Kara-Jane Lombard
Biographic Data
| ID | 642909 |
|---|---|
| NAME | Kara-Jane Lombard |
| GIVEN NAMES | Kara-Jane |
| FAMILY NAME | Lombard |
| SIGNATURE | LOMBARD K |
| AFFILIATIONS | Curtin University |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 27 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2013 |
| H-INDEX | 2 |
Art Crimes: The Governance of Hip Hop Graffiti
This article explores the governmental incorporation of hip hop graffiti. It seeks to answer the question: how has governance in relation to graffiti changed? It employs the concept of governmentality to analyze how graffiti is problematized and controlled. Utilizing the rubric of governmentality reveals that although it appears that there is a softening of graffiti policy, this does not mean there is less governance. It also reveals that the inc…
Men against the Wall: Graffiti(ed) Masculinities
This paper invokes the categories of the masculine that have been discursively constructed in the historical and social context of hip hop and graffiti culture. The production and performance of graffiti(ed) masculinities are the result of a complex mix that samples notions of class, race, violence, space, commodification, gender, resistance, and violence. Graffiti culture embodies the colonizer's ideals of a masculinity that is dangerous, aggres…
Skate and create/skate and destroy: The commercial and governmental incorporation of skateboarding
During the 1970s and 1980s skateboarding was variously construed as a children's activity, a fad, or underground activity. More recently there has been a trend to consider skateboarding as respectable as it is increasingly incorporated into commercial and governmental processes. Yet despite the fact that it has been so incorporated into the mainstream, the theme of resistance continues to strongly resonate with skateboarding. This article develop…
Skate and create/skate and destroy: The commercial and governmental incorporation of skateboarding
During the 1970s and 1980s skateboarding was variously construed as a children's activity, a fad, or underground activity. More recently there has been a trend to consider skateboarding as respectable as it is increasingly incorporated into commercial and governmental processes. Yet despite the fact that it has been so incorporated into the mainstream, the theme of resistance continues to strongly resonate with skateboarding. This article develop…
Men against the Wall: Graffiti(ed) Masculinities
This paper invokes the categories of the masculine that have been discursively constructed in the historical and social context of hip hop and graffiti culture. The production and performance of graffiti(ed) masculinities are the result of a complex mix that samples notions of class, race, violence, space, commodification, gender, resistance, and violence. Graffiti culture embodies the colonizer's ideals of a masculinity that is dangerous, aggres…
Skate and create/skate and destroy: The commercial and governmental incorporation of skateboarding
During the 1970s and 1980s skateboarding was variously construed as a children's activity, a fad, or underground activity. More recently there has been a trend to consider skateboarding as respectable as it is increasingly incorporated into commercial and governmental processes. Yet despite the fact that it has been so incorporated into the mainstream, the theme of resistance continues to strongly resonate with skateboarding. This article develop…
Art Crimes: The Governance of Hip Hop Graffiti
This article explores the governmental incorporation of hip hop graffiti. It seeks to answer the question: how has governance in relation to graffiti changed? It employs the concept of governmentality to analyze how graffiti is problematized and controlled. Utilizing the rubric of governmentality reveals that although it appears that there is a softening of graffiti policy, this does not mean there is less governance. It also reveals that the inc…
Men against the Wall: Graffiti(ed) Masculinities
This paper invokes the categories of the masculine that have been discursively constructed in the historical and social context of hip hop and graffiti culture. The production and performance of graffiti(ed) masculinities are the result of a complex mix that samples notions of class, race, violence, space, commodification, gender, resistance, and violence. Graffiti culture embodies the colonizer's ideals of a masculinity that is dangerous, aggres…
Law (3 works) · Political science (3 works) · Sociology (3 works) · Art (2 works) · Graffiti (2 works) · Law (2 works) · Politics (2 works) · Public Spaces through Art (2 works) · Resistance (ecology (2 works) · Urban and sociocultural dynamics (2 works)