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Temi Odumosu

Biographic Data

ID644576
NAMETemi Odumosu
GIVEN NAMESTemi
FAMILY NAMEOdumosu
SIGNATUREODUMOSU T
AFFILIATIONSMalmö University
ORCID0000-0002-7693-0883
VERIFIEDYes
TOTAL WORKS7
TOTAL CITATIONS29
WORKS AS AUTHOR7
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2014
LATEST PUBLICATION YEAR2021
H-INDEX2
  • Response by Odumosu to “Representing experiential knowledge”

    Temi Odumosu•ARTICLE•Translation Studies•2021

    This is a photograph of a woman. Figure 1. Museum record from the Danish West Indies collection featuring Anon. Barnepige med barn pa skodet (formerly titled Et barn af familien Lachmann, Upper Bet

  • This is how you see her? Rachael Pringle Polgreen of Barbados by Thomas Rowlandson’s satirical hand

    Open Access•Temi Odumosu•ARTICLE•Atlantic Studies•2021•References: 20

    This study examines the complicated role that works of art play in colonial remembrance, and the ways in which they sustain stereotypes, biases and power relations over the passage of time. It takes as its case study Thomas Rowlandson’s hand-coloured etching, Rachel Pringle of Barbadoes (1796), which has been used as visual evidence for the fragmented biography of an Afro- Caribbean entrepreneur, mythologised as a brothel-keeper servicing the Bri…

  • One-Eyed Archive

    Mette Kia Krabbe Meyer, Temi Odumosu•ARTICLE•Digital Culture & Society•2020•Cited by: 2

    During 2016, the Royal Danish Library digitized more than 200.000 pages from the library’s, collections all of which related to the former colonies in the Caribbean. This included books and other printed matter, but also sheet music, manuscripts, personal documents, photographs and drawings. Images were published in Digital Collections, the library’s platform for digitized materials, and were accompanied by limited metadata, thereby posing challe…

  • The Crying Child

    Temi Odumosu•ARTICLE•Current Anthropology•2020•Cited by: 20•References: 47

    This article sketches key concerns surrounding the digital reproduction of enslaved and colonized subjects held in cultural heritage collections. It centralizes one photograph of a crying Afro-Caribbean child from St. Croix, housed in the Royal Danish Library, to demonstrate the unresolved ethical matters present in retrospective attempts to visualize colonialism. Working with affect and haunting as research material, the inquiry questions how mu…

  • What Lies Unspoken

    Open Access•Temi Odumosu•ARTICLE•Third Text•2019•Cited by: 7

    This article provides a reflective overview of What Lies Unspoken: Sounding the Colonial Archive, a sound intervention which I initiated and produced in collaboration with curators at the Statens Museum for Kunst and Royal Library of Denmark, whilst conducting artistic research within the Living Archives Research Project at Malmö University. The project was part of commemorative activities during 2017, marking the centennial of the sale and trans…

  • Memorializing Contested Landscapes

    Temi Odumosu, H Schroeder•ARTICLE•Journal of African Diaspora…•2015

    This thematic collection of articles presents research that extends archaeological processes of investigation from the tangible to the intangible. These articles examine the ways in which contested landscapes, both physical and virtual, animate trans-Atlantic connections. Such terrains and places engage fraught memories of slavery. Each article attempts to navigate the residual pain of these histories in public spaces, while reflecting on how age…

  • Burthened Bodies

    Open Access•Temi Odumosu•ARTICLE•American Studies in Scandinavia•2014

    Under the shadow of slavery, skin color played a vital role in determining social relations within cities, ports and colonies around the Atlantic world. Eighteenth century literature propagated the idea that visual differences between the major known human populations were not simply a matter of climate, but also of discreet characteristics and biological composition. When focused on comparisons between Africans and Europeans, these discussions w…

  • The Crying Child

    Temi Odumosu•ARTICLE•Current Anthropology•2020•Cited by: 20•References: 47

    This article sketches key concerns surrounding the digital reproduction of enslaved and colonized subjects held in cultural heritage collections. It centralizes one photograph of a crying Afro-Caribbean child from St. Croix, housed in the Royal Danish Library, to demonstrate the unresolved ethical matters present in retrospective attempts to visualize colonialism. Working with affect and haunting as research material, the inquiry questions how mu…

  • What Lies Unspoken

    Open Access•Temi Odumosu•ARTICLE•Third Text•2019•Cited by: 7

    This article provides a reflective overview of What Lies Unspoken: Sounding the Colonial Archive, a sound intervention which I initiated and produced in collaboration with curators at the Statens Museum for Kunst and Royal Library of Denmark, whilst conducting artistic research within the Living Archives Research Project at Malmö University. The project was part of commemorative activities during 2017, marking the centennial of the sale and trans…

  • One-Eyed Archive

    Mette Kia Krabbe Meyer, Temi Odumosu•ARTICLE•Digital Culture & Society•2020•Cited by: 2

    During 2016, the Royal Danish Library digitized more than 200.000 pages from the library’s, collections all of which related to the former colonies in the Caribbean. This included books and other printed matter, but also sheet music, manuscripts, personal documents, photographs and drawings. Images were published in Digital Collections, the library’s platform for digitized materials, and were accompanied by limited metadata, thereby posing challe…

  • Burthened Bodies

    Open Access•Temi Odumosu•ARTICLE•American Studies in Scandinavia•2014

    Under the shadow of slavery, skin color played a vital role in determining social relations within cities, ports and colonies around the Atlantic world. Eighteenth century literature propagated the idea that visual differences between the major known human populations were not simply a matter of climate, but also of discreet characteristics and biological composition. When focused on comparisons between Africans and Europeans, these discussions w…

  • Memorializing Contested Landscapes

    Temi Odumosu, H Schroeder•ARTICLE•Journal of African Diaspora…•2015

    This thematic collection of articles presents research that extends archaeological processes of investigation from the tangible to the intangible. These articles examine the ways in which contested landscapes, both physical and virtual, animate trans-Atlantic connections. Such terrains and places engage fraught memories of slavery. Each article attempts to navigate the residual pain of these histories in public spaces, while reflecting on how age…

  • What Lies Unspoken

    Open Access•Temi Odumosu•ARTICLE•Third Text•2019•Cited by: 7

    This article provides a reflective overview of What Lies Unspoken: Sounding the Colonial Archive, a sound intervention which I initiated and produced in collaboration with curators at the Statens Museum for Kunst and Royal Library of Denmark, whilst conducting artistic research within the Living Archives Research Project at Malmö University. The project was part of commemorative activities during 2017, marking the centennial of the sale and trans…

  • One-Eyed Archive

    Mette Kia Krabbe Meyer, Temi Odumosu•ARTICLE•Digital Culture & Society•2020•Cited by: 2

    During 2016, the Royal Danish Library digitized more than 200.000 pages from the library’s, collections all of which related to the former colonies in the Caribbean. This included books and other printed matter, but also sheet music, manuscripts, personal documents, photographs and drawings. Images were published in Digital Collections, the library’s platform for digitized materials, and were accompanied by limited metadata, thereby posing challe…

  • The Crying Child

    Temi Odumosu•ARTICLE•Current Anthropology•2020•Cited by: 20•References: 47

    This article sketches key concerns surrounding the digital reproduction of enslaved and colonized subjects held in cultural heritage collections. It centralizes one photograph of a crying Afro-Caribbean child from St. Croix, housed in the Royal Danish Library, to demonstrate the unresolved ethical matters present in retrospective attempts to visualize colonialism. Working with affect and haunting as research material, the inquiry questions how mu…

  • Response by Odumosu to “Representing experiential knowledge”

    Temi Odumosu•ARTICLE•Translation Studies•2021

    This is a photograph of a woman. Figure 1. Museum record from the Danish West Indies collection featuring Anon. Barnepige med barn pa skodet (formerly titled Et barn af familien Lachmann, Upper Bet

  • This is how you see her? Rachael Pringle Polgreen of Barbados by Thomas Rowlandson’s satirical hand

    Open Access•Temi Odumosu•ARTICLE•Atlantic Studies•2021•References: 20

    This study examines the complicated role that works of art play in colonial remembrance, and the ways in which they sustain stereotypes, biases and power relations over the passage of time. It takes as its case study Thomas Rowlandson’s hand-coloured etching, Rachel Pringle of Barbadoes (1796), which has been used as visual evidence for the fragmented biography of an Afro- Caribbean entrepreneur, mythologised as a brothel-keeper servicing the Bri…

Art (6 works) · History (5 works) · Sociology (5 works) · Archaeology (4 works) · History (4 works) · Psychology (4 works) · Visual arts (4 works) · Aesthetics (3 works) · Colonialism (3 works) · Cultural Heritage Management and Preservation (3 works)

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