•2021•References: 18

    This article examines sexual and gendered harassment among professional female editorial photographers, whose experiences have largely been under-researched. It draws on semi-structured interviews conducted between 2017–2019 with 17 female professional editorial photographers, aged 23–82, who work in a variety of beats. Sixteen of 17 interviewees encountered sexual harassment, with gendered harassment the most common. Harassers included professor…

Art (11 works) · Sociology (11 works) · Visual arts (7 works) · History (6 works) · Media studies (6 works) · Political science (6 works) · History (5 works) · Memory, Trauma, and Commemoration (5 works) · Aesthetics (4 works) · Computer Science (4 works)

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