Глеб М Маматов
Biographic Data
| ID | 6439660 |
|---|---|
| NAME | Глеб М Маматов |
| GIVEN NAMES | Глеб М |
| FAMILY NAME | Маматов |
| SIGNATURE | МАМАТОВ Г М |
| ORCID | 0000-0003-0625-3853 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
“Automatic poems” by Boris Poplavsky
The paper delves into the concept of music as portrayed in Boris Poplavsky’s “Automatic poems.” It thoroughly analyzes the musical code of the book, which can be seen as a fusion of symbols, mythological poetics, and musical imagery. Additionally, the paper explores how the musical essence of the verses is expressed through the architectural structure of the text. One of the central images in the book is sound, which holds great ontological signi…
Concept of Time in the Poem Autumn Walks behind the Wall of Life… by B. Poplavsky
Concept of time and its presentation in the poem “Autumn walks behind the wall of life...” by B. Poplavsky are studied in the article. This poem is analyzed according to the theoretical approach of the poet to the nature of time, categories of fluidity, episodic, problem of memory and recollections in the context of European and antic philosophy. In the poem temporal motives become central and correlate with categories of music, nature elements, …
The Oeuvre of R. Wagner in Boris Poplavsky’s Creative Reception
The paper is a study of how the heritage of composer, philosopher and opera reformer Richard Wagner is perceived in the works by poet Boris Poplavsky. The poet appeals to Wagner and symbolists in what he refers to as the integrity of all the elements of being in the World Symphony (Wagner’s concept of Gesamtkunstwerk). Symbolists highly valued the vital theurgic force of music, connected with transformation and creation. Poplavsky embraces the co…
Johann Sebastian Bach and Wolfgang Amadeus Mozart in the works of Boris Poplavsky
The paper is devoted to studying the images of 18th-century German composers Johann Sebastian Bach and Wolfgang Amadeus Mozart in the works of Boris Poplavsky, including diaries, articles, poems, and prose. It was found that the image of Bach was transformed, starting from the articles of the early 1930s to the final work “About substantiality of personality”. In early works, Bach is a symbol of Apollonian art, perfect and harmonious, but cold-bl…
The Image of Sea Maid in the Poetry of K.D. Balmont
The article is a complex case study of 23 poems presenting the image of the sea maid in lyric poetry of K.D. Balmont. The following conclusions has been made in the course of the works: the image of the sea maid tends to be frequent in love and erotic lyrics and is linked with decadence motives; many texts are permeated with characters of Slavic folklore, besides, it is important that some poems are poetical ‘renditions’ of famous epic songs and …
«I Do not Participate, I do not Exist in the World …»
The article discusses aesthetic and philosophical synthesis in the late lyrics of B. Poplavsky, namely the combination of the features of symbolism and existentialism in the poem «Again in a Wreath of Wax» (1931-1934) from the posthumous book of poems «Snowy Hour». It has been revealed that the work of the poet of the “Paris note” is an example of the “borderline” poetics. Its motive-shaped system and space-time structure are considered. Time and…
Functioning of the Mythological Plot "Orpheus in Hell" in Boris Poplavsky’s Writings of the 1930s
The paper deals with the research of the mythological plot Orpheus in Hell in the late works by B.Yu. Poplavsky. The article describes the implementation of this plot in the material of diaries and the posthumous book of poems The Snowy Hour (1936). The connection of the orphism of this period with the previous writings by Poplavskij with the ancient, Christian, symbolism traditions is studied. It is revealed that Poplavsky creates a myth of the …
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«I Do not Participate, I do not Exist in the World …»
The article discusses aesthetic and philosophical synthesis in the late lyrics of B. Poplavsky, namely the combination of the features of symbolism and existentialism in the poem «Again in a Wreath of Wax» (1931-1934) from the posthumous book of poems «Snowy Hour». It has been revealed that the work of the poet of the “Paris note” is an example of the “borderline” poetics. Its motive-shaped system and space-time structure are considered. Time and…
Functioning of the Mythological Plot "Orpheus in Hell" in Boris Poplavsky’s Writings of the 1930s
The paper deals with the research of the mythological plot Orpheus in Hell in the late works by B.Yu. Poplavsky. The article describes the implementation of this plot in the material of diaries and the posthumous book of poems The Snowy Hour (1936). The connection of the orphism of this period with the previous writings by Poplavskij with the ancient, Christian, symbolism traditions is studied. It is revealed that Poplavsky creates a myth of the …
Johann Sebastian Bach and Wolfgang Amadeus Mozart in the works of Boris Poplavsky
The paper is devoted to studying the images of 18th-century German composers Johann Sebastian Bach and Wolfgang Amadeus Mozart in the works of Boris Poplavsky, including diaries, articles, poems, and prose. It was found that the image of Bach was transformed, starting from the articles of the early 1930s to the final work “About substantiality of personality”. In early works, Bach is a symbol of Apollonian art, perfect and harmonious, but cold-bl…
The Image of Sea Maid in the Poetry of K.D. Balmont
The article is a complex case study of 23 poems presenting the image of the sea maid in lyric poetry of K.D. Balmont. The following conclusions has been made in the course of the works: the image of the sea maid tends to be frequent in love and erotic lyrics and is linked with decadence motives; many texts are permeated with characters of Slavic folklore, besides, it is important that some poems are poetical ‘renditions’ of famous epic songs and …
The Oeuvre of R. Wagner in Boris Poplavsky’s Creative Reception
The paper is a study of how the heritage of composer, philosopher and opera reformer Richard Wagner is perceived in the works by poet Boris Poplavsky. The poet appeals to Wagner and symbolists in what he refers to as the integrity of all the elements of being in the World Symphony (Wagner’s concept of Gesamtkunstwerk). Symbolists highly valued the vital theurgic force of music, connected with transformation and creation. Poplavsky embraces the co…
“Automatic poems” by Boris Poplavsky
The paper delves into the concept of music as portrayed in Boris Poplavsky’s “Automatic poems.” It thoroughly analyzes the musical code of the book, which can be seen as a fusion of symbols, mythological poetics, and musical imagery. Additionally, the paper explores how the musical essence of the verses is expressed through the architectural structure of the text. One of the central images in the book is sound, which holds great ontological signi…
Concept of Time in the Poem Autumn Walks behind the Wall of Life… by B. Poplavsky
Concept of time and its presentation in the poem “Autumn walks behind the wall of life...” by B. Poplavsky are studied in the article. This poem is analyzed according to the theoretical approach of the poet to the nature of time, categories of fluidity, episodic, problem of memory and recollections in the context of European and antic philosophy. In the poem temporal motives become central and correlate with categories of music, nature elements, …
Art (7 works) · Literature (7 works) · Poetry (6 works) · Philosophy (5 works) · Discourse Analysis and Cultural Communication (3 works) · Art history (2 works) · Epistemology (2 works) · HERO (2 works) · Mythology (2 works) · Theology (2 works)