Giovanna Fossati
Biographic Data
| ID | 6410867 |
|---|---|
| NAME | Giovanna Fossati |
| GIVEN NAMES | Giovanna |
| FAMILY NAME | Fossati |
| SIGNATURE | FOSSATI G |
| AFFILIATIONS | Asian Eye Institute |
| ORCID | 0000-0002-5919-8635 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Exposing the Film Apparatus
Exploring Digitised Moving Image Collections
In recent years, efforts to unlock digitized moving image collections have focused primarily on the retrieval of collection items through semantic descriptors: keywords or other labels produced either manually, or as (semi-)automatically generated metadata. As a result, access to digital archives is still governed overwhelmingly by a logic of search. In practice, this means that users not only need to know what they are looking for, but are also …
Obsolescence and film restoration
Elsewhere I have discussed the transitional nature of film and argued that the current shift from analog to digital technology is one of the many transitional phases that film has experienced in its history as a technology, a popular form of entertainment and art. The obsolescence brought about by the shift to digital technologies certainly complicates our possibility of experiencing original artifacts of the past. This is true also for other for…
No prominent works on this page.
Obsolescence and film restoration
Elsewhere I have discussed the transitional nature of film and argued that the current shift from analog to digital technology is one of the many transitional phases that film has experienced in its history as a technology, a popular form of entertainment and art. The obsolescence brought about by the shift to digital technologies certainly complicates our possibility of experiencing original artifacts of the past. This is true also for other for…
Exploring Digitised Moving Image Collections
In recent years, efforts to unlock digitized moving image collections have focused primarily on the retrieval of collection items through semantic descriptors: keywords or other labels produced either manually, or as (semi-)automatically generated metadata. As a result, access to digital archives is still governed overwhelmingly by a logic of search. In practice, this means that users not only need to know what they are looking for, but are also …
Exposing the Film Apparatus
Cinema and Media Studies (3 works) · Computer Science (2 works) · Movie theater (2 works) · Photography and Visual Culture (2 works) · Abstraction (1 work) · Aesthetics (1 work) · Art (1 work) · Art History and Market Analysis (1 work) · Artificial Intelligence (1 work) · Business (1 work)