Stephen Groening
Biographic Data
| ID | 642716 |
|---|---|
| NAME | Stephen Groening |
| GIVEN NAMES | Stephen |
| FAMILY NAME | Groening |
| SIGNATURE | GROENING S |
| AFFILIATIONS | University of Washington |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2014 |
| H-INDEX | 1 |
Transnational Television History
Aerial screens
This article traces a history of inflight entertainment in order to examine the relationship between globalization, the urban imaginary and contemporary modes of travel. I rely on the many meanings of the word ‘screen’ to launch my analysis of the role of inflight entertainment in post-World War II air travel. Rather than examine the material displayed via inflight entertainment technologies, I take the installation of these technologies on aircr…
Automobile television, the post-nuclear family and SpongeBob SquarePants
An investigation into the introduction of television in private automobiles taking as its objects advertising discourse, television news and Hollywood-produced disaster epics. The representational strategies at work in these visual forms overlap and, taken in relationship to each other, can help illuminate collective anxieties regarding contemporary post-Cold War culture in the United States. Notes [1] This commercial can be seen at http://www.yo…
From ‘a box in the theater of the world’ to ‘the world as your living room’
The ability to receive and view television programs (and other moving image material) on the cellular phone should be seen as part of a larger system of asserting private space in an environment that is crowded with both people and technology. I begin with Walter Benjamin’s notion that the rise of the private individual can be indexed to the set of practices that transform the dwelling place into an interiorization of the external world through t…
From ‘a box in the theater of the world’ to ‘the world as your living room’
The ability to receive and view television programs (and other moving image material) on the cellular phone should be seen as part of a larger system of asserting private space in an environment that is crowded with both people and technology. I begin with Walter Benjamin’s notion that the rise of the private individual can be indexed to the set of practices that transform the dwelling place into an interiorization of the external world through t…
From ‘a box in the theater of the world’ to ‘the world as your living room’
The ability to receive and view television programs (and other moving image material) on the cellular phone should be seen as part of a larger system of asserting private space in an environment that is crowded with both people and technology. I begin with Walter Benjamin’s notion that the rise of the private individual can be indexed to the set of practices that transform the dwelling place into an interiorization of the external world through t…
Automobile television, the post-nuclear family and SpongeBob SquarePants
An investigation into the introduction of television in private automobiles taking as its objects advertising discourse, television news and Hollywood-produced disaster epics. The representational strategies at work in these visual forms overlap and, taken in relationship to each other, can help illuminate collective anxieties regarding contemporary post-Cold War culture in the United States. Notes [1] This commercial can be seen at http://www.yo…
Aerial screens
This article traces a history of inflight entertainment in order to examine the relationship between globalization, the urban imaginary and contemporary modes of travel. I rely on the many meanings of the word ‘screen’ to launch my analysis of the role of inflight entertainment in post-World War II air travel. Rather than examine the material displayed via inflight entertainment technologies, I take the installation of these technologies on aircr…
Transnational Television History
Advertising (3 works) · Business (3 works) · Media studies (3 works) · Political science (3 works) · Sociology (3 works) · Art (2 works) · History (2 works) · Law (2 works) · Visual arts (2 works) · Aesthetics (1 work)