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Jane H Desmarais

Biographic Data

ID6431782
NAMEJane H Desmarais
GIVEN NAMESJane H
FAMILY NAMEDesmarais
SIGNATUREDESMARAIS J H
AFFILIATIONSGoldsmiths University of London
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS0
AUTHOR COUNT5
EDITOR COUNT0
FIRST PUBLICATION YEAR2019
LATEST PUBLICATION YEAR2021
H-INDEX0
  • Taste

    David Weir, Jane Desmarais et al.•CHAPTER•Oxford Handbook of Decadence•2021

    This article examines the confluence of cuisine and the culture of decadence by first describing the difficulty of identifying any type of food as inherently “decadent” in physiological terms. After acknowledging that the meaning of “decadence” depends on moral, social, and aesthetic contexts, the article focuses on the dissemination of aristocratic tastes in food following the French Revolution, when chefs who had formerly cooked for nobility op…

  • Prose Poetry

    Jane Desmarais, Jane H Desmarais et al.•CHAPTER•Oxford Handbook of Decadence•2021

    This chapter treats the prose poem as the decadent genre par excellence by focusing on Charles Baudelaire’s Le Spleen de Paris (Paris Spleen, 1869). The prose poem is well suited to the expression of decadent culture because of its formal subversion of conventional poetry, especially as adapted by Baudelaire to articulate “the bump and lurch” of urban experience. J. K. Huysmans certified the decadent credentials of the genre when he described it …

  • Touch

    Jane Desmarais, Jane H Desmarais•CHAPTER•Oxford Handbook of Decadence•2021

    This article explores the representation of touch in a selection of naturalist and decadent novels in the contexts of late nineteenth-century consumerism and widespread fears about contamination from sexually transmitted disease, principally syphilis. It argues that while the tangible material world does matter to decadence (Émile Zola), touching the (female) body engenders fear and disgust that often leads to fragmentation, unfeeling, and aversi…

  • Late-Victorian Decadent Song Literature

    Open Access•Jane Desmarais, Jane H Desmarais•ARTICLE•Victorian Literature and Culture•2021

    This article considers the Victorian and Edwardian vogue for setting late-Victorian decadent poetry to music. It examines the particular appeal of Ernest Dowson's and Arthur Symons's verse to the composers Cyril Scott and Frederick Delius, whose Songs of Sunset (1911) was regarded as the “quintessential expression of the fin-de-siècle spirit,” and discusses the contribution of women composers and musicians—particularly that of the Irish composer …

  • Decadence and Literature

    Jane H Desmarais, Alexander id_orcid Golob et al.•BOOK•Decadence and Literature•2019

No prominent works on this page.

  • Decadence and Literature

    Jane H Desmarais, Alexander id_orcid Golob et al.•BOOK•Decadence and Literature•2019

  • Taste

    David Weir, Jane Desmarais et al.•CHAPTER•Oxford Handbook of Decadence•2021

    This article examines the confluence of cuisine and the culture of decadence by first describing the difficulty of identifying any type of food as inherently “decadent” in physiological terms. After acknowledging that the meaning of “decadence” depends on moral, social, and aesthetic contexts, the article focuses on the dissemination of aristocratic tastes in food following the French Revolution, when chefs who had formerly cooked for nobility op…

  • Prose Poetry

    Jane Desmarais, Jane H Desmarais et al.•CHAPTER•Oxford Handbook of Decadence•2021

    This chapter treats the prose poem as the decadent genre par excellence by focusing on Charles Baudelaire’s Le Spleen de Paris (Paris Spleen, 1869). The prose poem is well suited to the expression of decadent culture because of its formal subversion of conventional poetry, especially as adapted by Baudelaire to articulate “the bump and lurch” of urban experience. J. K. Huysmans certified the decadent credentials of the genre when he described it …

  • Touch

    Jane Desmarais, Jane H Desmarais•CHAPTER•Oxford Handbook of Decadence•2021

    This article explores the representation of touch in a selection of naturalist and decadent novels in the contexts of late nineteenth-century consumerism and widespread fears about contamination from sexually transmitted disease, principally syphilis. It argues that while the tangible material world does matter to decadence (Émile Zola), touching the (female) body engenders fear and disgust that often leads to fragmentation, unfeeling, and aversi…

  • Late-Victorian Decadent Song Literature

    Open Access•Jane Desmarais, Jane H Desmarais•ARTICLE•Victorian Literature and Culture•2021

    This article considers the Victorian and Edwardian vogue for setting late-Victorian decadent poetry to music. It examines the particular appeal of Ernest Dowson's and Arthur Symons's verse to the composers Cyril Scott and Frederick Delius, whose Songs of Sunset (1911) was regarded as the “quintessential expression of the fin-de-siècle spirit,” and discusses the contribution of women composers and musicians—particularly that of the Irish composer …

Art (5 works) · Literature (5 works) · Aesthetics (3 works) · Decadence (3 works) · French Literature and Criticism (3 works) · Philosophy (3 works) · Culinary Culture and Tourism (2 works) · Decadence, Literature, and Society (2 works) · Epistemology (2 works) · Historical and Scientific Studies (2 works)

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