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Massimiliano Papini

Dados Biográficos

ID6444718
NOMEMassimiliano Papini
PRENOMESMassimiliano
SOBRENOMEPapini
ASSINATURAPAPINI M
AFILIAÇÕESFilm Independent
ORCID0000-0002-6831-1185
VERIFICADOSim
TOTAL DE OBRAS5
TOTAL DE CITAÇÕES0
TOTAL COMO AUTOR5
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO2020
ANO MAIS RECENTE DE PUBLICAÇÃO2023
ÍNDICE H0
  • Introduction - An internal ecosystem

    Laia Anguix-Vilches, Elisabetta Fabrizi et al.•ARTICLE•Museum History Journal•2023

    In her research about the museum ecosystem, Jung (2011) explored the links between art galleries and the wider society they aim to serve. However, this ecosystem theory did not delve into notions of power or authority within the museum institution. Whilst scholars have investigated the nature of museums as a source of power/knowledge, there is no similar in-depth analysis of the impact of this social power on curatorial practices. This special is…

  • A Great Wave reaches Newcastle

    Open Access•Massimiliano Papini, Laia Anguix-Vilches•ARTICLE•Museum History Journal•2023

    In 1913, Charles Bernard Stevenson (1874 -1957), the first curator of the Laing Art Gallery in Newcastle, curated an exhibition of Japanese art, focusing on ukiyo-e prints, swords and hand guards, paintings, and ceramics. Making use of his networking skills, Stevenson obtained loans from local and national private collectors, as well as from institutions such as the Victoria and Albert Museum. His curation took advantage of the great wave of inte…

  • L'evidenza delle parole

    Massimiliano Papini•ARTICLE•Studi classici e orientali•2022

    Two descriptions in Statius’ Silvae, celebrating the villas of Manilius Vopiscus and Pollius Felix, display a similar structure in their thematic sequences, with repetition and variation of motifs and words. While highlighting the similarities between the two descriptions, this paper also explains and interprets their differences, especially concerning the decoration of the two complexes (in the form of sculptures, paintings, mosaics)

  • Sensus e perturbationes nei ritratti degli imperatori

    Open Access•Massimiliano Papini, Karolina Kaderka•ARTICLE•Dialogues d histoire ancienne•2022

    Le but de la contribution est de s’interroger sur la représentation des « émotions » dans les effigies des empereurs romains qui constitue un moyen important de leur autopromotion. Le point de départ de l’étude repose sur quelques passages chez les auteurs antiques abordant le reflet du caractère ( ethè , sensus ) et des sentiments/passions ( pathè , perturbationes ) dans les arts figurés. Suivent un aperçu sur les lectures antiques des physionom…

  • A ‘veritable fairyland’

    Massimiliano Papini•ARTICLE•History of Retailing and…•2020

    In the second half of the nineteenth century, many European countries and North America were hit by a great wave of interest in all things Japanese. This article examines how local retailers played a central role in spreading this transcultural phenomenon in a peripheral region, namely the North East of England.Through more or less specialist shops, Japanese decorative articles such as textiles, ceramics, lacquerware, and fans became accessible i…

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  • A ‘veritable fairyland’

    Massimiliano Papini•ARTICLE•History of Retailing and…•2020

    In the second half of the nineteenth century, many European countries and North America were hit by a great wave of interest in all things Japanese. This article examines how local retailers played a central role in spreading this transcultural phenomenon in a peripheral region, namely the North East of England.Through more or less specialist shops, Japanese decorative articles such as textiles, ceramics, lacquerware, and fans became accessible i…

  • L'evidenza delle parole

    Massimiliano Papini•ARTICLE•Studi classici e orientali•2022

    Two descriptions in Statius’ Silvae, celebrating the villas of Manilius Vopiscus and Pollius Felix, display a similar structure in their thematic sequences, with repetition and variation of motifs and words. While highlighting the similarities between the two descriptions, this paper also explains and interprets their differences, especially concerning the decoration of the two complexes (in the form of sculptures, paintings, mosaics)

  • Sensus e perturbationes nei ritratti degli imperatori

    Open Access•Massimiliano Papini, Karolina Kaderka•ARTICLE•Dialogues d histoire ancienne•2022

    Le but de la contribution est de s’interroger sur la représentation des « émotions » dans les effigies des empereurs romains qui constitue un moyen important de leur autopromotion. Le point de départ de l’étude repose sur quelques passages chez les auteurs antiques abordant le reflet du caractère ( ethè , sensus ) et des sentiments/passions ( pathè , perturbationes ) dans les arts figurés. Suivent un aperçu sur les lectures antiques des physionom…

  • Introduction - An internal ecosystem

    Laia Anguix-Vilches, Elisabetta Fabrizi et al.•ARTICLE•Museum History Journal•2023

    In her research about the museum ecosystem, Jung (2011) explored the links between art galleries and the wider society they aim to serve. However, this ecosystem theory did not delve into notions of power or authority within the museum institution. Whilst scholars have investigated the nature of museums as a source of power/knowledge, there is no similar in-depth analysis of the impact of this social power on curatorial practices. This special is…

  • A Great Wave reaches Newcastle

    Open Access•Massimiliano Papini, Laia Anguix-Vilches•ARTICLE•Museum History Journal•2023

    In 1913, Charles Bernard Stevenson (1874 -1957), the first curator of the Laing Art Gallery in Newcastle, curated an exhibition of Japanese art, focusing on ukiyo-e prints, swords and hand guards, paintings, and ceramics. Making use of his networking skills, Stevenson obtained loans from local and national private collectors, as well as from institutions such as the Victoria and Albert Museum. His curation took advantage of the great wave of inte…

Art (5 obras) · Law (3 obras) · Politics (3 obras) · Visual arts (3 obras) · Ancient Mediterranean Archaeology and History (2 obras) · Archaeology (2 obras) · Art history (2 obras) · Commodification (2 obras) · History (2 obras) · Japanese History and Culture (2 obras)

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