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Cóilín Parsons

Biographic Data

ID642248
NAMECóilín Parsons
GIVEN NAMESCóilín
FAMILY NAMEParsons
SIGNATUREPARSONS C
AFFILIATIONSGeorgetown University
VERIFIEDNo
TOTAL WORKS10
TOTAL CITATIONS0
WORKS AS AUTHOR8
WORKS AS EDITOR2
FIRST PUBLICATION YEAR2002
LATEST PUBLICATION YEAR2024
H-INDEX0
  • Transnationalism in Irish Literature and Culture

    Open Access•SONJA LAWRENSON, Chanté Mouton Kinyon et al.•EDITOR•BOOK•Transnationalism in Irish…•2024

    Transnationalism in Irish Literature and Culture offers a wide-ranging set of essays exploring the travels of Irish literature and culture over the last century and more. The essays focus on writers and artists whose work has been taken up and re-read overseas; on cultural producers who have engaged with transnational scales in their work; and on critical practices that pay attention to comparative, global, and planetary dimensions of Irish liter…

  • Modernism, Empire, World Literature

    Cóilín Parsons•ARTICLE•Comparative Literature Studies•2024

    “Ever westward the course of empire.” Bishop George Berkeley’s world-encompassing maxim has had its day—as has Berkeley himself—but it did for a spell help to define the contours of an idea that empire and power never rest, always searching for pastures and victims new. Yet Berkeley’s shorthand for the course of human history has always been precisely wrong, since it gives no account of what forces drive that westward movement, from Greece to Rom…

  • Asymmetries

    Cóilín Parsons•ARTICLE•Interventions•2021

    In introducing this special issue on South African and Irish literature and culture, this essay offers a critical overview of the field of comparisons between these two former colonies. Though the cultural output of both sites is often figured as exceptional or incomparable, there is a constant drumbeat of popular comparisons between South Africa and Ireland, and the disciplines of history, political science, and conflict resolution have long com…

  • Science, Technology, and Irish Modernism

    Kathryn Conrad, Cóilín Parsons et al.•EDITOR•BOOK•Science, Technology, and Irish…•2019

  • The Ordnance Survey and Modern Irish Literature

    Cóilín Parsons•BOOK•Ordnance Survey and Modern Irish…•2016

    The Ordnance Survey and Modern Irish Literature argues that a strand of Irish literature that we now recognize as modernist has its roots deep in the nineteenth century, in the attempt by the British government to map the entire island of Ireland for the first time. The Ordnance Survey in Ireland (1824–42) laid the foundation for a new way of looking at the physical and cultural landscape of Ireland, which recognized, represented, and often resis…

  • Mapping the Globe

    Cóilín Parsons•ARTICLE•English Language Notes•2014

    Research Article| September 01 2014 Mapping the Globe: Gulam Mohammed Sheikh's Postcolonial Mappae Mundi Cóilín Parsons Cóilín Parsons Georgetown University [email protected] Cóilín Parsons is assistant professor of English at Georgetown University. He has published on Irish literature, postcolonialism, and modernism. Search for other works by this author on: This Site Google English Language Notes (2014) 52 (2): 189–198. https://doi.…

  • The Archive in Ruins

    Cóilín Parsons•ARTICLE•Interventions•2011

    The construction and destruction of empire has been, from the beginning, a problem of human, political, economic and physical geography. Nineteenth-century Ireland saw the undertaking of a mapping project of unprecedented scale in the British Empire, and one whose legacy remains in dispute to the present day. On the one hand, the mapping of Ireland has been seen as of a kind with the often violent military surveying of all colonies; on the other,…

  • Scaling the Gifberge

    Cóilín Parsons•ARTICLE•Current Writing•2011

    Footnote1Despite its title, You Can't Get Lost in Cape Town has largely not been read from the perspective of its engagement with spatial politics. Focusing on the stories' representations of cartography and cosmopolitan space, this essay argues that they produce a profoundly ambivalent sense of cosmopolitanism, one that is acutely aware of the difficulties of trying to shift scales from the local to the global, and of the loss of affect that thi…

  • Greatly Altered”

    Open Access•Cóilín Parsons•ARTICLE•Victorian Literature and Culture•2010•References: 5

    In the last months of her life , Sydney Owenson (Lady Morgan) returned to one of her earliest and most popular works, The Missionary: An Indian Tale (1811), and devoted time between attacks of severe bronchitis to revising it. The revised novel was published in 1859 under the name of Luxima, the Prophetess: A Tale of India . According to the unattributed preface to Luxima it was “greatly altered,” receiving the final touches only a few days befor…

  • The Burning of Bridget Cleary

    Cóilín Parsons•ARTICLE•Literature and medicine•2002

    Literature and Medicine - Volume 21, Number 2, Fall 2002

No prominent works on this page.

  • The Burning of Bridget Cleary

    Cóilín Parsons•ARTICLE•Literature and medicine•2002

    Literature and Medicine - Volume 21, Number 2, Fall 2002

  • Greatly Altered”

    Open Access•Cóilín Parsons•ARTICLE•Victorian Literature and Culture•2010•References: 5

    In the last months of her life , Sydney Owenson (Lady Morgan) returned to one of her earliest and most popular works, The Missionary: An Indian Tale (1811), and devoted time between attacks of severe bronchitis to revising it. The revised novel was published in 1859 under the name of Luxima, the Prophetess: A Tale of India . According to the unattributed preface to Luxima it was “greatly altered,” receiving the final touches only a few days befor…

  • The Archive in Ruins

    Cóilín Parsons•ARTICLE•Interventions•2011

    The construction and destruction of empire has been, from the beginning, a problem of human, political, economic and physical geography. Nineteenth-century Ireland saw the undertaking of a mapping project of unprecedented scale in the British Empire, and one whose legacy remains in dispute to the present day. On the one hand, the mapping of Ireland has been seen as of a kind with the often violent military surveying of all colonies; on the other,…

  • Scaling the Gifberge

    Cóilín Parsons•ARTICLE•Current Writing•2011

    Footnote1Despite its title, You Can't Get Lost in Cape Town has largely not been read from the perspective of its engagement with spatial politics. Focusing on the stories' representations of cartography and cosmopolitan space, this essay argues that they produce a profoundly ambivalent sense of cosmopolitanism, one that is acutely aware of the difficulties of trying to shift scales from the local to the global, and of the loss of affect that thi…

  • Mapping the Globe

    Cóilín Parsons•ARTICLE•English Language Notes•2014

    Research Article| September 01 2014 Mapping the Globe: Gulam Mohammed Sheikh's Postcolonial Mappae Mundi Cóilín Parsons Cóilín Parsons Georgetown University [email protected] Cóilín Parsons is assistant professor of English at Georgetown University. He has published on Irish literature, postcolonialism, and modernism. Search for other works by this author on: This Site Google English Language Notes (2014) 52 (2): 189–198. https://doi.…

  • The Ordnance Survey and Modern Irish Literature

    Cóilín Parsons•BOOK•Ordnance Survey and Modern Irish…•2016

    The Ordnance Survey and Modern Irish Literature argues that a strand of Irish literature that we now recognize as modernist has its roots deep in the nineteenth century, in the attempt by the British government to map the entire island of Ireland for the first time. The Ordnance Survey in Ireland (1824–42) laid the foundation for a new way of looking at the physical and cultural landscape of Ireland, which recognized, represented, and often resis…

  • Science, Technology, and Irish Modernism

    Kathryn Conrad, Cóilín Parsons et al.•EDITOR•BOOK•Science, Technology, and Irish…•2019

  • Asymmetries

    Cóilín Parsons•ARTICLE•Interventions•2021

    In introducing this special issue on South African and Irish literature and culture, this essay offers a critical overview of the field of comparisons between these two former colonies. Though the cultural output of both sites is often figured as exceptional or incomparable, there is a constant drumbeat of popular comparisons between South Africa and Ireland, and the disciplines of history, political science, and conflict resolution have long com…

  • Transnationalism in Irish Literature and Culture

    Open Access•SONJA LAWRENSON, Chanté Mouton Kinyon et al.•EDITOR•BOOK•Transnationalism in Irish…•2024

    Transnationalism in Irish Literature and Culture offers a wide-ranging set of essays exploring the travels of Irish literature and culture over the last century and more. The essays focus on writers and artists whose work has been taken up and re-read overseas; on cultural producers who have engaged with transnational scales in their work; and on critical practices that pay attention to comparative, global, and planetary dimensions of Irish liter…

  • Modernism, Empire, World Literature

    Cóilín Parsons•ARTICLE•Comparative Literature Studies•2024

    “Ever westward the course of empire.” Bishop George Berkeley’s world-encompassing maxim has had its day—as has Berkeley himself—but it did for a spell help to define the contours of an idea that empire and power never rest, always searching for pastures and victims new. Yet Berkeley’s shorthand for the course of human history has always been precisely wrong, since it gives no account of what forces drive that westward movement, from Greece to Rom…

History (9 works) · Art (6 works) · Linguistics (6 works) · Philosophy (6 works) · Political science (6 works) · Sociology (6 works) · Irish and British Studies (5 works) · Law (5 works) · Irish (4 works) · Literature (4 works)

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