Natasha Moore
Biographic Data
| ID | 6407673 |
|---|---|
| NAME | Natasha Moore |
| GIVEN NAMES | Natasha |
| FAMILY NAME | Moore |
| SIGNATURE | MOORE N |
| AFFILIATIONS | Christiani |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2015 |
| H-INDEX | 0 |
Victorian Poetry and Modern Life
Faced with the chaos and banality of modern, everyday life, a number of Victorian poets sought innovative ways of writing about the unpoetic present in their verse. Their varied efforts are recognisab
Introduction
‘I want to write a poem of a new class,’ wrote Elizabeth Barrett Browning, as early as 1844, of the work that would eventually become Aurora Leigh . Its novelty would consist in its engagement with the daily life of the times — in Barrett Browning’s determination, as she puts it, to ‘go on, & touch this real everyday life of our age, & hold it with my two hands’. 1 Though acknowledging a precedent of sorts in Byron’s Don Juan , Barrett Browning c…
The Long Narrative Poem
There has been a sustained campaign, in recent years, against a conception of the nineteenth century as a period of short, lyric, easily digestible poetry; an unearthing of the innumerable behemoths, the retroactive excision of which from the Victorian canon has tended to skew perceptions of the poetic aspirations of the age. The layer of accumulated dust on many of these tomes is understandable. The day of Philip James Bailey’s 900-odd page Fest…
The Realism of the Angel in the House
“ The Angel in the House is not a very good poem,” writes Carol Christ, “yet it is culturally significant, not only for its definition of the sexual ideal, but also for the clarity with which it represents the male concerns that motivate fascination with that ideal” (147). Her pronouncement is strongly emblematic of recent approaches to Coventry Patmore's best-known poem. The Angel , it is asserted or implied, almost never receives a full or atte…
No prominent works on this page.
Victorian Poetry and Modern Life
Faced with the chaos and banality of modern, everyday life, a number of Victorian poets sought innovative ways of writing about the unpoetic present in their verse. Their varied efforts are recognisab
Introduction
‘I want to write a poem of a new class,’ wrote Elizabeth Barrett Browning, as early as 1844, of the work that would eventually become Aurora Leigh . Its novelty would consist in its engagement with the daily life of the times — in Barrett Browning’s determination, as she puts it, to ‘go on, & touch this real everyday life of our age, & hold it with my two hands’. 1 Though acknowledging a precedent of sorts in Byron’s Don Juan , Barrett Browning c…
The Long Narrative Poem
There has been a sustained campaign, in recent years, against a conception of the nineteenth century as a period of short, lyric, easily digestible poetry; an unearthing of the innumerable behemoths, the retroactive excision of which from the Victorian canon has tended to skew perceptions of the poetic aspirations of the age. The layer of accumulated dust on many of these tomes is understandable. The day of Philip James Bailey’s 900-odd page Fest…
The Realism of the Angel in the House
“ The Angel in the House is not a very good poem,” writes Carol Christ, “yet it is culturally significant, not only for its definition of the sexual ideal, but also for the clarity with which it represents the male concerns that motivate fascination with that ideal” (147). Her pronouncement is strongly emblematic of recent approaches to Coventry Patmore's best-known poem. The Angel , it is asserted or implied, almost never receives a full or atte…
Art (4 works) · History (4 works) · Literature (4 works) · Poetry (4 works) · Philosophy (3 works) · Aesthetics (2 works) · EPIC (2 works) · Epistemology (2 works) · Folklore, Mythology, and Literature Studies (2 works) · Literature: history, themes, analysis (2 works)