Andrew Dewdney
Biographic Data
| ID | 641083 |
|---|---|
| NAME | Andrew Dewdney |
| GIVEN NAMES | Andrew |
| FAMILY NAME | Dewdney |
| SIGNATURE | DEWDNEY A |
| AFFILIATIONS | London South Bank University |
| ORCID | 0000-0003-0852-248X |
| VERIFIED | Yes |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 9 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1996 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
Martin Lister Obituary
The Networked Image in Post-Digital Culture
Networked Image in Post-Digital Culture
The Persistence of Photography
This book wants to view photography as part of the expanded field of image technologies, operating at a planetary scale where data and the algorithm play an increasingly infrastructural hand. The book proposes that the exponential increase in the quantity of photographic images, uploaded, shared, stored in databases, and operationalized in automated computational systems requires a radically new way of thinking about contemporary photography and …
Museums, scholarly enterprise and global assemblages
This discussion of ‘Artifacts and Allegiances: how museums put the nation and the world on display’ by Peggy Levitt shows the efficacy of the cosmopolitan–national continuum as an analysis of the conditions of museums in a globalized world. It suggests that nationalism and cosmopolitanism, whilst posed as alternatives, are not seriously in tension within the liberal global museum. It finds that the book is useful in proposing the museum as a comp…
The Digital Media Handbook
The new edition of The Digital Media Handbook presents an essential guide to the historical and theoretical development of digital media, emphasising cultural continuity alongside technological change, and highlighting the emergence of new forms of communication in contemporary networked culture.Andrew Dewdney and Peter Ride present detailed critical commentary and descriptive historical accounts, as well as a series of interviews from a range of…
That was Then, This is Now
Transmediation
This article discusses how the use of mobile media in digital culture is ushering in a new set of conditions for the realization of the social reception of art. This is to say that mobile media practices present a renewed challenge to major national art museums in their organization and practices of display and exhibition. The problematic explored here is that between the art museum's continued attachment to aesthetic abstraction in the modernist…
Deliberate acts of cultural translation
Deliberate acts of cultural translation
That was Then, This is Now
Transmediation
This article discusses how the use of mobile media in digital culture is ushering in a new set of conditions for the realization of the social reception of art. This is to say that mobile media practices present a renewed challenge to major national art museums in their organization and practices of display and exhibition. The problematic explored here is that between the art museum's continued attachment to aesthetic abstraction in the modernist…
The Digital Media Handbook
The new edition of The Digital Media Handbook presents an essential guide to the historical and theoretical development of digital media, emphasising cultural continuity alongside technological change, and highlighting the emergence of new forms of communication in contemporary networked culture.Andrew Dewdney and Peter Ride present detailed critical commentary and descriptive historical accounts, as well as a series of interviews from a range of…
Museums, scholarly enterprise and global assemblages
This discussion of ‘Artifacts and Allegiances: how museums put the nation and the world on display’ by Peggy Levitt shows the efficacy of the cosmopolitan–national continuum as an analysis of the conditions of museums in a globalized world. It suggests that nationalism and cosmopolitanism, whilst posed as alternatives, are not seriously in tension within the liberal global museum. It finds that the book is useful in proposing the museum as a comp…
The Persistence of Photography
This book wants to view photography as part of the expanded field of image technologies, operating at a planetary scale where data and the algorithm play an increasingly infrastructural hand. The book proposes that the exponential increase in the quantity of photographic images, uploaded, shared, stored in databases, and operationalized in automated computational systems requires a radically new way of thinking about contemporary photography and …
The Networked Image in Post-Digital Culture
Networked Image in Post-Digital Culture
Martin Lister Obituary
Sociology (6 works) · Art (5 works) · Computer Science (5 works) · Aesthetics (4 works) · Political science (4 works) · Visual arts (4 works) · Digital Games and Media (3 works) · Digital media (3 works) · Literature (3 works) · Media Studies (3 works)