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Kai Wiegandt

Biographic Data

ID643553
NAMEKai Wiegandt
GIVEN NAMESKai
FAMILY NAMEWiegandt
SIGNATUREWIEGANDT K
AFFILIATIONSBarenboim-Said Akademie , Französische Straße 33d, 10117 Berlin , Germany
VERIFIEDNo
TOTAL WORKS10
TOTAL CITATIONS2
WORKS AS AUTHOR9
WORKS AS EDITOR1
FIRST PUBLICATION YEAR2013
LATEST PUBLICATION YEAR2026
H-INDEX1
  • Abdulrazak Gurnah and German Colonialism

    Open Access•Lukas Lammers, Kai Wiegandt•ARTICLE•Zeitschrift für Anglistik und…•2026

  • Complex Implication in Abdulrazak Gurnah’s Afterlives

    Open Access•Kai Wiegandt•ARTICLE•Zeitschrift für Anglistik und…•2026

    This paper argues that implication in German colonialism is a central concern in Gurnah’s Afterlives (2020). The novel suggests that German colonialism implicated in its crimes the colonized population and third parties who believed themselves mere bystanders – a process that standard accounts usually do not allow us to see since they are premised on the rigid positions of perpetrator, victim, and bystander. In the words of Michael Rothberg, on w…

  • Chapter 8 Western Migrants in Hong Kong

    Open Access•Kai Wiegandt•CHAPTER•Configurations of Migration•2023

  • Introduction

    Kai Wiegandt•ARTICLE•Interventions•2023•References: 7

    If it is true that no person ever experienced exactly the same as another, it is also true that no person ever experienced something that did not resemble someone else’s experience. Speaking of gen

  • Fiction's gothic imagination of reverse domination

    Kai Wiegandt•ARTICLE•Interventions•2023•References: 14

    Late nineteenth- and early twentieth-century reverse colonization narratives, subsumed under the rubric “imperial gothic” by Patrick Brantlinger, featured invasions from the colonial periphery to the imperial centre. This essay argues that recent decades have seen the emergence of similar “reverse domination narratives”. The narratives feature the migration of professionals from the Global North to the new economic centres in the Global South, wh…

  • The Transnational in Literary Studies

    Kai Wiegandt•EDITOR•BOOK•Transnational in Literary Studies•2020

    This volume clarifies the meanings and applications of the concept of the transnational and identifies areas in which the concept can be particularly useful. The division of the volume into three parts reflects areas which seem particularly amenable to analysis through a transnational lens. The chapters in Part 1 present case studies in which the concept replaces or complements traditionally dominant concepts in literary studies. These chapters d…

  • Transnational in Literary Studies

    Kai Wiegandt•BOOK•Transnational in Literary Studies•2020

  • J.M. Coetzee’s Revisions of the Human

    Open Access•Kai Wiegandt•BOOK•J.M. Coetzee’s Revisions of the…•2019

  • Guilt, shame and the politics of moral change in Antjie Krog’s and Zoë Wicomb’s literary responses to South Africa’s Truth and Reconciliation Commission

    Kai Wiegandt•ARTICLE•Journal of Postcolonial Writing•2017•Cited by: 2•References: 19

    This article argues that Antjie Krog’s Country of My Skull (1998) and Zoë Wicomb’s David’s Story (2000) attempt to lift feelings of guilt and shame from the victims of apartheid and to instil these feelings in those who ought to feel them: in the perpetrators, but also in the majority of whites and some coloureds who benefited from apartheid in one way or another. Both authors stress the value of moral shame for reforming South Africa’s society a…

  • I too might once have been a prisoner”

    Kai Wiegandt•ARTICLE•Social Dynamics•2013•References: 9

    The oppressors and men complicit with oppression in J.M. Coetzee’s Dusklands, Nadine Gordimer’s The Conservationist and Breyten Breytenbach’s The True Confessions of an Albino Terrorist have markedly different personalities, occupy diverse social settings and become alive to the reader through different literary techniques, but they strikingly resemble each other, because they are paranoid, delusional and plagued by repressed feelings of guilt. T…

  • Guilt, shame and the politics of moral change in Antjie Krog’s and Zoë Wicomb’s literary responses to South Africa’s Truth and Reconciliation Commission

    Kai Wiegandt•ARTICLE•Journal of Postcolonial Writing•2017•Cited by: 2•References: 19

    This article argues that Antjie Krog’s Country of My Skull (1998) and Zoë Wicomb’s David’s Story (2000) attempt to lift feelings of guilt and shame from the victims of apartheid and to instil these feelings in those who ought to feel them: in the perpetrators, but also in the majority of whites and some coloureds who benefited from apartheid in one way or another. Both authors stress the value of moral shame for reforming South Africa’s society a…

  • I too might once have been a prisoner”

    Kai Wiegandt•ARTICLE•Social Dynamics•2013•References: 9

    The oppressors and men complicit with oppression in J.M. Coetzee’s Dusklands, Nadine Gordimer’s The Conservationist and Breyten Breytenbach’s The True Confessions of an Albino Terrorist have markedly different personalities, occupy diverse social settings and become alive to the reader through different literary techniques, but they strikingly resemble each other, because they are paranoid, delusional and plagued by repressed feelings of guilt. T…

  • Guilt, shame and the politics of moral change in Antjie Krog’s and Zoë Wicomb’s literary responses to South Africa’s Truth and Reconciliation Commission

    Kai Wiegandt•ARTICLE•Journal of Postcolonial Writing•2017•Cited by: 2•References: 19

    This article argues that Antjie Krog’s Country of My Skull (1998) and Zoë Wicomb’s David’s Story (2000) attempt to lift feelings of guilt and shame from the victims of apartheid and to instil these feelings in those who ought to feel them: in the perpetrators, but also in the majority of whites and some coloureds who benefited from apartheid in one way or another. Both authors stress the value of moral shame for reforming South Africa’s society a…

  • J.M. Coetzee’s Revisions of the Human

    Open Access•Kai Wiegandt•BOOK•J.M. Coetzee’s Revisions of the…•2019

  • The Transnational in Literary Studies

    Kai Wiegandt•EDITOR•BOOK•Transnational in Literary Studies•2020

    This volume clarifies the meanings and applications of the concept of the transnational and identifies areas in which the concept can be particularly useful. The division of the volume into three parts reflects areas which seem particularly amenable to analysis through a transnational lens. The chapters in Part 1 present case studies in which the concept replaces or complements traditionally dominant concepts in literary studies. These chapters d…

  • Transnational in Literary Studies

    Kai Wiegandt•BOOK•Transnational in Literary Studies•2020

  • Chapter 8 Western Migrants in Hong Kong

    Open Access•Kai Wiegandt•CHAPTER•Configurations of Migration•2023

  • Introduction

    Kai Wiegandt•ARTICLE•Interventions•2023•References: 7

    If it is true that no person ever experienced exactly the same as another, it is also true that no person ever experienced something that did not resemble someone else’s experience. Speaking of gen

  • Fiction's gothic imagination of reverse domination

    Kai Wiegandt•ARTICLE•Interventions•2023•References: 14

    Late nineteenth- and early twentieth-century reverse colonization narratives, subsumed under the rubric “imperial gothic” by Patrick Brantlinger, featured invasions from the colonial periphery to the imperial centre. This essay argues that recent decades have seen the emergence of similar “reverse domination narratives”. The narratives feature the migration of professionals from the Global North to the new economic centres in the Global South, wh…

  • Abdulrazak Gurnah and German Colonialism

    Open Access•Lukas Lammers, Kai Wiegandt•ARTICLE•Zeitschrift für Anglistik und…•2026

  • Complex Implication in Abdulrazak Gurnah’s Afterlives

    Open Access•Kai Wiegandt•ARTICLE•Zeitschrift für Anglistik und…•2026

    This paper argues that implication in German colonialism is a central concern in Gurnah’s Afterlives (2020). The novel suggests that German colonialism implicated in its crimes the colonized population and third parties who believed themselves mere bystanders – a process that standard accounts usually do not allow us to see since they are premised on the rigid positions of perpetrator, victim, and bystander. In the words of Michael Rothberg, on w…

Art (7 works) · Literature (7 works) · History (4 works) · Political science (4 works) · Politics (4 works) · Postcolonial and Cultural Literary Studies (4 works) · Sociology (4 works) · Aesthetics (3 works) · Diaspora, migration, transnational identity (3 works) · Law (3 works)

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