Keith Clavin
Biographic Data
| ID | 6449770 |
|---|---|
| NAME | Keith Clavin |
| GIVEN NAMES | Keith |
| FAMILY NAME | Clavin |
| SIGNATURE | CLAVIN K |
| AFFILIATIONS | Roger Williams University |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 0 |
Narrating risk
The following article examines contemporary cinema’s narrative responses to the 2007 credit crisis and subsequent recession in the United States. The analysis focuses upon Margin Call (2011) and Cosmopolis (2012), two films that draw from the genre commonly referred to as ‘the thriller’. Both films are fictional and exhibit the interplay between systemic risk, the revision of historical conventions of the thriller, and financial crisis. Specifica…
Living, Again
The last several decades have witnessed a drastic increase in ecological writing, but also a substantial lack in regards to the discussion of human population control. This article argues that the deficiency has been reproduced within several recent examples of eco-cinema, Snowpiercer and Mad Max: Fury Road. Despite strong conservationist themes and narratives encouraging social revolution, the films encounter similar theoretical difficulties, an…
Fagin's Coin of Truth
This essay examines Fagin from Oliver Twist as a villain whose construction joins Victorian anxieties about counterfeiting and economic deceptiveness with separate yet related concerns about the author's role in representing criminal life. Dickens triangulates Fagin's identity through cultural fears about Jewish participation within secondary markets, increased distance between purchaser and seller in an expanding credit economy, and moral ambigu…
No prominent works on this page.
Fagin's Coin of Truth
This essay examines Fagin from Oliver Twist as a villain whose construction joins Victorian anxieties about counterfeiting and economic deceptiveness with separate yet related concerns about the author's role in representing criminal life. Dickens triangulates Fagin's identity through cultural fears about Jewish participation within secondary markets, increased distance between purchaser and seller in an expanding credit economy, and moral ambigu…
Living, Again
The last several decades have witnessed a drastic increase in ecological writing, but also a substantial lack in regards to the discussion of human population control. This article argues that the deficiency has been reproduced within several recent examples of eco-cinema, Snowpiercer and Mad Max: Fury Road. Despite strong conservationist themes and narratives encouraging social revolution, the films encounter similar theoretical difficulties, an…
Narrating risk
The following article examines contemporary cinema’s narrative responses to the 2007 credit crisis and subsequent recession in the United States. The analysis focuses upon Margin Call (2011) and Cosmopolis (2012), two films that draw from the genre commonly referred to as ‘the thriller’. Both films are fictional and exhibit the interplay between systemic risk, the revision of historical conventions of the thriller, and financial crisis. Specifica…
Aesthetics (3 works) · Art (3 works) · Literature (3 works) · Narrative (3 works) · Philosophy (3 works) · Sociology (3 works) · Art history (2 works) · History (2 works) · Law (2 works) · Movie theater (2 works)