Eli Lee Carter
Biographic Data
| ID | 641871 |
|---|---|
| NAME | Eli Lee Carter |
| GIVEN NAMES | Eli Lee |
| FAMILY NAME | Carter |
| SIGNATURE | CARTER E L |
| AFFILIATIONS | University of Virginia |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Hip Hop and the Televisual Global South: Atlanta and Sintonia
In recent years, audiences in the United States and around the globe have witnessed an explosion of television and streaming content focused on hip hop. Such content contemplates, historicizes, promotes, and represents the art form, artists, industry, and regional genres that have together emerged as a central feature of contemporary popular culture. This article explores the spatial and thematic links to the theoretical Global South in Atlanta a…
Shifting the center: The impact of the Pay-TV Law on the Brazilian audiovisual field
Although the Brazilian mediascape has been in transition since the early 1990s, the passage of the Pay-TV Law (Law 12.485) in 2011 established a new era. The Pay-TV Law has led to the rise of new distributors and production companies, a proliferation of viewing options, and a diversification of narrative formats. This increasingly competitive era has accelerated the fragmentation of TV Globo’s hegemony over the symbolic constructions of Brazil as…
Afinal, o que Querem as Mulheres: Luiz Fernando Carvalho's Metafictional Critique of Brazilian Television Fiction
Although perhaps best known outside Brazil for the feature-length film Lavoura Arcaica (To the Left of the Father) (2001), the majority of Luiz Fernando Carvalho's professional activity has been in television, where he has directed a number of commercially successful and critically acclaimed telenovelas, mini, and microseries. In Afinal, o que Querem as Mulheres? (After All, What do Women Want?) (2010), the director's first original screenplay fo…
No prominent works on this page.
Afinal, o que Querem as Mulheres: Luiz Fernando Carvalho's Metafictional Critique of Brazilian Television Fiction
Although perhaps best known outside Brazil for the feature-length film Lavoura Arcaica (To the Left of the Father) (2001), the majority of Luiz Fernando Carvalho's professional activity has been in television, where he has directed a number of commercially successful and critically acclaimed telenovelas, mini, and microseries. In Afinal, o que Querem as Mulheres? (After All, What do Women Want?) (2010), the director's first original screenplay fo…
Shifting the center: The impact of the Pay-TV Law on the Brazilian audiovisual field
Although the Brazilian mediascape has been in transition since the early 1990s, the passage of the Pay-TV Law (Law 12.485) in 2011 established a new era. The Pay-TV Law has led to the rise of new distributors and production companies, a proliferation of viewing options, and a diversification of narrative formats. This increasingly competitive era has accelerated the fragmentation of TV Globo’s hegemony over the symbolic constructions of Brazil as…
Hip Hop and the Televisual Global South: Atlanta and Sintonia
In recent years, audiences in the United States and around the globe have witnessed an explosion of television and streaming content focused on hip hop. Such content contemplates, historicizes, promotes, and represents the art form, artists, industry, and regional genres that have together emerged as a central feature of contemporary popular culture. This article explores the spatial and thematic links to the theoretical Global South in Atlanta a…
Art (3 works) · Narrative (3 works) · Sociology (3 works) · Advertising (2 works) · Law (2 works) · Law (2 works) · Literature (2 works) · Media studies (2 works) · Political science (2 works) · Art history (1 works)