Roie Thomas
Biographic Data
| ID | 6415257 |
|---|---|
| NAME | Roie Thomas |
| GIVEN NAMES | Roie |
| FAMILY NAME | Thomas |
| SIGNATURE | THOMAS R |
| AFFILIATIONS | University of Tasmania |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
Representation as repression
Visual images of a marginalised minority group from southern Africa are analysed against a series of colonialist representations to demonstrate tangible evidence of the role of representation in both disenfranchisement and an increasing autonomy in the case of the San, who are The First Peoples of the Kalahari, commonly known outside Africa as ‘Bushmen’ and in the dominant language of Botswana as Basarwa. This particular group is represented by g…
He wants to know how all those people got in there”
The popular film The Gods Must Be Crazy (1980) remains, despite its age, the primary reference point for Westerners with regard to the San people of southern Africa (commonly known outside Africa as the Bushmen). It is a catalyst for tourist interest in the people since many tourists, as this paper demonstrates, credulously accept the mythology that the San people live now as (and where) they do in the film. Indeed, a Lonely Planet ‘coffee-table’…
If We Are Too Small to See or You Have Forgotten
Alexander McCall Smith’s enormously popular fiction series set in Botswana (2000-11) appears on superficial analysis to represent the San people benignly, even affectionately. Neil Graves (2010) submits that The No.1 Ladies’ Detective Agency achieves an image of “untainted and uncorrupted” Botswana through a “three-stage process of engagement, disarmament and dismissal, leaving behind a saccharine utopian Western fantasy of primitive primordial A…
No prominent works on this page.
If We Are Too Small to See or You Have Forgotten
Alexander McCall Smith’s enormously popular fiction series set in Botswana (2000-11) appears on superficial analysis to represent the San people benignly, even affectionately. Neil Graves (2010) submits that The No.1 Ladies’ Detective Agency achieves an image of “untainted and uncorrupted” Botswana through a “three-stage process of engagement, disarmament and dismissal, leaving behind a saccharine utopian Western fantasy of primitive primordial A…
He wants to know how all those people got in there”
The popular film The Gods Must Be Crazy (1980) remains, despite its age, the primary reference point for Westerners with regard to the San people of southern Africa (commonly known outside Africa as the Bushmen). It is a catalyst for tourist interest in the people since many tourists, as this paper demonstrates, credulously accept the mythology that the San people live now as (and where) they do in the film. Indeed, a Lonely Planet ‘coffee-table’…
Representation as repression
Visual images of a marginalised minority group from southern Africa are analysed against a series of colonialist representations to demonstrate tangible evidence of the role of representation in both disenfranchisement and an increasing autonomy in the case of the San, who are The First Peoples of the Kalahari, commonly known outside Africa as ‘Bushmen’ and in the dominant language of Botswana as Basarwa. This particular group is represented by g…
African history and culture studies (3 works) · History (3 works) · History (3 works) · Law (3 works) · Law (3 works) · Political science (3 works) · Politics (3 works) · Sociology (3 works) · Archaeology (2 works) · Art (2 works)