Ekaterina V Kuznetsova
Biographic Data
| ID | 6443893 |
|---|---|
| NAME | Ekaterina V Kuznetsova |
| GIVEN NAMES | Ekaterina V |
| FAMILY NAME | Kuznetsova |
| SIGNATURE | KUZNETSOVA E V |
| AFFILIATIONS | Russian Academy of Sciences |
| ORCID | 0000-0001-6045-2162 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Representation of Femininity in the Poetry Books of the Era of Revolution and Civil War
The article examines several poetry collections of 1917–1922, which are of interest from the point of view of the representation of femininity both in the choice of titles and in the motif-figurative and thematic content. This period in the history of Russia is characterized by a crisis of previous social and cultural norms and behaviors, including traditional femininity, characterized by the emergence of new gender roles, for example, a revoluti…
Vampire Motif in O. Mirtov’s Novel Dead Swell
The article discusses the reinterpretation in O. Mirtov’s (Olga Negreskul) novel Dead Swell (1909) of the images and plot moves of the novel by English writer Bram Stoker Dracula (1897) and, in general, the vampiric myth peculiar to romantic and neo-Gothic literature. Recognizable clichés associated with the appearance and abilities of vampires manifest themselves at different levels of the novel: at the level of subtext in ambiguous conversation…
The Image of Christ the Beloved and the Problems of Subjectivity in the Women’s Lyrics of the Silver Age
The article analyzes the individual authors incarnations of the image of Christ in the poetry of Z. Gippius, M. Lokhvitskaya, E. Dmitrieva (Cherubina de Gabriak), A. Herzyk, E. Kuzmina-Karavaeva and A. Barkova. Falling in love with Christ is colored in the womens lyrics of the Silver Age with erotic tones, and his divine beauty becomes the subject of poetic description. The appeal to this image is closely connected with the problems of subjectivi…
Arnold Böcklin’s Pictorial Motifs in the Poetry of Russian Modernism
The work of the Swiss artist Arnold Böklin (1827–1901) is a bright page of European culture. His painting “Island of the Dead” for several decades in the early 20th century was a favorite canvas of the Russian intelligentsia. The article attempts to consider the evolution of the perception of Böklin’s painting in the era of Russian Art Nouveau in poetry, criticism and public consciousness. The main material of the study is the lyrics of K. Fofano…
Reception of Henri de Regnier’s Poetry by Maximilian Voloshin and Igor Severyanin
The article examines the reception of the poetry by a French poet Henri de Regnier in the works of Maximilian Voloshin and Igor Severyanin. Voloshin was a passionate promoter of Regnier in Russia; he appealed to him in criticism, translated his poems and prose, and considered him to be a forerunner of “neo-realism,” a new stage of development in European and Russian literature. The interest of Severyanin in the work of Regnier develops under the …
Ivan Bunin and Georgy Ivanov
1 .. .. . .. 1931 . 1947
The Poetics of Igor Severyanin and Literary Parody at the Beginning of the 20th century
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The Poetics of Igor Severyanin and Literary Parody at the Beginning of the 20th century
(, , , , )
Ivan Bunin and Georgy Ivanov
1 .. .. . .. 1931 . 1947
Reception of Henri de Regnier’s Poetry by Maximilian Voloshin and Igor Severyanin
The article examines the reception of the poetry by a French poet Henri de Regnier in the works of Maximilian Voloshin and Igor Severyanin. Voloshin was a passionate promoter of Regnier in Russia; he appealed to him in criticism, translated his poems and prose, and considered him to be a forerunner of “neo-realism,” a new stage of development in European and Russian literature. The interest of Severyanin in the work of Regnier develops under the …
The Image of Christ the Beloved and the Problems of Subjectivity in the Women’s Lyrics of the Silver Age
The article analyzes the individual authors incarnations of the image of Christ in the poetry of Z. Gippius, M. Lokhvitskaya, E. Dmitrieva (Cherubina de Gabriak), A. Herzyk, E. Kuzmina-Karavaeva and A. Barkova. Falling in love with Christ is colored in the womens lyrics of the Silver Age with erotic tones, and his divine beauty becomes the subject of poetic description. The appeal to this image is closely connected with the problems of subjectivi…
Arnold Böcklin’s Pictorial Motifs in the Poetry of Russian Modernism
The work of the Swiss artist Arnold Böklin (1827–1901) is a bright page of European culture. His painting “Island of the Dead” for several decades in the early 20th century was a favorite canvas of the Russian intelligentsia. The article attempts to consider the evolution of the perception of Böklin’s painting in the era of Russian Art Nouveau in poetry, criticism and public consciousness. The main material of the study is the lyrics of K. Fofano…
Representation of Femininity in the Poetry Books of the Era of Revolution and Civil War
The article examines several poetry collections of 1917–1922, which are of interest from the point of view of the representation of femininity both in the choice of titles and in the motif-figurative and thematic content. This period in the history of Russia is characterized by a crisis of previous social and cultural norms and behaviors, including traditional femininity, characterized by the emergence of new gender roles, for example, a revoluti…
Vampire Motif in O. Mirtov’s Novel Dead Swell
The article discusses the reinterpretation in O. Mirtov’s (Olga Negreskul) novel Dead Swell (1909) of the images and plot moves of the novel by English writer Bram Stoker Dracula (1897) and, in general, the vampiric myth peculiar to romantic and neo-Gothic literature. Recognizable clichés associated with the appearance and abilities of vampires manifest themselves at different levels of the novel: at the level of subtext in ambiguous conversation…
Art (7 works) · Literature (7 works) · Poetry (5 works) · Philosophy (4 works) · Aesthetics (3 works) · History (3 works) · Law (3 works) · Translation Studies and Practices (3 works) · Art history (2 works) · Criticism (2 works)