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Delphine Munos

Biographic Data

ID643499
NAMEDelphine Munos
GIVEN NAMESDelphine
FAMILY NAMEMunos
SIGNATUREMUNOS D
AFFILIATIONSUniversity of Liège
ORCID0000-0003-0617-5883
VERIFIEDYes
TOTAL WORKS11
TOTAL CITATIONS16
AUTHOR COUNT11
EDITOR COUNT0
FIRST PUBLICATION YEAR2010
LATEST PUBLICATION YEAR2022
H-INDEX2
  • Lose Your Father

    Delphine Munos•ARTICLE•CR The New Centennial Review•2022•References: 4

    In July 2019 I attended a performance of Caryl Phillips's play Strange Fruit at the Bush Theatre in London. My colleague Bénédicte Ledent and I were on our way back to Belgium after having participated in the annual Conference of the Society for Caribbean Studies in Preston, Britain. The Kittitian–British novelist, essayist and playwright Caryl Phillips had been attending the same conference and he had suggested that Bénédicte and I stop in Londo…

  • Afrasian Entanglements and Generic Ambiguities in Sultan Somjee’s Bead Bai

    Delphine Munos•ARTICLE•Matatu•2021•Cited by: 1

    This article looks at Sultan Somjee’s Bead Bai (2012) which focuses on Sakina, a member of the Satpanth Ismaili community living in mid-twentieth century Kenya. Based on nine years of research and interviews with Khoja women who now reside in Western Europe and North America, Bead Bai is generally described as a “historical novel” or an “ethnographic fiction,” yet it also can be thought of as pertaining to the genre of what Brett Smith et al. (20…

  • Tell it slant”

    Open Access•Delphine Munos•ARTICLE•The Journal of Commonwealth…•2019•Cited by: 1•References: 14

    In Postcolonial Writers in the Global Literary Marketplace (2007), Sarah Brouillette expands on Graham Huggan’s exploration of the current entanglement between “the language of resistance” inherent to postcolonialism and “the language of commerce” intrinsic to postcoloniality (Huggan, 2001: 264). Connecting the successful marketing of postcolonial writing with the regime of postcoloniality, Brouillette argues that such a regime requires or projec…

  • Introduction

    Delphine Munos, Mala Pandurang•ARTICLE•South Asian Diaspora•2018

    In today’s western multicultural societies, Eurocentric notions of ‘black’ and ‘white’ have polarised the debate about racial relations and effaced the complexities of interaction between South Asian migrant communities and people of other ethnic and racial backgrounds. This special issue is geared toward exploring how the complexity of contemporary race relations between the South Asian and the African communities, as well as its legacy in Afric…

  • Indo-Caribbean feminist thought

    Delphine Munos•ARTICLE•South Asian Diaspora•2018

    Indo-Caribbean feminism has emerged as a compelling and exciting area of scholarship in the past thirty years or so, although its distinctive achievements have suffered from lack of visibility. Thi

  • "Minor" genres in postcolonial literatures

    Delphine Munos, Bénédicte Ledent•ARTICLE•Journal of Postcolonial Writing•2018•Cited by: 3•References: 10

    peer reviewed

  • M.G. Vassanji

    Delphine Munos•ARTICLE•South Asian Diaspora•2016•Cited by: 1

    peer reviewed

  • Transnational migration

    Delphine Munos•ARTICLE•South Asian Diaspora•2015•Cited by: 1•References: 1

  • Mapping diasporic subjectivities

    Mala Pandurang, Delphine Munos•ARTICLE•South Asian Diaspora•2014

    peer reviewed

  • Possessed by whiteness

    Delphine Munos•ARTICLE•Journal of Postcolonial Writing•2012•Cited by: 7•References: 4

    Drawing on whiteness studies and psychoanalytical theory, this article explores representations of interracial relationships as a means to claim and/or contest the ideal of whiteness in Mohsin Hamid's The Reluctant Fundamentalist. In Hamid's novel, the 9/11 attacks trigger a crisis in self-identification for model-minority Pakistani protagonist Changez, which proves illuminating in terms of the invisible racial subjugation exerted so far upon him…

  • A Place Within

    Delphine Munos•ARTICLE•South Asian Diaspora•2010•Cited by: 2

    by M.G. Vassanji, New Delhi, Viking, Penguin Books, 2008, 371 pp., Rs. 599.00 (hardback), ISBN 9780670082452 The return to the Indian homeland appears to have become a staple of the enormously popu

  • Possessed by whiteness

    Delphine Munos•ARTICLE•Journal of Postcolonial Writing•2012•Cited by: 7•References: 4

    Drawing on whiteness studies and psychoanalytical theory, this article explores representations of interracial relationships as a means to claim and/or contest the ideal of whiteness in Mohsin Hamid's The Reluctant Fundamentalist. In Hamid's novel, the 9/11 attacks trigger a crisis in self-identification for model-minority Pakistani protagonist Changez, which proves illuminating in terms of the invisible racial subjugation exerted so far upon him…

  • "Minor" genres in postcolonial literatures

    Delphine Munos, Bénédicte Ledent•ARTICLE•Journal of Postcolonial Writing•2018•Cited by: 3•References: 10

    peer reviewed

  • A Place Within

    Delphine Munos•ARTICLE•South Asian Diaspora•2010•Cited by: 2

    by M.G. Vassanji, New Delhi, Viking, Penguin Books, 2008, 371 pp., Rs. 599.00 (hardback), ISBN 9780670082452 The return to the Indian homeland appears to have become a staple of the enormously popu

  • Afrasian Entanglements and Generic Ambiguities in Sultan Somjee’s Bead Bai

    Delphine Munos•ARTICLE•Matatu•2021•Cited by: 1

    This article looks at Sultan Somjee’s Bead Bai (2012) which focuses on Sakina, a member of the Satpanth Ismaili community living in mid-twentieth century Kenya. Based on nine years of research and interviews with Khoja women who now reside in Western Europe and North America, Bead Bai is generally described as a “historical novel” or an “ethnographic fiction,” yet it also can be thought of as pertaining to the genre of what Brett Smith et al. (20…

  • Tell it slant”

    Open Access•Delphine Munos•ARTICLE•The Journal of Commonwealth…•2019•Cited by: 1•References: 14

    In Postcolonial Writers in the Global Literary Marketplace (2007), Sarah Brouillette expands on Graham Huggan’s exploration of the current entanglement between “the language of resistance” inherent to postcolonialism and “the language of commerce” intrinsic to postcoloniality (Huggan, 2001: 264). Connecting the successful marketing of postcolonial writing with the regime of postcoloniality, Brouillette argues that such a regime requires or projec…

  • M.G. Vassanji

    Delphine Munos•ARTICLE•South Asian Diaspora•2016•Cited by: 1

    peer reviewed

  • Transnational migration

    Delphine Munos•ARTICLE•South Asian Diaspora•2015•Cited by: 1•References: 1

  • A Place Within

    Delphine Munos•ARTICLE•South Asian Diaspora•2010•Cited by: 2

    by M.G. Vassanji, New Delhi, Viking, Penguin Books, 2008, 371 pp., Rs. 599.00 (hardback), ISBN 9780670082452 The return to the Indian homeland appears to have become a staple of the enormously popu

  • Possessed by whiteness

    Delphine Munos•ARTICLE•Journal of Postcolonial Writing•2012•Cited by: 7•References: 4

    Drawing on whiteness studies and psychoanalytical theory, this article explores representations of interracial relationships as a means to claim and/or contest the ideal of whiteness in Mohsin Hamid's The Reluctant Fundamentalist. In Hamid's novel, the 9/11 attacks trigger a crisis in self-identification for model-minority Pakistani protagonist Changez, which proves illuminating in terms of the invisible racial subjugation exerted so far upon him…

  • Mapping diasporic subjectivities

    Mala Pandurang, Delphine Munos•ARTICLE•South Asian Diaspora•2014

    peer reviewed

  • Transnational migration

    Delphine Munos•ARTICLE•South Asian Diaspora•2015•Cited by: 1•References: 1

  • M.G. Vassanji

    Delphine Munos•ARTICLE•South Asian Diaspora•2016•Cited by: 1

    peer reviewed

  • Introduction

    Delphine Munos, Mala Pandurang•ARTICLE•South Asian Diaspora•2018

    In today’s western multicultural societies, Eurocentric notions of ‘black’ and ‘white’ have polarised the debate about racial relations and effaced the complexities of interaction between South Asian migrant communities and people of other ethnic and racial backgrounds. This special issue is geared toward exploring how the complexity of contemporary race relations between the South Asian and the African communities, as well as its legacy in Afric…

  • Indo-Caribbean feminist thought

    Delphine Munos•ARTICLE•South Asian Diaspora•2018

    Indo-Caribbean feminism has emerged as a compelling and exciting area of scholarship in the past thirty years or so, although its distinctive achievements have suffered from lack of visibility. Thi

  • "Minor" genres in postcolonial literatures

    Delphine Munos, Bénédicte Ledent•ARTICLE•Journal of Postcolonial Writing•2018•Cited by: 3•References: 10

    peer reviewed

  • Tell it slant”

    Open Access•Delphine Munos•ARTICLE•The Journal of Commonwealth…•2019•Cited by: 1•References: 14

    In Postcolonial Writers in the Global Literary Marketplace (2007), Sarah Brouillette expands on Graham Huggan’s exploration of the current entanglement between “the language of resistance” inherent to postcolonialism and “the language of commerce” intrinsic to postcoloniality (Huggan, 2001: 264). Connecting the successful marketing of postcolonial writing with the regime of postcoloniality, Brouillette argues that such a regime requires or projec…

  • Afrasian Entanglements and Generic Ambiguities in Sultan Somjee’s Bead Bai

    Delphine Munos•ARTICLE•Matatu•2021•Cited by: 1

    This article looks at Sultan Somjee’s Bead Bai (2012) which focuses on Sakina, a member of the Satpanth Ismaili community living in mid-twentieth century Kenya. Based on nine years of research and interviews with Khoja women who now reside in Western Europe and North America, Bead Bai is generally described as a “historical novel” or an “ethnographic fiction,” yet it also can be thought of as pertaining to the genre of what Brett Smith et al. (20…

  • Lose Your Father

    Delphine Munos•ARTICLE•CR The New Centennial Review•2022•References: 4

    In July 2019 I attended a performance of Caryl Phillips's play Strange Fruit at the Bush Theatre in London. My colleague Bénédicte Ledent and I were on our way back to Belgium after having participated in the annual Conference of the Society for Caribbean Studies in Preston, Britain. The Kittitian–British novelist, essayist and playwright Caryl Phillips had been attending the same conference and he had suggested that Bénédicte and I stop in Londo…

Sociology (10 works) · History (7 works) · History (7 works) · Postcolonial and Cultural Literary Studies (6 works) · Art (5 works) · Gender Studies (5 works) · Anthropology (4 works) · Geography (4 works) · Literature (4 works) · Psychoanalysis (4 works)

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