Lynda Mannik
Biographic Data
| ID | 642746 |
|---|---|
| NAME | Lynda Mannik |
| GIVEN NAMES | Lynda |
| FAMILY NAME | Mannik |
| SIGNATURE | MANNIK L |
| AFFILIATIONS | York University |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 4 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 2011 |
| LATEST PUBLICATION YEAR | 2015 |
| H-INDEX | 2 |
Reclaiming Canadian Bodies: Visual Media and Representation
Explores the relationship between visual media, the construction of Canadian national identity, and notions of embodiment. It asks how representations of bodies are constructed and performed within mediated content, and emphasizes the ways individuals destabilize national visual tropes, and can destabilize nationalist messages.
Writing Individual Journalist's Memories into Collective Memory
This article considers the ways that journalists' personal memories impact on the process of constructing collective memories, while analyzing how journalists mitigate the political, professional, and personal aspects of their lives. It compares the memories of local journalists with the memories of journalists working for national newspapers concerning the same international event, the arrival of the Amelie on Canadian shores in 1987, when 174 I…
Remembering arrivals of refugees by boat in a Canadian context
On 12 July 1987, 174 people traveled from Rotterdam to Charlesville, Nova Scotia, on the Amelie in search of asylum. In Canadian national newspapers, their arrival was immediately turned into a crisis of securitization, which is common practice for such events. Conversely, local reports portrayed this event as a critical moment when regional Canadian identity was performed through commonly understood and commonly practiced all-inclusive hospitali…
Public and private photographs of refugees: The problem of representation
In 1948 Manivald Sein made a series of photographs as he crossed the Atlantic Ocean, illegally, on board the Walnut. He was one of 347 passengers, mostly Estonian refugees, who escaped Soviet occupation near the end of Second World War and who were again fleeing Stalin's wrath after living in Sweden for four years. This article will examine the various ways photographs taken by refugees in transit not only give a voice to their experience, but mo…
Mary-Ellen Kelm. A Wilder West: Rodeo in Western Canada
Journal Article Mary-Ellen Kelm. A Wilder West: Rodeo in Western Canada. Get access Mary-Ellen Kelm. A Wilder West: Rodeo in Western Canada.Vancouver: UBC Press. 2011. Pp. xii, 296. Cloth $94.00, paper $26.95. Lynda Mannik Lynda Mannik Memorial University of Newfoundland [email protected] Search for other works by this author on: Oxford Academic Google Scholar The American Historical Review, Volume 117, Issue 5, December 2012, Pages 1581–1582, https…
Touchless automatic wonder: Found text photographs from the real world
Touchless automatic wonder: Found text photographs from the real world." Visual Studies, 26(1), p. 81
Writing Individual Journalist's Memories into Collective Memory
This article considers the ways that journalists' personal memories impact on the process of constructing collective memories, while analyzing how journalists mitigate the political, professional, and personal aspects of their lives. It compares the memories of local journalists with the memories of journalists working for national newspapers concerning the same international event, the arrival of the Amelie on Canadian shores in 1987, when 174 I…
Remembering arrivals of refugees by boat in a Canadian context
On 12 July 1987, 174 people traveled from Rotterdam to Charlesville, Nova Scotia, on the Amelie in search of asylum. In Canadian national newspapers, their arrival was immediately turned into a crisis of securitization, which is common practice for such events. Conversely, local reports portrayed this event as a critical moment when regional Canadian identity was performed through commonly understood and commonly practiced all-inclusive hospitali…
Touchless automatic wonder: Found text photographs from the real world
Touchless automatic wonder: Found text photographs from the real world." Visual Studies, 26(1), p. 81
Public and private photographs of refugees: The problem of representation
In 1948 Manivald Sein made a series of photographs as he crossed the Atlantic Ocean, illegally, on board the Walnut. He was one of 347 passengers, mostly Estonian refugees, who escaped Soviet occupation near the end of Second World War and who were again fleeing Stalin's wrath after living in Sweden for four years. This article will examine the various ways photographs taken by refugees in transit not only give a voice to their experience, but mo…
Mary-Ellen Kelm. A Wilder West: Rodeo in Western Canada
Journal Article Mary-Ellen Kelm. A Wilder West: Rodeo in Western Canada. Get access Mary-Ellen Kelm. A Wilder West: Rodeo in Western Canada.Vancouver: UBC Press. 2011. Pp. xii, 296. Cloth $94.00, paper $26.95. Lynda Mannik Lynda Mannik Memorial University of Newfoundland [email protected] Search for other works by this author on: Oxford Academic Google Scholar The American Historical Review, Volume 117, Issue 5, December 2012, Pages 1581–1582, https…
Remembering arrivals of refugees by boat in a Canadian context
On 12 July 1987, 174 people traveled from Rotterdam to Charlesville, Nova Scotia, on the Amelie in search of asylum. In Canadian national newspapers, their arrival was immediately turned into a crisis of securitization, which is common practice for such events. Conversely, local reports portrayed this event as a critical moment when regional Canadian identity was performed through commonly understood and commonly practiced all-inclusive hospitali…
Writing Individual Journalist's Memories into Collective Memory
This article considers the ways that journalists' personal memories impact on the process of constructing collective memories, while analyzing how journalists mitigate the political, professional, and personal aspects of their lives. It compares the memories of local journalists with the memories of journalists working for national newspapers concerning the same international event, the arrival of the Amelie on Canadian shores in 1987, when 174 I…
Reclaiming Canadian Bodies: Visual Media and Representation
Explores the relationship between visual media, the construction of Canadian national identity, and notions of embodiment. It asks how representations of bodies are constructed and performed within mediated content, and emphasizes the ways individuals destabilize national visual tropes, and can destabilize nationalist messages.
History (4 works) · Media studies (4 works) · Sociology (4 works) · Law (3 works) · Political science (3 works) · Psychology (3 works) · Refugee (3 works) · Art (2 works) · Art history (2 works) · Collective memory (2 works)