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Stathis Gauntlett

Biographic Data

ID6430434
NAMEStathis Gauntlett
GIVEN NAMESStathis
FAMILY NAMEGauntlett
SIGNATUREGAUNTLETT S
AFFILIATIONSThe University of Melbourne
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS1
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1983
LATEST PUBLICATION YEAR2022
H-INDEX1
  • Emmanuel Roïdes, Pope Joan Translated by David Connolly. Athens

    Open Access•Stathis Gauntlett•ARTICLE•Byzantine and Modern Greek Studies•2022

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Between Orientalism and Occidentalism

    Stathis Gauntlett•CHAPTER•Crossing the Aegean•2017

  • Daniel Koglin , Greek Rebetiko from a Psychocultural Perspective

    Open Access•Stathis Gauntlett•ARTICLE•Byzantine and Modern Greek Studies•2017

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Antiquity at the musical margins

    Open Access•Stathis Gauntlett•ARTICLE•Byzantine and Modern Greek Studies•2015

    With their insalubrious social connotations, low-brow content and Ottoman musical features, rebetika songs appear unlikely candidates for connection with the revered culture of ancient Greece. Yet this seemingly sacrilegious nexus has repeatedly been contrived by exponents of the genre and by commentators, unlettered and educated alike. It has also exercised the ingenuity of literati, translators, stage directors and graphic artists. The examples…

  • UnRavelling Seferis’ ‘Mythistorema’ 6

    Open Access•Stathis Gauntlett•ARTICLE•Byzantine and Modern Greek Studies•2001•References: 2

    This article attempts to enhance the interpretation of Μυθιστόρημα 6 by exploiting more fully the wide range of verse, music and extra-textual data that can be connected with it. This entails a reassessment of several aspects of the poem, including the role of Maurice Ravel, the identity of the garden with the fountains, the connotations of the dark glass, and the significance of the rain. The poem emerges as a demonstration of the fragility of h…

  • Rebetiko Tragoudi as a Generic Term

    Open Access•Stathis Gauntlett•ARTICLE•Byzantine and Modern Greek Studies•1983•Cited by: 1•References: 2

    The wretched underworld... does not fail to have its songs and these are — for Greece — the rebetika. Rebetis doesn’t mean underworld, nor is the rebetiko its song. Contradictory statements such as the above are characteristic of the controversy which has surrounded the song tradition loosely called ‘rebetiko’ , since it first became a cultural thème du jour in Greece in the late 1940s

  • Rebetiko Tragoudi as a Generic Term

    Open Access•Stathis Gauntlett•ARTICLE•Byzantine and Modern Greek Studies•1983•Cited by: 1•References: 2

    The wretched underworld... does not fail to have its songs and these are — for Greece — the rebetika. Rebetis doesn’t mean underworld, nor is the rebetiko its song. Contradictory statements such as the above are characteristic of the controversy which has surrounded the song tradition loosely called ‘rebetiko’ , since it first became a cultural thème du jour in Greece in the late 1940s

  • Rebetiko Tragoudi as a Generic Term

    Open Access•Stathis Gauntlett•ARTICLE•Byzantine and Modern Greek Studies•1983•Cited by: 1•References: 2

    The wretched underworld... does not fail to have its songs and these are — for Greece — the rebetika. Rebetis doesn’t mean underworld, nor is the rebetiko its song. Contradictory statements such as the above are characteristic of the controversy which has surrounded the song tradition loosely called ‘rebetiko’ , since it first became a cultural thème du jour in Greece in the late 1940s

  • UnRavelling Seferis’ ‘Mythistorema’ 6

    Open Access•Stathis Gauntlett•ARTICLE•Byzantine and Modern Greek Studies•2001•References: 2

    This article attempts to enhance the interpretation of Μυθιστόρημα 6 by exploiting more fully the wide range of verse, music and extra-textual data that can be connected with it. This entails a reassessment of several aspects of the poem, including the role of Maurice Ravel, the identity of the garden with the fountains, the connotations of the dark glass, and the significance of the rain. The poem emerges as a demonstration of the fragility of h…

  • Antiquity at the musical margins

    Open Access•Stathis Gauntlett•ARTICLE•Byzantine and Modern Greek Studies•2015

    With their insalubrious social connotations, low-brow content and Ottoman musical features, rebetika songs appear unlikely candidates for connection with the revered culture of ancient Greece. Yet this seemingly sacrilegious nexus has repeatedly been contrived by exponents of the genre and by commentators, unlettered and educated alike. It has also exercised the ingenuity of literati, translators, stage directors and graphic artists. The examples…

  • Between Orientalism and Occidentalism

    Stathis Gauntlett•CHAPTER•Crossing the Aegean•2017

  • Daniel Koglin , Greek Rebetiko from a Psychocultural Perspective

    Open Access•Stathis Gauntlett•ARTICLE•Byzantine and Modern Greek Studies•2017

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Emmanuel Roïdes, Pope Joan Translated by David Connolly. Athens

    Open Access•Stathis Gauntlett•ARTICLE•Byzantine and Modern Greek Studies•2022

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

History (5 works) · Art (4 works) · History (4 works) · Contemporary and Historical Greek Studies (2 works) · Literature (2 works) · Philosophy (2 works) · African history and culture analysis (1 work) · Art history (1 work) · Astronomy (1 work) · Balkans: History, Politics, Society (1 work)

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