Paul Jobling
Biographic Data
| ID | 642722 |
|---|---|
| NAME | Paul Jobling |
| GIVEN NAMES | Paul |
| FAMILY NAME | Jobling |
| SIGNATURE | JOBLING P |
| AFFILIATIONS | University of Brighton |
| ORCID | 0000-0002-5801-8380 |
| VERIFIED | Yes |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 10 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1993 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 1 |
Using photographs in social and historical research by Penny Tinkler
Using photographs in social and historical research by Penny Tinkler." Visual Studies, 31(3), pp. 284–285
Cloth for Men”
With the widespread use of synthetic fibers and the impact of youth culture by the 1960s, many menswear retailers and manufacturers of wool and cotton resorted to more inventive ways to symbolize the heritage and quality of their products. This article focuses on how one campaign in particular, Dormeuil's “Cloth for Men” of 1968-75, dealt with this double impetus and interrogates how its alphapictorial rhetoric connotes the ludic and utopian valo…
‘Twice the va va voom?’
Mobilising what Jean-Marie Floch calls the semiotic square, this 10,000-word article explores the transition from 'this thing' (the car itself) to 'that thing' (the car in the advertisement) and what the concomitant transitivity between a global brand and a national culture can entail through a close textual analysis of British television and poster publicity for the Renault Clio, and in particular for the Clio III. Organised around the ludic rhe…
Dialogue, Relationships in Graphic Design, Shaun Cole
The Birth of the Author
Virility in Design”
The first half of the twentieth century was undoubtedly one of the most fecund and complex periods in both the history of advertising and the promotion of men’s wear in Britain. This was a time when vast sums of money were being dedicated to the production and circulation of advertisements promoting men’s clothing; between January and September 1933, for instance, nearly fifty-six thousand pounds (the equivalent of just over three millions pounds…
Underexposed
On the Turn—Millennial Bodies and The Meaning of Time in Andrea Giacobbe's Fashion Photography
Who's That Girl
(1998). Who's That Girl?: “Alex Eats,” A Case Study in Abjection and Identity in Contemporary Fashion Photography. Fashion Theory: Vol. 2, No. 3, pp. 209-224
Sirkka-Liisa Konttinen
The implications of urban renewal for the working class communities of Britain's major cities has been a central theme for many documentary photographers ever since the 1954 Housing Act empowered local authorities with the widescale demolition and replacement of decaying housing stock. It is only more recently, however, that such photographic work has been brought to public attention with a spate of exhibitions and publications. These have includ…
Virility in Design”
The first half of the twentieth century was undoubtedly one of the most fecund and complex periods in both the history of advertising and the promotion of men’s wear in Britain. This was a time when vast sums of money were being dedicated to the production and circulation of advertisements promoting men’s clothing; between January and September 1933, for instance, nearly fifty-six thousand pounds (the equivalent of just over three millions pounds…
Underexposed
On the Turn—Millennial Bodies and The Meaning of Time in Andrea Giacobbe's Fashion Photography
Sirkka-Liisa Konttinen
The implications of urban renewal for the working class communities of Britain's major cities has been a central theme for many documentary photographers ever since the 1954 Housing Act empowered local authorities with the widescale demolition and replacement of decaying housing stock. It is only more recently, however, that such photographic work has been brought to public attention with a spate of exhibitions and publications. These have includ…
Who's That Girl
(1998). Who's That Girl?: “Alex Eats,” A Case Study in Abjection and Identity in Contemporary Fashion Photography. Fashion Theory: Vol. 2, No. 3, pp. 209-224
On the Turn—Millennial Bodies and The Meaning of Time in Andrea Giacobbe's Fashion Photography
Underexposed
The Birth of the Author
Virility in Design”
The first half of the twentieth century was undoubtedly one of the most fecund and complex periods in both the history of advertising and the promotion of men’s wear in Britain. This was a time when vast sums of money were being dedicated to the production and circulation of advertisements promoting men’s clothing; between January and September 1933, for instance, nearly fifty-six thousand pounds (the equivalent of just over three millions pounds…
Dialogue, Relationships in Graphic Design, Shaun Cole
‘Twice the va va voom?’
Mobilising what Jean-Marie Floch calls the semiotic square, this 10,000-word article explores the transition from 'this thing' (the car itself) to 'that thing' (the car in the advertisement) and what the concomitant transitivity between a global brand and a national culture can entail through a close textual analysis of British television and poster publicity for the Renault Clio, and in particular for the Clio III. Organised around the ludic rhe…
Cloth for Men”
With the widespread use of synthetic fibers and the impact of youth culture by the 1960s, many menswear retailers and manufacturers of wool and cotton resorted to more inventive ways to symbolize the heritage and quality of their products. This article focuses on how one campaign in particular, Dormeuil's “Cloth for Men” of 1968-75, dealt with this double impetus and interrogates how its alphapictorial rhetoric connotes the ludic and utopian valo…
Using photographs in social and historical research by Penny Tinkler
Using photographs in social and historical research by Penny Tinkler." Visual Studies, 31(3), pp. 284–285
Art (7 works) · History (7 works) · Aesthetics (5 works) · Art history (5 works) · Sociology (5 works) · Fashion and Cultural Textiles (4 works) · Visual arts (4 works) · Advertising (3 works) · Archaeology (3 works) · Art, Politics, and Modernism (3 works)