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Christopher M Toula

Biographic Data

ID640393
NAMEChristopher M Toula
GIVEN NAMESChristopher M
FAMILY NAMEToula
SIGNATURETOULA C M
AFFILIATIONSGeorgia State University
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS4
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2014
LATEST PUBLICATION YEAR2026
H-INDEX1
  • The Relevance of the FCC in Contemporary Media Culture

    Judith Clemens‐Smucker, Judith Clemens-Smucker et al.•ARTICLE•Journal of Film and Video•2026

    In 1964, Supreme Court Justice Potter Stewart said he could not define pornography, but he famously observed, “I know it when I see it” (“Obscene, Indecent and Profane Broadcasts”). While Stewart was not discussing Federal Communications Commission (FCC) regulations, his statement illustrates the fluidity of the terms used to describe “unwanted” content in ways that still impact content regulation, despite the changing landscape of what constitut…

  • Solidarity Framing at the Union of National and Transnational Public Spheres

    Ann E Williams, Christopher M Toula•ARTICLE•Journalism Studies•2016•Cited by: 4•References: 18

    Researchers have often overlooked transnational media due to a perceived lack of outlets and audiences that are truly transnational in scope. For communication scholars who examine the European Public Sphere, the dominant paradigm currently focuses on the “Europeanization” of national public spheres. While this approach has yielded important insights, the last 20 years have seen the proliferation of transnational media outlets, two of which are b…

  • Towards an affirmative public domain

    Open Access•Christopher M Toula, Gregory C Lisby•ARTICLE•Cultural Studies•2014

    Two competing and yet complementary philosophical concepts form the foundation for the legal protection of intellectual property – ‘competing’ in that created works protected by copyright are unavailable for unrestricted use by others as a result of the economic monopoly given to the works’ owners, and ‘complementary’ in that the presumption is that works no longer protected by copyright serve as the basis for the creation of new copyrightable wo…

  • Solidarity Framing at the Union of National and Transnational Public Spheres

    Ann E Williams, Christopher M Toula•ARTICLE•Journalism Studies•2016•Cited by: 4•References: 18

    Researchers have often overlooked transnational media due to a perceived lack of outlets and audiences that are truly transnational in scope. For communication scholars who examine the European Public Sphere, the dominant paradigm currently focuses on the “Europeanization” of national public spheres. While this approach has yielded important insights, the last 20 years have seen the proliferation of transnational media outlets, two of which are b…

  • Towards an affirmative public domain

    Open Access•Christopher M Toula, Gregory C Lisby•ARTICLE•Cultural Studies•2014

    Two competing and yet complementary philosophical concepts form the foundation for the legal protection of intellectual property – ‘competing’ in that created works protected by copyright are unavailable for unrestricted use by others as a result of the economic monopoly given to the works’ owners, and ‘complementary’ in that the presumption is that works no longer protected by copyright serve as the basis for the creation of new copyrightable wo…

  • Solidarity Framing at the Union of National and Transnational Public Spheres

    Ann E Williams, Christopher M Toula•ARTICLE•Journalism Studies•2016•Cited by: 4•References: 18

    Researchers have often overlooked transnational media due to a perceived lack of outlets and audiences that are truly transnational in scope. For communication scholars who examine the European Public Sphere, the dominant paradigm currently focuses on the “Europeanization” of national public spheres. While this approach has yielded important insights, the last 20 years have seen the proliferation of transnational media outlets, two of which are b…

  • The Relevance of the FCC in Contemporary Media Culture

    Judith Clemens‐Smucker, Judith Clemens-Smucker et al.•ARTICLE•Journal of Film and Video•2026

    In 1964, Supreme Court Justice Potter Stewart said he could not define pornography, but he famously observed, “I know it when I see it” (“Obscene, Indecent and Profane Broadcasts”). While Stewart was not discussing Federal Communications Commission (FCC) regulations, his statement illustrates the fluidity of the terms used to describe “unwanted” content in ways that still impact content regulation, despite the changing landscape of what constitut…

Media Studies and Communication (2 works) · Political science (2 works) · Sociology (2 works) · Supreme court (2 works) · Child Development and Digital Technology (1 work) · Commission (1 work) · CONTEST (1 work) · Copyright and Intellectual Property (1 work) · Craft (1 work) · Economic Justice (1 work)

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