Barbara Hatley
Biographic Data
| ID | 641951 |
|---|---|
| NAME | Barbara Hatley |
| GIVEN NAMES | Barbara |
| FAMILY NAME | Hatley |
| SIGNATURE | HATLEY B |
| AFFILIATIONS | Monash University |
| VERIFIED | No |
| TOTAL WORKS | 12 |
| TOTAL CITATIONS | 13 |
| WORKS AS AUTHOR | 12 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1971 |
| LATEST PUBLICATION YEAR | 2015 |
| H-INDEX | 2 |
Performing Contemporary Indonesia
Performance events have long had a central place in Indonesian societies in displaying power, affirming social relations, celebrating shared values, and at times conveying potent political critique. How have they responded to the momentous social and political changes of recent years - the dismantling of the centralised, authoritarian Suharto regime and its replacement with a more open, regionally-focused political system, the rapid expansion of …
Contemporary and Traditional, Male and Female in Garasi's Waktu Batu
Teater Garasis monumental performance project Waktu Batu ( Stone time ) appeared in acontext of alienation from Javanese cultural tradition produced by the fall of the Suhartoregime. Modern theatre groups had previously used familiar Javanese images to simultaneouslycriticise the authorities and celebrate local cultural identity. Waktu Batu, by contrast, engageswith Javanese history and myth in an abstract, fragmented multi-layered stage idiom, s…
New Directions in Indonesian Women's Writing? The Novel Samen
New directions in Indonesian women's writing? The novel Saman
On the subject of “Java”
John Pemberton. On the Subject of “Java”. Ithaca and London: Cornell University Press, 1994. 332 pp. £33.50, hardcover
Southeast Asia
Women in contemporary Indonesian theatre; Issues of representation and participation
This article has its origins in a sense of omission in the research I have been conducting over the past few years on modern theatre in Indonesia -that is, theatre in the national language, Indonesian, employing a written script and derived from the model of Western drama.In such research I had not devoted particular attention to issues of gender in presentation and organization of performances, had not sought out the perspectives of female perfo…
National Ritual, Neighborhood Performance
Cultural documents’ from Bahasa Indonesia
Babads on stage
(1981). Babads on stage: Javanese history and contemporary popular theatre. Indonesia Circle. School of Oriental & African Studies. Newsletter: Vol. 9, No. 26, pp. 33-43
Blora Revisited
Wayang and Ludruk
In contemporary Western society, theatre has become primarily a source of entertainment and sometimes of social criticism; its older function of articulating and instilling prevailing values is now performed by the mass media and specialized educational and propaganda institutions. In Indonesia, however, and elsewhere in Asia where mass media and educational facilities are less developed and private reading is not a widely established habit, popu…
National Ritual, Neighborhood Performance
New directions in Indonesian women's writing? The novel Saman
Women in contemporary Indonesian theatre; Issues of representation and participation
This article has its origins in a sense of omission in the research I have been conducting over the past few years on modern theatre in Indonesia -that is, theatre in the national language, Indonesian, employing a written script and derived from the model of Western drama.In such research I had not devoted particular attention to issues of gender in presentation and organization of performances, had not sought out the perspectives of female perfo…
Wayang and Ludruk
In contemporary Western society, theatre has become primarily a source of entertainment and sometimes of social criticism; its older function of articulating and instilling prevailing values is now performed by the mass media and specialized educational and propaganda institutions. In Indonesia, however, and elsewhere in Asia where mass media and educational facilities are less developed and private reading is not a widely established habit, popu…
Blora Revisited
Wayang and Ludruk
In contemporary Western society, theatre has become primarily a source of entertainment and sometimes of social criticism; its older function of articulating and instilling prevailing values is now performed by the mass media and specialized educational and propaganda institutions. In Indonesia, however, and elsewhere in Asia where mass media and educational facilities are less developed and private reading is not a widely established habit, popu…
Blora Revisited
Cultural documents’ from Bahasa Indonesia
Babads on stage
(1981). Babads on stage: Javanese history and contemporary popular theatre. Indonesia Circle. School of Oriental & African Studies. Newsletter: Vol. 9, No. 26, pp. 33-43
National Ritual, Neighborhood Performance
Southeast Asia
Women in contemporary Indonesian theatre; Issues of representation and participation
This article has its origins in a sense of omission in the research I have been conducting over the past few years on modern theatre in Indonesia -that is, theatre in the national language, Indonesian, employing a written script and derived from the model of Western drama.In such research I had not devoted particular attention to issues of gender in presentation and organization of performances, had not sought out the perspectives of female perfo…
On the subject of “Java”
John Pemberton. On the Subject of “Java”. Ithaca and London: Cornell University Press, 1994. 332 pp. £33.50, hardcover
New Directions in Indonesian Women's Writing? The Novel Samen
New directions in Indonesian women's writing? The novel Saman
Contemporary and Traditional, Male and Female in Garasi's Waktu Batu
Teater Garasis monumental performance project Waktu Batu ( Stone time ) appeared in acontext of alienation from Javanese cultural tradition produced by the fall of the Suhartoregime. Modern theatre groups had previously used familiar Javanese images to simultaneouslycriticise the authorities and celebrate local cultural identity. Waktu Batu, by contrast, engageswith Javanese history and myth in an abstract, fragmented multi-layered stage idiom, s…
Performing Contemporary Indonesia
Performance events have long had a central place in Indonesian societies in displaying power, affirming social relations, celebrating shared values, and at times conveying potent political critique. How have they responded to the momentous social and political changes of recent years - the dismantling of the centralised, authoritarian Suharto regime and its replacement with a more open, regionally-focused political system, the rapid expansion of …
Asian Studies and History (9 works) · History (7 works) · Art (6 works) · History (6 works) · Political science (6 works) · Sociology (6 works) · Gender Studies (4 works) · Indonesian (4 works) · Law (4 works) · Linguistics (4 works)