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Daniel Watt

Biographic Data

ID6449820
NAMEDaniel Watt
GIVEN NAMESDaniel
FAMILY NAMEWatt
SIGNATUREWATT D
AFFILIATIONSLoughborough University
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS2
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1998
LATEST PUBLICATION YEAR2023
H-INDEX1
  • Is there equity of patient health outcomes across models of general practice in Aotearoa New Zealand? A national cross-sectional study

    Open Access•Nicolette Sheridan, Tom Love et al.•ARTICLE•International Journal for Equity…•2023

    Model-level associations with poor patient outcomes suggest inequity in measures that might be used to target investment in primary care

  • Bodies of Failure

    Open Access•Eve Katsouraki, Daniel Watt•ARTICLE•Somatechnics•2013•Cited by: 1

  • Transgressing the witness at three sites of knowledge

    Daniel Watt•ARTICLE•Research in Drama Education The…•2007

    This article examines a performance event, Life is Perfect, by Paul+a (Paul Jeff and Sarah Dowling), which took place on 2 October 2004 over a period of 24 hours at The Peterstone Court Hotel in mid-Wales. The site of this work was then revisited by TRAWS (The Inter-University research group for Performance in Wales) as part of an exploration of performance sites across Wales. These findings were themselves then represented at the Centre for Perf…

  • It's a joke, I do not accept

    Daniel Watts, Daniel Watt•ARTICLE•Journal for Cultural Research•2006•Cited by: 1•References: 5

    This paper explores the notions of indebtedness in the work of Derrida and the complex series of negotiations he employs in dealing with the work of Heidegger, Blanchot and Beckett, principally in the works The Post Card, “Living On: Border Lines”, The Work of Mourning and “Aphorism Countertime”. What does the obligation to read the work of Derrida entail? The ethical demand of history and the political is strewn with ghosts and phantoms; all the…

  • A Rose Blossoming into a Bud

    Open Access•Daniel Watt•ARTICLE•Oxford Literary Review•2000

    I ordered my horse to be brought from the stables. The servant did not understand my or­ ders. So I went to the stables myself, saddled my horse, and mounted. In the distance I heard the sound of a trumpet, and I asked the servant what it meant. He knew nothing and had heard nothing. At the gate he stopped me and asked: 'Where is the master going?' i don't know,' I said, 'just out of here, just out of here. Out of here, nothing else, it's the onl…

  • Leo Bersani and Ulysse Dutoit, Arts of Impoverishment Beckett, Rothko, Resnais (Cambridge

    Open Access•Daniel Watt•ARTICLE•Oxford Literary Review•1998

  • Bodies of Failure

    Open Access•Eve Katsouraki, Daniel Watt•ARTICLE•Somatechnics•2013•Cited by: 1

  • It's a joke, I do not accept

    Daniel Watts, Daniel Watt•ARTICLE•Journal for Cultural Research•2006•Cited by: 1•References: 5

    This paper explores the notions of indebtedness in the work of Derrida and the complex series of negotiations he employs in dealing with the work of Heidegger, Blanchot and Beckett, principally in the works The Post Card, “Living On: Border Lines”, The Work of Mourning and “Aphorism Countertime”. What does the obligation to read the work of Derrida entail? The ethical demand of history and the political is strewn with ghosts and phantoms; all the…

  • Leo Bersani and Ulysse Dutoit, Arts of Impoverishment Beckett, Rothko, Resnais (Cambridge

    Open Access•Daniel Watt•ARTICLE•Oxford Literary Review•1998

  • A Rose Blossoming into a Bud

    Open Access•Daniel Watt•ARTICLE•Oxford Literary Review•2000

    I ordered my horse to be brought from the stables. The servant did not understand my or­ ders. So I went to the stables myself, saddled my horse, and mounted. In the distance I heard the sound of a trumpet, and I asked the servant what it meant. He knew nothing and had heard nothing. At the gate he stopped me and asked: 'Where is the master going?' i don't know,' I said, 'just out of here, just out of here. Out of here, nothing else, it's the onl…

  • It's a joke, I do not accept

    Daniel Watts, Daniel Watt•ARTICLE•Journal for Cultural Research•2006•Cited by: 1•References: 5

    This paper explores the notions of indebtedness in the work of Derrida and the complex series of negotiations he employs in dealing with the work of Heidegger, Blanchot and Beckett, principally in the works The Post Card, “Living On: Border Lines”, The Work of Mourning and “Aphorism Countertime”. What does the obligation to read the work of Derrida entail? The ethical demand of history and the political is strewn with ghosts and phantoms; all the…

  • Transgressing the witness at three sites of knowledge

    Daniel Watt•ARTICLE•Research in Drama Education The…•2007

    This article examines a performance event, Life is Perfect, by Paul+a (Paul Jeff and Sarah Dowling), which took place on 2 October 2004 over a period of 24 hours at The Peterstone Court Hotel in mid-Wales. The site of this work was then revisited by TRAWS (The Inter-University research group for Performance in Wales) as part of an exploration of performance sites across Wales. These findings were themselves then represented at the Centre for Perf…

  • Bodies of Failure

    Open Access•Eve Katsouraki, Daniel Watt•ARTICLE•Somatechnics•2013•Cited by: 1

  • Is there equity of patient health outcomes across models of general practice in Aotearoa New Zealand? A national cross-sectional study

    Open Access•Nicolette Sheridan, Tom Love et al.•ARTICLE•International Journal for Equity…•2023

    Model-level associations with poor patient outcomes suggest inequity in measures that might be used to target investment in primary care

Art (3 works) · Law (2 works) · Political science (2 works) · Samuel Beckett and Modernism (2 works) · Aesthetics (1 work) · Aotearoa (1 work) · Art history (1 work) · Biology (1 work) · Chronic Disease Management Strategies (1 work) · Cross-sectional study (1 work)

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