Ellen Harlizius‐Klück
Biographic Data
| ID | 6402601 |
|---|---|
| NAME | Ellen Harlizius‐Klück |
| GIVEN NAMES | Ellen |
| FAMILY NAME | Harlizius‐Klück |
| SIGNATURE | KLÜCK E H |
| AFFILIATIONS | Deutsches Museum |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2007 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 0 |
(Micro-)Performing Ancient Weaving in the Penelope project
What does an ancient weaver know, when she knows how to weave? How is this complex knowledge graspable and representable? The article presents the research practice of the PENELOPE project as it sets to explore the distinctive logic and order of ancient weaving - an inferential dimension embedded in the material and thus mainly implicit, which is best grasped through performing and which we address here as microperformative. In archaic Greek lite…
Cyclic Patterns of Movement Across Weaving, Epiplokē and Live Coding
This article hosts an interdisciplinary exploration of cyclic rhythmic structures, bringing together historical references to ground understanding of algorithmic electronic dance music, and in particular the algorave movement. The role of pattern in uniting dance, music and language is investigated in the ancient practice of weaving, in ancient Greek choral lyric, and contemporary live coding. In this context the TidalCycles environment is introd…
Weaving as Binary Art and the Algebra of Patterns
To refer to the Jacquard loom as a precursor of the computer is a common narrative in histories of computing beginning with Ada Lovelace comparing the punched card operated loom with the calculating engine designed by Charles Babbage: “We may say most aptly that the Analytical Engine weaves algebraical patterns just as the Jacquard-loom weaves flowers and leaves.” But this does not mean that Jacquard invented the algebra of patterns. He only cons…
Introduction
This article introduces the TEXTILE special issue on Weaving Codes, Coding Weaves, and the project of the same name, which was funded by the Arts and Humanities Research Council for 18 months from September 2014. We introduce the collaborators of this interdisciplinary project, spanning textiles, music, arts technology, computer science, mathematics, anthropology, media theory, and philosophy. We tell the multifaceted story of how we met and bega…
Verbinden, Verknüpfen, Verstricken. Textile Metaphern in den Wissenschaften
Das unendliche Geschlecht - Löcher und Lücken im Gewebe der Mathematik
No prominent works on this page.
Das unendliche Geschlecht - Löcher und Lücken im Gewebe der Mathematik
Verbinden, Verknüpfen, Verstricken. Textile Metaphern in den Wissenschaften
Weaving as Binary Art and the Algebra of Patterns
To refer to the Jacquard loom as a precursor of the computer is a common narrative in histories of computing beginning with Ada Lovelace comparing the punched card operated loom with the calculating engine designed by Charles Babbage: “We may say most aptly that the Analytical Engine weaves algebraical patterns just as the Jacquard-loom weaves flowers and leaves.” But this does not mean that Jacquard invented the algebra of patterns. He only cons…
Introduction
This article introduces the TEXTILE special issue on Weaving Codes, Coding Weaves, and the project of the same name, which was funded by the Arts and Humanities Research Council for 18 months from September 2014. We introduce the collaborators of this interdisciplinary project, spanning textiles, music, arts technology, computer science, mathematics, anthropology, media theory, and philosophy. We tell the multifaceted story of how we met and bega…
Cyclic Patterns of Movement Across Weaving, Epiplokē and Live Coding
This article hosts an interdisciplinary exploration of cyclic rhythmic structures, bringing together historical references to ground understanding of algorithmic electronic dance music, and in particular the algorave movement. The role of pattern in uniting dance, music and language is investigated in the ancient practice of weaving, in ancient Greek choral lyric, and contemporary live coding. In this context the TidalCycles environment is introd…
(Micro-)Performing Ancient Weaving in the Penelope project
What does an ancient weaver know, when she knows how to weave? How is this complex knowledge graspable and representable? The article presents the research practice of the PENELOPE project as it sets to explore the distinctive logic and order of ancient weaving - an inferential dimension embedded in the material and thus mainly implicit, which is best grasped through performing and which we address here as microperformative. In archaic Greek lite…
Art (4 works) · Engineering (4 works) · Weaving (4 works) · Computer Science (3 works) · Architecture and Computational Design (2 works) · Art, Technology, and Culture (2 works) · Mathematics (2 works) · Music Technology and Sound Studies (2 works) · Visual arts (2 works) · Aesthetics (1 work)