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François-Xavier Gleyzon

Biographic Data

ID642970
NAMEFrançois-Xavier Gleyzon
GIVEN NAMESFrançois-Xavier
FAMILY NAMEGleyzon
SIGNATUREGLEYZON F
AFFILIATIONSUniversity of Central Florida
ORCID0000-0002-6831-8838
VERIFIEDYes
TOTAL WORKS7
TOTAL CITATIONS2
AUTHOR COUNT7
EDITOR COUNT0
FIRST PUBLICATION YEAR2013
LATEST PUBLICATION YEAR2019
H-INDEX1
  • Minoring Shakespeare

    François-Xavier Gleyzon•ARTICLE•Journal for Cultural Research•2019

    There will be no more thinking with Shakespeare, only transposition of his corpus into a minor mode. Transposition and no more thinking ever: but transposition from Major to Minor, for ‘when one sees,’ writes Gilles Deleuze, ‘what Shakespeare is subjected to [...], his magnification, normalization, one clamors at present for another treatment that would rediscover in him an active minoritarian force’. One must now rediscover this force both dissi…

  • Deleuze and the event(s)

    Christian Beck, François-Xavier Gleyzon•ARTICLE•Journal for Cultural Research•2016

    As one of the most prominent and controversial philosophers of the twentieth century, Gilles Deleuze reshaped philosophical thinking and, consequently, approaches to interpreting global events. Whi

  • Deleuze and the grandeur of Palestine

    François-Xavier Gleyzon•ARTICLE•Journal for Cultural Research•2016

    The article re-examines the Deleuzian concept of cartography and opens on the question of that race a fortiori minor called to philosophy and the constitution of an earth. Who are these people? Who are these people who, according to Deleuze, are missing? What is their name and what is their territory? The problem of minorities, “of the missing people”, analysed by Deleuze through Kafka finds a resonance and a quite particular affinity – and in th…

  • Milton and Islam

    David Currell, François-Xavier Gleyzon•ARTICLE•English Studies•2014•Cited by: 2•References: 3

  • Holistic Typology

    François-Xavier Gleyzon•ARTICLE•English Studies•2014•References: 1

    This article starts from the premise that the sovereignty of traditional typology (murderous typology) operates a discourse of segmentalization and exerts a rapport of exclusivity between [Tanakh-New Testament], thus placing the Holy Book of Islam hors-scène at the very heart of the religions of the Book [Tanakh-New Testament; Qu'ran]. This article attempts therefore to envisage a holistic typology so as to open up both the Scriptures and the (ma…

  • Thinking through Shakespeare

    Johann Gregory, François-Xavier Gleyzon•ARTICLE•English Studies•2013•References: 1

    AcknowledgmentsWe would like to take this opportunity to express our unfathomable gratitude to the contributors of the essays in these special issues for their offerings, patience and support

  • Opening the Sacred Body or the Profaned Host in The Merchant of Venice

    François-Xavier Gleyzon•ARTICLE•English Studies•2013•References: 4

    This text was conceived and begun in the Orient, the Middle East (American University of Beirut) and was completed in the Occident (University of Central Florida). Between the beginning of an end, the birth of a death, the end of a beginning and the death of a birth, in that painful intersection, this text aims at tracing the phenomena and events of opening and cutting that leave their imprints upon the textual landscape of The Merchant of Venice…

  • Milton and Islam

    David Currell, François-Xavier Gleyzon•ARTICLE•English Studies•2014•Cited by: 2•References: 3

  • Thinking through Shakespeare

    Johann Gregory, François-Xavier Gleyzon•ARTICLE•English Studies•2013•References: 1

    AcknowledgmentsWe would like to take this opportunity to express our unfathomable gratitude to the contributors of the essays in these special issues for their offerings, patience and support

  • Opening the Sacred Body or the Profaned Host in The Merchant of Venice

    François-Xavier Gleyzon•ARTICLE•English Studies•2013•References: 4

    This text was conceived and begun in the Orient, the Middle East (American University of Beirut) and was completed in the Occident (University of Central Florida). Between the beginning of an end, the birth of a death, the end of a beginning and the death of a birth, in that painful intersection, this text aims at tracing the phenomena and events of opening and cutting that leave their imprints upon the textual landscape of The Merchant of Venice…

  • Milton and Islam

    David Currell, François-Xavier Gleyzon•ARTICLE•English Studies•2014•Cited by: 2•References: 3

  • Holistic Typology

    François-Xavier Gleyzon•ARTICLE•English Studies•2014•References: 1

    This article starts from the premise that the sovereignty of traditional typology (murderous typology) operates a discourse of segmentalization and exerts a rapport of exclusivity between [Tanakh-New Testament], thus placing the Holy Book of Islam hors-scène at the very heart of the religions of the Book [Tanakh-New Testament; Qu'ran]. This article attempts therefore to envisage a holistic typology so as to open up both the Scriptures and the (ma…

  • Deleuze and the event(s)

    Christian Beck, François-Xavier Gleyzon•ARTICLE•Journal for Cultural Research•2016

    As one of the most prominent and controversial philosophers of the twentieth century, Gilles Deleuze reshaped philosophical thinking and, consequently, approaches to interpreting global events. Whi

  • Deleuze and the grandeur of Palestine

    François-Xavier Gleyzon•ARTICLE•Journal for Cultural Research•2016

    The article re-examines the Deleuzian concept of cartography and opens on the question of that race a fortiori minor called to philosophy and the constitution of an earth. Who are these people? Who are these people who, according to Deleuze, are missing? What is their name and what is their territory? The problem of minorities, “of the missing people”, analysed by Deleuze through Kafka finds a resonance and a quite particular affinity – and in th…

  • Minoring Shakespeare

    François-Xavier Gleyzon•ARTICLE•Journal for Cultural Research•2019

    There will be no more thinking with Shakespeare, only transposition of his corpus into a minor mode. Transposition and no more thinking ever: but transposition from Major to Minor, for ‘when one sees,’ writes Gilles Deleuze, ‘what Shakespeare is subjected to [...], his magnification, normalization, one clamors at present for another treatment that would rediscover in him an active minoritarian force’. One must now rediscover this force both dissi…

Art (5 works) · Literature (5 works) · Sociology (5 works) · Aesthetics (3 works) · Epistemology (3 works) · Philosophy (3 works) · Philosophy (3 works) · Theology (3 works) · Computer Science (2 works) · Historical and Linguistic Studies (2 works)

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