Elizabeth Mermin
Biographic Data
| ID | 6445215 |
|---|---|
| NAME | Elizabeth Mermin |
| GIVEN NAMES | Elizabeth |
| FAMILY NAME | Mermin |
| SIGNATURE | MERMIN E |
| AFFILIATIONS | New York University |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1995 |
| LATEST PUBLICATION YEAR | 1997 |
| H-INDEX | 1 |
Being Where? Experiencing Narratives of Ethnographic Film
Searing portraits’
Collective Soul
Review| December 01 1995 Collective Soul 1995 Margaret Mead Film and Video Festival, American Museum of Natural History, New York, New York, October 18–23, 1995 Elizabeth Mermin Elizabeth Mermin Elizabeth Mermin is a doctoral student in the department of Anthropology and the program in Culture and Media at New York University. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (1995) 23 (3): 4. https://doi.org/10…
A window on whose reality? The emerging industry of Senegalese cinema
Thanks to a rapidly spreading intellectual and commercial interest, there is no shortage of speculation as to what cinema should be. Manthia Diawara concludes his comprehensive work Cinema with a chapter on African Cinema Today. Referring to the films at the 1989 PanAfrican Film Festival at Ouagadougou (FESPACO), he defines three narrative movements-the return to the sources, the historical confrontation between Africa and Europe, and the social …
Collective Soul
Review| December 01 1995 Collective Soul 1995 Margaret Mead Film and Video Festival, American Museum of Natural History, New York, New York, October 18–23, 1995 Elizabeth Mermin Elizabeth Mermin Elizabeth Mermin is a doctoral student in the department of Anthropology and the program in Culture and Media at New York University. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (1995) 23 (3): 4. https://doi.org/10…
A window on whose reality? The emerging industry of Senegalese cinema
Thanks to a rapidly spreading intellectual and commercial interest, there is no shortage of speculation as to what cinema should be. Manthia Diawara concludes his comprehensive work Cinema with a chapter on African Cinema Today. Referring to the films at the 1989 PanAfrican Film Festival at Ouagadougou (FESPACO), he defines three narrative movements-the return to the sources, the historical confrontation between Africa and Europe, and the social …
Searing portraits’
Being Where? Experiencing Narratives of Ethnographic Film
Art (4 works) · Art history (3 works) · History (3 works) · Citation (2 works) · Computer Science (2 works) · History (2 works) · Literature (2 works) · Narrative (2 works) · Philosophy (2 works) · Aesthetics (1 work)