Marc D Perry
Biographic Data
| ID | 640936 |
|---|---|
| NAME | Marc D Perry |
| GIVEN NAMES | Marc D |
| FAMILY NAME | Perry |
| SIGNATURE | PERRY M D |
| AFFILIATIONS | Tulane University |
| ORCID | 0000-0003-1567-6575 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 6 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2008 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
Black Freedom, Black Markets: Notes on New Orleans Black Masking Indian Tradition
This article explores some of the complexities between Black beauty, alterities of Black possibility, and oppositional refusal on one hand, and Black vulnerability—if not expendability—on the other as lived among members of New Orleans Black Masking Indian community vis‐à‐vis the city’s tourist‐driven cultural economy. At center sits a dichotomy of Blackness that figures some African American New Orleanians as commercially assimilable and therefo…
Negro Soy Yo: Hip Hop and Raced Citizenship in Neoliberal Cuba
In Negro Soy Yo Marc D. Perry explores Cuba's hip hop movement as a window into the racial complexities of the island's ongoing transition from revolutionary socialism toward free-market capitalism. Centering on the music and lives of black-identified raperos (rappers), Perry examines the ways these young artists craft notions of black Cuban identity and racial citizenship, along with calls for racial justice, at the fraught confluence of growing…
Negro Soy Yo: Hip Hop and Raced Citizenship in Neoliberal Cuba
In Negro Soy Yo Marc D. Perry explores how Cuban raperos (black-identified rappers) in Havana craft notions of black Cuban identity and racial citizenship in the face of continuing racism and marginalization during an era in which the Cuban economy, society, and nationhood have been under constant flux
Who Dat: Race and Its Conspicuous Consumption in Post-KatrinaNewOrleans
This article explores the fraught neoliberal refashioning of post-KatrinaNewOrleans in relation to concurrent modes of racialized inclusion and exclusion. I suggest an intensification of market forces during this period has hastened a privileging of certain acceptable, often gendered forms of blackness tied to their performance-centered market consumption while simultaneously rendering others criminal and/or violently disposable. Such racial regu…
Global Black Self-Fashionings: Hip Hop as Diasporic Space
This essay examines how the "black" racial significance of hip hop culture is received, interpreted, and redeployed within the Afro-Atlantic world. Beyond questions of cultural consumption and reproduction, it is argued that hip hop's expanding global reach has facilitated the contemporary making and moving of black diasporic subjects themselves. Here, African descendant youth in an array of locales use the performative contours of hip hop to mob…
Revolutionary Subjectivity in a "Post-fidel" Cuba
Who Dat: Race and Its Conspicuous Consumption in Post-KatrinaNewOrleans
This article explores the fraught neoliberal refashioning of post-KatrinaNewOrleans in relation to concurrent modes of racialized inclusion and exclusion. I suggest an intensification of market forces during this period has hastened a privileging of certain acceptable, often gendered forms of blackness tied to their performance-centered market consumption while simultaneously rendering others criminal and/or violently disposable. Such racial regu…
Black Freedom, Black Markets: Notes on New Orleans Black Masking Indian Tradition
This article explores some of the complexities between Black beauty, alterities of Black possibility, and oppositional refusal on one hand, and Black vulnerability—if not expendability—on the other as lived among members of New Orleans Black Masking Indian community vis‐à‐vis the city’s tourist‐driven cultural economy. At center sits a dichotomy of Blackness that figures some African American New Orleanians as commercially assimilable and therefo…
Global Black Self-Fashionings: Hip Hop as Diasporic Space
This essay examines how the "black" racial significance of hip hop culture is received, interpreted, and redeployed within the Afro-Atlantic world. Beyond questions of cultural consumption and reproduction, it is argued that hip hop's expanding global reach has facilitated the contemporary making and moving of black diasporic subjects themselves. Here, African descendant youth in an array of locales use the performative contours of hip hop to mob…
Revolutionary Subjectivity in a "Post-fidel" Cuba
Who Dat: Race and Its Conspicuous Consumption in Post-KatrinaNewOrleans
This article explores the fraught neoliberal refashioning of post-KatrinaNewOrleans in relation to concurrent modes of racialized inclusion and exclusion. I suggest an intensification of market forces during this period has hastened a privileging of certain acceptable, often gendered forms of blackness tied to their performance-centered market consumption while simultaneously rendering others criminal and/or violently disposable. Such racial regu…
Negro Soy Yo: Hip Hop and Raced Citizenship in Neoliberal Cuba
In Negro Soy Yo Marc D. Perry explores how Cuban raperos (black-identified rappers) in Havana craft notions of black Cuban identity and racial citizenship in the face of continuing racism and marginalization during an era in which the Cuban economy, society, and nationhood have been under constant flux
Negro Soy Yo: Hip Hop and Raced Citizenship in Neoliberal Cuba
In Negro Soy Yo Marc D. Perry explores Cuba's hip hop movement as a window into the racial complexities of the island's ongoing transition from revolutionary socialism toward free-market capitalism. Centering on the music and lives of black-identified raperos (rappers), Perry examines the ways these young artists craft notions of black Cuban identity and racial citizenship, along with calls for racial justice, at the fraught confluence of growing…
Black Freedom, Black Markets: Notes on New Orleans Black Masking Indian Tradition
This article explores some of the complexities between Black beauty, alterities of Black possibility, and oppositional refusal on one hand, and Black vulnerability—if not expendability—on the other as lived among members of New Orleans Black Masking Indian community vis‐à‐vis the city’s tourist‐driven cultural economy. At center sits a dichotomy of Blackness that figures some African American New Orleanians as commercially assimilable and therefo…
Latin American and Latino Studies (4 works) · Music History and Culture (4 works) · Sociology (4 works) · Caribbean history, culture, and politics (3 works) · Gender Studies (3 works) · Law (3 works) · Political science (3 works) · Aesthetics (2 works) · Art (2 works) · Politics (2 works)